creative writing phd ucl

Creative Writing Research PhD

Key information

The PhD in Creative Writing at King’s is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing.

Key Benefits

Our unique programme offers students:

• a varied, structured framework for the development of their creative work, with regular feedback from experienced author-lecturers in the department through supervision and workshops
• purposeful engagement with professionals from the publishing and performance industries throughout the course, building potential routes to publication
• valuable teaching experience in creative writing at HE-level through our Graduate Teaching Assistantship scheme
• practical experience in public engagement, through curating and chairing public literary events at King’s
• a community of fellow writers and collaborative projects

English Department

We have over 100 doctoral students from all over the world working on a wide range of projects. Together with our community of postdoctoral fellows, our early career researchers both organise and participate in our thriving seminar and conference culture.

The English department is home to award-winning novelists, poets, essayists, biographers, non-fiction authors, and literary critics, who supervise creative projects at doctoral level within their specialisms.

Works by our staff have won or been shortlisted for a number of literary accolades, including: the T.S. Eliot Prize, the Forward Prize, the Man Booker Prize, the Sunday Times Young Writer of the Year, the Costa First Novel Award, the Costa Poetry Award, the Somerset Maugham Award, the Commonwealth Book Prize, the Biographers’ Club / Slightly Foxed First Biography Prize, the U.S. National Book Critics Circle Award, the CWA Gold Dagger Award, the European Union Prize for Literature, the RSL Encore Award, the Los Angeles Times Book Award, the E.M. Forster Award from the American Academy of Letters, le Prix du Roman Fnac, le Prix du Roman Etranger, the Kiriyama Prize, the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and the OCM Bocas Prize for Caribbean Literature. Many of the creative writing staff are Fellows of the Royal Society of Literature.

Their most recent publications are:

Benjamin Wood

The Young Accomplice (Penguin Viking, 2022) – fiction

A Station on the Path to Somewhere Better (Scribner, 2018) – fiction

Edmund Gordon

The Invention of Angela Carter (Chatto & Windus, 2016) – creative non-fiction

Loop of Jade (Chatto & Windus, 2015) – poetry

Anthony Joseph

Sonnets for Albert (Bloomsbury Publishing, 2022) – poetry

The Frequency of Magic (Peepal Tree Press, 2019) – fiction

Lara Feigel

The Group (John Murray Press, 2020) – fiction

Free Woman: Life, Liberation and Doris Lessing (Bloomsbury, 2018) – creative non-fiction

Homing: On Pigeons, Dwellings, and Why We Return (John Murray Press, 2019) – creative non-fiction

Daughters of the Labyrinth (Corsair, 2021) – fiction

Beethoven Variations: Poems on a Life (Chatto & Windus, 2020) – poetry

Emerald (Chatto & Windus, 2018) – poetry

Andrew O'Hagan

Mayflies (Faber & Faber, 2020) – fiction

The Secret Life: Three True Stories (Faber & Faber, 2017) – creative non-fiction

*may vary according to research leave and availability.

King's Alumni

The list of King’s alumni not only features many acclaimed contemporary authors—Michael Morpurgo, Alain de Botton, Hanif Kureishi, Marina Lewycka, Susan Hill, Lawrence Norfolk, Ross Raisin, Alexander Masters, Anita Brookner, and Helen Cresswell—it also includes major figures in literature, such as Maureen Duffy, Arthur C Clarke, Thomas Hardy, Christopher Isherwood, BS Johnson, John Keats, W. Somerset Maugham, and Virginia Woolf.

Course Detail

Our postgraduate writing students are given a supportive environment in which to enhance their technique, to explore the depths of their ideas, to sustain their creative motivation, and to prepare them for the demands of the writer’s life beyond the College.

At King's we know that writing well requires self-discipline and an ability to work productively in isolation; but we also appreciate that postgraduate writers thrive when they are part of a community of fellow authors, an environment of constructive criticism and shared endeavour.

That is why we offer our PhD students the guidance of knowledgeable and experienced practitioners. They will have frequent opportunities to interact and collaborate with peers and forge lasting connections within London’s writing industry.

Students will be expected to attend the quarterly Thesis Workshop, and also to take an active part in curating literary events at King’s, including the Poetry And… quarterly reading series. They will be invited to apply for positions teaching undergraduate creative writing modules as part of the Department’s Graduate Teaching Assistantship (GTA) scheme.

After three years (full-time) or six years (part-time), students are expected to submit either:

• a novel or short story collection
• a poetry collection
• a full-length work of creative non-fiction

In addition, they are also required to submit an essay (up to 15,000 words) that examines their practical approach to the conception, development, and revision of their project, and which explores how their creative work was informed by research (archival, book-based, or experiential).

• How to apply
• Fees or Funding

Many of our incoming students apply for AHRC funding via the London Arts and Humanities Partnership. Please see their website ( www.lahp.ac.uk ) for more detail of deadlines, application procedure and awards available. Also the ‘Student Funding’ section of the Prospectus will give you more information on other scholarships available from King’s.

UK Tuition Fees 2023/24

Full time tuition fees:

£5,820 per year (MPhil/PhD, Creative Writing)

Part time tuition fees:

£2,910 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2023/24

£22,900 per year (MPhil/PhD, Creative Writing)

£11,450 per year (MPhil/PhD, Creative Writing)

UK Tuition Fees 2024/25

£6,168 per year (MPhil/PhD, Creative Writing)

£3,084 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2024/25

£24,786 per year (MPhil/PhD, Creative Writing)

£12,393 per year (MPhil/PhD, Creative Writing)

These tuition fees may be subject to additional increases in subsequent years of study, in line with King’s terms and conditions.

• Study environment

Base campus

Strand Campus

Located on the north bank of the River Thames, the Strand Campus houses King's College London's arts and sciences faculties.

PhD in Creative Writing students are taught through one-to-one sessions with an appointed supervisor in their chosen specialism (fiction, creative non-fiction, or poetry) as well as through quarterly thesis workshops. They are also appointed a second supervisor whose role is to offer an additional perspective on the work being produced.

We place great emphasis on pastoral care and are a friendly and welcoming department in the heart of London. Our home in the Virginia Woolf Building offers many spaces for postgraduate students to work and socialise. Studying in London means students have access to a huge range of libraries from the Maughan Library at King’s to the Senate House Library at the University of London and the British Library.

Our PhD Creative Writing students are taught exclusively by practicing, published writers of international reputation. These include:

Benjamin Wood (Senior Lecturer in Creative Writing)

Supervises projects in fiction.

Edmund Gordon (Senior Lecturer in Creative Writing)

Supervises projects in fiction and creative non-fiction.

Sarah Howe (Lecturer in Poetry)

Supervises projects in poetry.

Anthony Joseph (Lecturer in Creative Writing)

Supervises projects in poetry and fiction.

Jon Day (Senior Lecturer in English)

Supervises projects in creative non-fiction and fiction

Lara Feigel (Professor of Modern Literature)

Supervises projects in creative non-fiction and fiction.

Ruth Padel (Professor Emerita of Poetry)

Andrew O’Hagan (Visiting Professor)

*Teaching staff may vary according to research leave and availability.

Our programme also incorporates the following taught components:

Thesis Workshop

A termly writing seminar for the discussion and appraisal of works-in-progress. These are taught on a rotational basis by all members of the creative writing staff, so that students get the benefit of hearing a range of voices and opinions on their work throughout the course.

The Writing Life

A suite of exclusive guest talks and masterclasses from leading authors, publishers, and editors, in which students receive guidance from people working at the top level of the writing industry and learn about the various demands of maintaining a career as a writer.

Recent speakers have included Amit Chaudhuri, Chris Power, Rebecca Watson, Mendez, Frances Leviston, Joanna Biggs, Joe Dunthorne, Francesca Wade, Kishani Widyaratna, Jacques Testard and Leo Robson.

Other elements of professional development are included in the degree:

Agents-in-Residence

Candidates in fiction or creative-nonfiction will meet and discuss their work in one-to-one sessions with invited literary agents, who are appointed to yearly residencies. These sessions offer writers a different overview of the development of their project: not solely from the standpoint of authorial technique, but with a view towards the positioning of their writing within a competitive and selective industry. Poetry candidates will meet and discuss their work with invited editors from internationally recognised poetry journals and presses.

Undergraduate Teaching

Through our Graduate Teaching Assistant (GTA) training scheme, our PhD students can apply to lead undergraduate creative writing workshops in fiction, creative non-fiction, and/or poetry, enabling them to acquire valuable HE-level teaching experience that will benefit them long after graduation.

Reading Series

Our students are required to participate in the curation of literary events at King’s. They are also responsible for curating Poetry And… , a quarterly reading in which leading poets illuminate the powerful connections between poetry and other disciplines. Students will develop skills in public engagement by chairing discussions and may also perform excerpts of their own writing.

Postgraduate Training

There is a range of induction events and training provided for students by the Centre for Doctoral Studies, the Faculty of Arts and Humanities and the English Department. A significant number of our students are AHRC-funded through the London Arts and Humanities Partnership (LAHP) which also provides doctoral training to all students. All students take the ‘Doctoral Seminar’ in their first year. This is a series of informal, staff-led seminars on research skills in which students can share and gain feedback on their own work. We run a series of ‘Skills Lunches’, which are informal lunch meetings with staff, covering specific topics, including Upgrading, Attending Conferences, Applying for Funding and Post-Doctoral Awards, etc. Topics for these sessions are generally suggested by the students themselves, so are particularly responsive to student needs. We have an Early Career Staff Mentor who runs more formal workshops of varying kinds, particularly connected to career development and the professions.

Through our Graduate Teaching Assistantship Scheme, doctoral students can apply to teach in the department (usually in their second year of study) and are trained and supported as they do so.

• Entry requirements

Find a supervisor

Search through a list of available supervisors.

Accommodation

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Lecturer in Creative Arts and Humanities: Writing

Ucl - arts and sciences (uasc).

The UCL Arts and Sciences (UASc) department is the home for the Bachelor of Arts and Sciences (BASc) which is the UK's leading interdisciplinary degree, covering arts, social sciences and sciences degree. There is also postgraduate taught sister programme to UCL’s Bachelor of Arts and Sciences (BASc), the new MASc in Creative Health which combines the breadth of interdisciplinary study across the arts and sciences, with the opportunity to specialise in the role of non-clinical, community-led, socially engaged approaches to public health. The Department has a doctoral programme in Interdisciplinary Societies, Arts and Sciences which accepted its first students in the 2023/24 academic year.

UCL Arts and Sciences also launched a new undergraduate degree, the Bachelor in Creative Arts and Humanities (BACAH), with its first intake 2023/24. This degree is homed at UCL East and brings together critical humanities thinking with practices of writing, performance and moving images. BACAH further develops the UASc departments’ interdisciplinarity by bringing together critical humanities thinking with critical practice.

We are seeking a Lecturer in Creative Arts and Humanities: Writing to undertake teaching and research in creative arts and humanities with a specialism in creative and critical writing, which may include writing for stage or screen, non-fiction writing, fiction, poetry, or digital narratives. An interest in one or more of the following research areas would be desirable but other areas will also be considered: cities, migration, diversity, race, gender and sexuality, the environment, climate change, health.

The postholder will organise and convene two of the four writing modules available in years 1 and 2 of the BA Creative Arts and Humanities programme, with possible involvement in teaching final year modules due to begin from 2025/26. In addition, they will also be required to undertake world leading research into creative arts and humanities with a specialism relevant to creative and critical writing including: publishing high quality outputs which may include creative outputs, leading and participating in gaining grants; developing research networks.

The post is based at the UCL East campus in Stratford, but some travel may be required to the Bloomsbury campus for departmental activities or to contribute to teaching on the BASc Arts and Sciences programmes.

This role meets the eligibility requirements for a skilled worker certificate of sponsorship or a global talent visa under UK Visas and Immigration legislation. Therefore, UCL welcomes applications from international applicants who require a visa.

The postholder will be educated to Doctoral level or have equivalent professional experience in any area relevant to interdisciplinary creative arts and humanities with a specialism in critical and creative writing.

Previous experience of teaching cultural and creative writing in interdisciplinary creative arts and humanities and in relevant curriculum development is essential. In addition, the postholder must have proven experience in research in creative arts and humanities with a specialism in critical and creative writing.

In addition, the postholder will have the ability to share in the organisation and management of research programmes in creative arts and humanities with a specialism in critical and creative writing. A proven ability to mentor students and excellent communication skills are also essential.

As well as the exciting opportunities this role presents, we also offer great benefits. Please visit https://www.ucl.ac.uk/work-at-ucl/rewards-and-benefits to find out more.

You can read more about our commitment to Equality, Diversity and Inclusion here: https://www.ucl.ac.uk/equality-diversity-inclusion/

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Postgraduate literature and creative writing courses at UCL - University College London

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MPhil/PhD Creative Writing

Course information.

English and Creative Writing

3-4 years full-time or 4-6 years part-time

Course overview

The inter-relationship between theory, scholarship and the creative process is key to the Goldsmiths MPhil/PhD Creative Writing.

Programme content

• You'll be expected to combine your own creative writing – whether poetry, fiction or life writing – with research into the genre or area of literature in which you are working, to gain insight into its history and development, and to engage with relevant contemporary debates.
• This might be genre in the more traditional sense, for example satire, fictional autobiography, verse drama, or particular traditions to which you feel your work relates, for example projective verse, postmodernist fiction, or Caribbean poetics.
• This element of the PhD – the critical commentary – will constitute around 30% of the final work; the major part – 70% – will be a creative work of publishable standard: a novel, memoir, book of poems or collection of stories, for example.
• Assessment is by thesis and viva voce.
• North American applicants especially should note that the British system does not include preparatory taught classes or examinations as part of the MPhil/PhD programme, except for an initial course in research methods.
• Find out more about  research degrees at Goldsmiths . 

Goldsmiths creative writing students and alumni

Former and current PhD students include the following published writers and poets: 

• 2019 Booker Prize-winning   Bernardine Evaristo , whose Jerwood Fiction Uncovered -winning book Mr Loverman was written, in part, at Goldsmiths
• Season Butler
• Benjamin Woolley
• Linda Buckley-Archer
• Wendy Jones
• Justin Hill 
• Sophie Ward
• Francis Gilbert  
• Emma Darwin
• Virginia Peters
• Thomas Sykes
• Aoife Mannix
• Katrina Naomi
• Kate Miller  (winner of the Seamus Heaney Centre for Poetry Prize) 
• Kathryn Maris
• Jack Underwood
• Abigail Parry
• Matthew Gregory
• Jenny Lewis

Contact the department

If you have specific questions about the degree, contact Stephen Knight .

Entry requirements

You should normally hold a first or upper second class BA Honours degree and have either a good MA in Creative Writing or a track record of relevant publications with a reputable company.

International qualifications

We accept a wide range of international qualifications. Find out more about the qualifications we accept from around the world.

If English isn’t your first language, you will need an IELTS score (or equivalent English language qualification ) of 7.0 with a 7.0 in writing and no element lower than 6.5 to study this programme. If you need assistance with your English language, we offer a range of courses that can help prepare you for postgraduate-level study .

Fees, funding & scholarships

Annual tuition fees.

These are the fees for students starting their programme in the 2024/2025 academic year.

• Home - full-time: £TBC
• Home - part-time: £TBC
• International - full-time: £TBC

If your fees are not listed here, please check our postgraduate fees guidance or contact the Fees Office , who can also advise you about how to pay your fees.

It’s not currently possible for international students to study part-time under a student visa. If you think you might be eligible to study part-time while being on another visa type, please contact our Admissions Team for more information.

If you are looking to pay your fees please see our guide to making a payment .

Additional costs

In addition to your tuition fees, you'll be responsible for any additional costs associated with your course, such as buying stationery and paying for photocopying. You can find out more about what you need to budget for on our study costs page .

There may also be specific additional costs associated with your programme. This can include things like paying for field trips or specialist materials for your assignments.

Funding opportunities

Find out more about postgraduate fees and explore funding opportunities . If you're applying for funding, you may be subject to an application deadline.

AHRC studentships

The  Department of English and Creating Writing  sometimes offers fee waivers for this programme.

How to apply

You apply directly to Goldsmiths using our online application system.

If you are interested in applying to the PhD Creative Writing programme, please send your academic CV, along with a sample of your writing (approx 3,000 words) to   graduateschool (@gold.ac.uk) . These will then be seen by the programme convenor, who will be able to advise on supervisor availability in the department, and whether you should submit a formal application via the 'Apply Now' link at the top of this page.

Before submitting your application you'll need to have: 

• Details of  your education history , including the dates of all exams/assessments
• The  email address of your referee  who we can request a reference from, or alternatively an electronic copy of your academic reference
• Contact details of a second referee
• A  personal statement – t his can either be uploaded as a Word Document or PDF, or completed online

           Please see our guidance on writing a postgraduate statement

• If available, an electronic copy of your educational transcript (this is particularly important if you have studied outside of the UK, but isn’t mandatory)
• Details of your  research proposal

You'll be able to save your progress at any point and return to your application by logging in using your username/email and password.

Before you apply for a research programme, we advise you to get in touch with the programme contact, listed above. It may also be possible to arrange an advisory meeting.

Before you start at Goldsmiths, the actual topic of your research has to be agreed with your proposed supervisor, who will be a member of staff active in your general field of research. The choice of topic may be influenced by the current research in the department or the requirements of an external funding body. 

If you wish to study on a part-time basis, you should also indicate how many hours a week you intend to devote to research, whether this will be at evenings or weekends, and for how many hours each day.

Research proposals

Along with your application and academic reference, you should also upload a research proposal at the point of application. 

This should be in the form of a statement of the proposed area of research and should include: 

• delineation of the research topic
• why it has been chosen
• an initial hypothesis (if applicable)
• a brief list of major secondary sources

How detailed a research proposal are we looking for on the application form?   Obviously what you put on the form and exactly what you end up researching may be rather different, but in order to judge whether or not to offer you a place, the Department needs to know whether you have the broad outlines of a viable project. This means:

• a project that is both worthwhile and interesting, but not over-ambitious
• a project that can realistically be achieved within the confines of PhD on a full-time (4 years typically) or part-time (6 years maximum) basis
• we need to be sure that you have thought about it carefully and are fully committed to the research
• we need to be sure that you understand what is involved in doing a PhD
• your research proposal should give us enough information to be able to interview you (if you are in the UK) or reach a decision as to whether to admit you if you are not based in the UK

When to apply  

We accept applications from October for students wanting to start the following September. 

We encourage you to complete your application as early as possible, even if you haven't finished your current programme of study. It's very common to be offered a place conditional on you achieving a particular qualification.  

If you're applying for external funding from one of the Research Councils, make sure you submit your application by the deadline they've specified. 

Selection process 

If your degree is in an unrelated field, you may be considered subject to a qualifying interview and/or submission of sample essays.

Find out more about applying .

Department of English and Creative Writing have a wide range of research specialisms; find out more about our staff and their research interests .

You'll develop transferable skills, including:

• enhanced communication and discussion skills in written and oral contexts
• the ability to analyse and evaluate different textual materials
• the ability to organise information
• the ability to assimilate and evaluate competing arguments
• Public relations
• Advertising
• The civil service

Find out more about employability at Goldsmiths .

Research training programme

Training in research methods and skills is provided both by the department and Goldsmiths' Graduate School. This begins with an intensive week-long induction in the first week of enrolment and continues later in the first term with a series of seminars focussing on the specific challenges of literary and linguistic research projects. The department will also inform you about any research training seminars or study-days offered elsewhere in the University of London (for exmaple, by the Institute of English Studies or the Institute of Modern Languages Research, School of Advanced Study) or beyond, such as at the British Library. The specific training requirements of your project will be assessed, and guidance provided on specialist seminars and conferences to attend, which can be supported where possible by assistance from departmental funds.

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Department of English and Related Literature

PhD in English with Creative Writing

Join a thriving community of researchers to develop a substantial research project alongside an original piece of creative writing.

Join a passionate and intellectual research community to explore literature across all periods and genres.

Your research

Our PhD in English with Creative Writing encourages distinctive approaches to practice-based literary research. This route allows you to develop a substantial research project, which incorporates an original work of creative writing (in prose, poetry, or other forms). As part of a thriving community of postgraduate researchers and writers, you'll be supported by world-leading experts with a wide range of global and historical specialisms, and given access to unique resources including our   letterpress printing studio  and   Writer in Residence.

Under the guidance of your supervisor, you will complete a critical research component of 30-40,000 words and a creative component written to its natural length (eg a book-length work of poetry, fiction, or creative nonfiction). A typical semester will involve a great deal of independent research, punctuated by meetings with your supervisor who will be able to suggest direction and address concerns throughout the writing process. You will be encouraged to undertake periods of research at archives and potentially internationally, depending on your research.

Throughout your degree, you will have the opportunity to attend a wide range of research training sessions in order to learn archival and research skills, as well as a range of research and creative seminars organised by the research schools and our distinguished Writers at York series. This brings speakers from around the world for research talks, author conversations, and networking.

Applicants for the PhD in English with Creative Writing should submit a research proposal for their overall research project, along with samples of creative and critical writing, demonstrating a suitable ability in each, as part of the application. Proposals should include plans for a critical research component of 30-40,000 words and a creative component written to its natural length (eg a book-length work of poetry, fiction or creative nonfiction), while demonstrating a clear relationship between the two.

Students embarking on a PhD programme are initially enrolled provisionally for this qualification until they pass their progression review at the end of their first full year of study. 

[email protected] +44 (0) 1904 323366

Related links

• How to apply
• Research degree funding
• Accommodation
• International students
• Life at York

You also have the option of enrolling in a PhD in English with Creative Writing by distance learning, where you will have the flexibility to work from anywhere in the world. You will attend the Research Training Programme online in your first year and have supervision and progression meetings online.

You must attend a five-day induction programme in York at the beginning of your first year. You will also visit York in your second and third years (every other year for part-time students).

Apply for PhD in English with Creative Writing (distance learning)

World-leading research

We're a top ten research department according to the Times Higher Education’s ranking of the latest REF results (2021).

35th in the world

for English Language and Literature in the QS World University Rankings by Subject, 2023.

Committed to equality

We're proud to hold an Athena Swan Bronze award in recognition of the work we do to support gender equality in English.

Writers at York series

We host a series of hugely successful seminars, open to everyone, where a stellar cast of world-famous contemporary writers deliver readings and workshops.

Explore funding for postgraduate researchers in the Department of English and Related Literature.

Supervision

Explore the expertise of our staff and identify a potential supervisor.

Research student training

You'll receive training in research methods and skills appropriate to the stage you've reached and the nature of your work. In addition to regular supervisory meetings to discuss planning, researching and writing the thesis, we offer sessions on bibliographic and archival resources (digital, print and manuscript). You'll receive guidance in applying to and presenting at professional conferences, preparing and submitting material for publication and applying for jobs. We meet other training needs in handling research data, various modern languages, palaeography and bibliography. Classical and medieval Latin are also available.

We offer training in teaching skills if you wish to pursue teaching posts following your degree. This includes sessions on the delivery and content of seminars and workshops to undergraduates, a structured shadowing programme, teaching inductions and comprehensive guidance and resources for our graduate teaching assistants. Our teacher training is directed by a dedicated member of staff.

You'll also benefit from the rich array of research and training sessions at the Humanities Research Centre .

Course location

This course is run by the Department of English and Related Literature.

You'll be based on  Campus West , though your research may take you further afield.

We also have a distance learning option available for this course.

Entry requirements

For doctoral research, you should hold or be predicted to achieve a first-class or high upper second-class undergraduate degree with honours (or equivalent international qualification) and a Masters degree with distinction. 

The undergraduate and Masters degrees should be in literature and/or creative writing, or in a related subject that is related to the proposed research project. 

Other relevant experience and expertise may also be considered:

• Evidence of training in research techniques may be an advantage.
• It would be expected that postgraduate applicants would be familiar with the recent published work of their proposed supervisor.
• Publications are not required and the Department of English and Related Literature does not expect applicants to have been published before they start their research degrees.

Supervisors interview you to ensure a good supervisory match and to help with funding applications.

The core deciding factor for admission is the quality of the research proposal, though your whole academic profile will be taken into account. We are committed to ensuring that no prospective or existing student is treated less favourably. See our  admissions policy  for more information.

Apply for the PhD in English with Creative Writing

Have a look at the supporting documents you may need for your application.

Before applying, we advise you to identify potential supervisors in the department. Preliminary enquiries are welcomed and should be made as early as possible. However, a scattershot approach – emailing all staff members regardless of the relationship between their research interests and yours – is unlikely to produce positive results. 

If it's not clear which member of staff is appropriate, you should email the   Graduate Chair .

Students embarking on a PhD programme are initially enrolled provisionally for that qualification. Confirmation of PhD registration is dependent upon the submission of a satisfactory proposal that meets the standards required for the degree, usually in the second year of study.

Find out more about how to apply .

English language requirements

You'll need to provide evidence of your proficiency in English if it's not your first language.

Check your English language requirements

Research proposal

In order to apply for a PhD, we ask that you submit a research proposal as part of your application.

When making your application, you're advised to make your research proposals as specific and clear as possible. Please indicate the member(s) of staff that you'd wish to work with

You’ll need to provide a summary of between 250 and 350 words in length of your research proposal and a longer version of around 800 words (limit of 1000). The proposal for the MA in English (by research) should be 400–500 words.

Your research proposal should:

• Identify the precise topic of your topic and communicate the main aim of your research.
• Provide a rigorous and thorough description of your proposed research, including the contributions you will make to current scholarly conversations and debates. Creative Writing proposals should include plans for a critical research and a creative component.
• Describe any previous work you have done in this area, with reference to relevant literature you have read so far.
• Communicate the central sources that the project will address and engage.
• Offer an outline of the argument’s main claims and contributions. Give a clear indication of the authors and texts that your project will address.
• Include the academic factors, such as university facilities, libraries resources, centres, other resources, and / or staff, which have specifically led you to apply to York.

What we look for:

• How you place your topic in conversation with the scholarly landscape: what has been accomplished and what you plan to achieve. This is your chance to show that you have a good understanding of the relevant work on your topic and that you have identified a new way or research question to approach the topic.
• Your voice as a scholar and critical thinker. In clean, clear prose, show those who will assess your application how your proposal demonstrates your original thinking and the potential of your research.
• Your fit with York, including the reasons for working with your supervisor and relevant research schools and centres.
• Above all, remember that there isn’t one uniform way to structure and arrange your research proposal, and that your approach will necessarily reflect your chosen topic.

Careers and skills

• You'll receive support in applying to and presenting at professional conferences, preparing and submitting material for publication and applying for jobs.
• You'll benefit from training in handling research data, various modern languages, palaeography and bibliography. Classical and medieval Latin are also available. The   Humanities Research Centre   also offers a rich array of valuable training sessions.
• We also offer training in teaching skills if you wish to pursue a teaching post following your degree. This includes sessions on the delivery and content of seminars and workshops to undergraduates, a structured shadowing programme, teaching inductions and comprehensive guidance and resources for our graduate teaching assistants.
• You'll have the opportunity to further your training by taking courses accredited by Advance HE:   York Learning and Teaching Award (YLTA)   and the   York Professional and Academic Development scheme (YPAD) .

Find out more about careers

Discover York

We offer a range of campus accommodation to suit you and your budget, from economy to deluxe.

Discover more about our researchers, facilities and why York is the perfect choice for your research degree.

Graduate Research School

Connect with researchers across all disciplines to get the most out of your research project.

Find a supervisor

Explore our staff expertise

Find out all you need to know about applying to York

Find funding to support your studies

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Best UK universities for creative writing – league table

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Course type

Qualification, university name, phd degrees in creative writing.

50 degrees at 42 universities in the UK.

Customise your search

Select the start date, qualification, and how you want to study

Related subjects:

• PhD Creative Writing
• PhD Biography Writing
• PhD Broadcasting Studies
• PhD Communication Design
• PhD Communication Skills
• PhD Communication Studies
• PhD Communications and Media
• PhD Digital Arts
• PhD Digital Media
• PhD Film Special Effects
• PhD Film Studies
• PhD Film and Television Production
• PhD Film and Video Production
• PhD Media Production
• PhD Media Studies
• PhD Multimedia
• PhD Photography
• PhD Play Writing
• PhD Television Programme Production
• PhD Television Studies
• PhD Television and Radio Production
• PhD Visual Communication
• PhD Writing

• Course title (A-Z)
• Course title (Z-A)
• Price: high - low
• Price: low - high

Creative Writing PhD

Bath spa university.

• 24 months Full time degree: £7,325 per year (UK)

PhD English and Creative Writing

University of roehampton.

• 4 years Full time degree: £4,711 per year (UK)
• 7 years Part time degree: £2,356 per year (UK)

Creative and Critical Writing PhD

Bangor university.

• 2 years Full time degree: £4,712 per year (UK)
• 5 years Part time degree: £2,356 per year (UK)

PhD in Creative Writing and English Literature

Manchester metropolitan university.

• 3 years Full time degree: £4,850 per year (UK)
• 6 years Part time degree

PhD/ MPhil/ MRes Creative Writing

University of strathclyde.

• 3 years Full time degree: £4,712 per year (UK)

PhD Postgraduate Research in Creative Writing

University of east anglia uea.

• 6 years Part time degree: £2,356 per year (UK)

Anglia Ruskin University

• 2.5 years Full time degree: £4,712 per year (UK)
• 3 years Part time degree: £2,356 per year (UK)
• 3.5 years Part time degree: £2,356 per year (UK)

English and Creative Writing PhD

University of gloucestershire.

• 4 years Full time degree: £5,100 per year (UK)
• 6 years Part time degree: £3,400 per year (UK)

PhD Creative Practice, History and Theory

University of central lancashire.

• 3 years Full time degree: £5,000 per year (UK)
• 6 years Part time degree: £2,500 per year (UK)

Aberystwyth University

University of surrey.

• 4 years Full time degree: £4,712 per year (UK)
• 8 years Part time degree: £2,356 per year (UK)

PhD Theatre Studies (Playwriting)

University of essex.

• 4 years Full time degree: £9,375 per year (UK)
• Literature - Research- Core
• Dissertation
• View all modules

University of Hull

English phd,mphil - life writing, university of leicester.

• 4 years Distance without attendance degree: £5,913 per year (UK)
• 3 years Full time degree: £4,786 per year (UK)
• 6 years Part time degree: £2,393 per year (UK)

Creative Writing MPhil, PhD

Newcastle university.

• 36 months Full time degree: £4,712 per year (UK)
• 72 months Part time degree: £2,356 per year (UK)

University of Nottingham

• 48 months Online/Distance degree: £5,100 per year (UK)
• 96 months Online/Distance degree

University of Plymouth

• 3 years Full time degree: £4,500 per year (UK)
• 4 years Part time degree: £3,030 per year (UK)
• GSRCWRI1 Research Creative Writing- Core
• Research Skills in the Arts, Humanities & Business- Core
• GSRCWRI2 Research Creative Writing- Core
• GSRCWRI3 Research Creative Writing- Core
• GSRCWRI4 Research Creative Writing- Core

Text, Practice and Research - PhD

University of kent, brunel university london.

• 3 years Full time degree

University of West London

• 4 years Full time degree: £3,995 per year (UK)
• 6 years Part time degree: £2,000 per year (UK)

1-20 of 50 courses

About PhD Degrees in Creative Writing

Creative writing extends beyond the boundaries of normal professional journalism or academic forms of literature. It is often associated with fiction and poetry, but primarily emphasises narrative craft, character development, and the use of traditional literary forms.

A PhD level exploration of creative writing is a three-year full-time programme, where candidates delve into the complexities of literary expression, developing their own research and create projects with the goal of making an original contribution to the field.

There are more than fifty creative writing PhD programmes in the UK, and these give candidates a platform to fully immerse themselves in their ideas and take their work to the next level.

What to expect

A PhD in creative writing offers the time and space to develop personal creative methods, combined with advanced workshops, critical seminars, and guest lectures from working authors. Under an academic mentor's supervision, candidates typically work towards completing a novel, poetry collection or screenplay.

Postgraduate programmes such as these often foster a supportive community of writers and scholars, and collaboration with peers is encouraged. Graduates can expect to emerge as confident and aspirational authors, with a developed style and professional aspiration, prepared for careers in writing, publishing, academia, or other creative industries. The degree provides a pathway for making significant contributions to the world of literature through original and innovative creative works.

Course type:

• Distance learning PhD
• Full time PhD
• Part time PhD

Qualification:

Universities:.

• Cardiff University
• University of Suffolk
• University of Portsmouth
• University of Buckingham
• The University of Edinburgh
• University of Aberdeen
• King's College London, University of London
• University of Sussex
• University of Lincoln
• University of Birmingham
• Keele University
• University of York
• University of Manchester
• Lancaster University
• University of Liverpool
• Swansea University
• University of Hertfordshire
• University of Bristol
• Leeds Beckett University
• Goldsmiths, University of London

Related Subjects:

• Schools & departments

Pre-application guidance for the PhD in Creative Writing

Find out why and how you should apply for our PhD in Creative Writing, including guidance on the creative and critical components of your degree.

How is the Creative Writing PhD structured?

Doctoral degree candidates in Creative Writing spend three years writing a manuscript in consultation with a supervisor.

This manuscript consists of two components:

• A creative component that comprises 75% of the final manuscript.
• A critical component, which comprises 25% of the final manuscript.

In practical terms this amounts to the following:

• Candidates in fiction write a creative manuscript (novel or collection of short stories) that should not exceed 75,000 words in length.
• Candidates in poetry write a collection of poetry that should not exceed 75 pages of poetry.
• All candidates (fiction writers and poets) must also write an essay that is approximately 20,000- 25,000 words. This is the ‘critical’ component.

What is meant by ‘critical component’?

The critical component of a thesis manuscript in Creative Writing can be where you analyse how a precise, focused theme or a specific element of craft (character, form, voice, etc.) operates in selected published works. Sometimes, this will be a traditional academic or ‘critical’ essay. Other times, this part of a thesis might tackle more craft-driven questions: in what ways does plot operate in Virginia Woolf’s To the Lighthouse and Thomas Pynchon’s Gravity’s Rainbow and how do these ‘operations’ affect readers? How does the use of non-human personae in Louise Glück’s The Wild Iris, Les Murray’s Translations from the Natural World and Edwin Morgan’s poetry reshape reader perceptions?

Alternatively, the critical component may take the form of a critical-reflexive essay, in which you situate your creative project in a critical context. Such an essay is not simply an account of what you did and when you did it; instead, it should be a rigorous and scholarly work that aims for some deeper insight. It is likely to use self-reflection as a means of illuminating the creative process, interrogating the contribution made by your creative writing to a chosen genre and its tradition, and examining how it engages with, and contributes to, wider conceptual or theoretical issues. Examples of critical-reflexive essays can be found in Writing in Practice and Text Journal.

• Take me to Writing in Practice
• Take me to Text Journal

It is not expected that the critical component should constitute an original contribution to knowledge, as would be the case when pursuing a conventional 80,000-word thesis manuscript in literary studies; what is important is that it offers an in-depth analysis of a question that, although explored in part or in whole through the work of other writers, relates to, or grows out of, the creative component of your manuscript, and that the creative and critical components are sufficiently connected for the thesis as a whole to form a coherent body of work.

You have only 20,000 -25,000 words for this essay, so when writing your proposal it is important to be focused and specific.

What form does the application take?

Applicants are asked to supply a sample of either fiction (3,000 - 5,000 words; not exceeding 5,000 words) or poetry (10-15 pages of poetry; not exceeding 15 pages), as well as a shorter sample of academic writing (circa 2,000 words). You’ll also need to supply a summary of your proposed project. This summary should comprise an outline of your creative project as well as detailed discussion of your 20,000 to 25,000-word critical component.

Some questions that your proposal might address could be:

• What would be the proposed structure of the creative portion of your final manuscript?
• Which resources would you be using for the critical portion (mention a few critics and/or authors you will be discussing by name or, even better, specific titles)?
• Is there a single overarching research question that both the creative and the critical work will investigate?
• Why would Edinburgh be a good place for this project?

Please include a bibliography. The application also asks for a personal statement separate from the proposal. This is where you provide information about your previous experiences and attainments as a creative writer; also give a sense of why you want to do the PhD at Edinburgh.

How long should a proposal be?

There is no official limit or minimum length for a proposal. However, effective proposals tend to be 500-750 words long, excluding the indicative bibliography.

Do I need to find someone to supervise my project before applying?

There is no need to identify a supervisor in advance of your application. Applicants who receive an offer of acceptance are assigned a provisional supervisor, taking into account staff research interests and other factors. However, it’s important to make contact with the team if you’re intending to apply for SGSAH (AHRC) funding.

While you do not need to find a member of staff willing to supervise your project before applying, please do take some time to read over staff profiles, staff research interests, and publications in order to ensure that your project is something we can supervise effectively.

Who can supervise your PhD

The following members of staff supervise PhD students in Creative Writing. Follow the links to find out more about their research interests and expertise.

Is there anything else I should consider before applying?

Creative Writing at Edinburgh is staffed by a small cohort of writers of fiction and poetry and we are extremely selective in our recruitment. Sometimes, strong applications from talented writers do not receive offers because the proposed projects fall outside our areas of specialisation. A PhD requires close supervision from a specialist in the field: this holds equally for Creative Writing as for literary studies and applies to both elements of your project.

FAQs about our programme

Do doctoral degree candidates have the opportunity to teach.

In later years, suitably qualified PhD students are offered the opportunity to teach undergraduate tutorials. Please note that these tutorials are linked with pre-honours courses in literary studies, not creative writing.

Would my doctoral manuscript be made available through Open Access?

Conversations regarding Open Access are on-going and ever-evolving. At present, the same policy applies to Creative Writing doctoral manuscripts as to thesis manuscripts written by doctoral students in literary studies and other disciplines within the humanities.

When you submit, you can request a one-year embargo on public access to your thesis. If no embargo is requested then the full text of the thesis is made freely available online via ERA (Edinburgh Research Archive).

Find out more about Access to Thesis restrictions on the Scholarly Communications website

Find out more and apply

You can find out more about language requirements, facilities, fees, funding opportunities and application deadlines for this PhD programme, and formally apply to study on it, on the University of Edinburgh’s online Degree Finder.

Applications to start your PhD in September 2024 open in October 2023.

Take me to the University of Edinburgh's Degree Finder entry for the PhD in Creative Writing

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MPhil/PhD Creative Writing

Key Information

MPhil: 1.5-3 years. PhD: 2-4 years

MPhil: 2-4 years. PhD: 3-8 years

Entry Requirements

Brayford Pool

Start Dates in October and January

Programme Overview

The Lincoln School of Creative Arts offers advanced research opportunities within the subject of creative writing. This research programme aims to provide training for a career in writing, from fiction to screen and radio adaptation.

MPhil/PhD students have the opportunity to be supervised by published writers and to undertake research in areas including poetry, experimental fiction, the short story, the historical novel, television drama, film scriptwriting, and realism.

Regular research seminars and postgraduate study groups are designed to provide a stimulating environment in which to discuss and debate work. Creative Writing has strong links within the Creative Arts and with the Schools of Film, Media, and Journalism, and Humanities and Heritage.

Key Features

Conduct independent, original, and academically significant research

Benefit from training courses to develop key research skills

Supervision and support from an advisory panel of academic staff

Present at talks and seminars to showcase your work

Enrol in January or October each year

How You Study

Study at MPhil/PhD level takes the form of supervised individual research. Students are expected to work on the writing practice of their choice for the duration of the study period. It is expected that, on a regular basis, students will produce appropriate written work for submission to their supervisors who will offer feedback and agree the next stage of work.

Due to the nature of postgraduate research programmes, the majority of time is spent in independent study and research. Students will have meetings with their academic supervisor(s), but the frequency of these will vary depending on individual requirements, subject area, staff availability, and stage of programme.

Research Areas

The key to success on a postgraduate research programme is to find a research topic that you are passionate about and identify a supervisory team that has expertise in this area. The first thing that all prospective students should do is directly contact a member of staff from one of these areas that you feel is best aligned with your chosen research area to discuss the application process further. The School’s research areas include:

• Experimental fiction
• The short story
• The historical novel
• Television drama
• Film scripting
• The publishing industry

Staff have published in a variety of these areas and have also worked in the publishing industry.

How you are assessed

The assessment at this level of study takes the form of an 80,000-word thesis. The Creative Writing dissertation will comprise 60,000 words of creative writing, plus a 20,000 word analysis of the creative piece(s).

A PhD is usually awarded based on the quality of the student's thesis and ability to present and successfully defend their chosen research topic in an oral examination (viva voce). They are also expected to demonstrate how their research findings have contributed to knowledge or developed existing theory or understanding.

Research Proposals

You will need to produce a research proposal as part of your application for this programme. This is a project outline identifying what you want to study, why you want to investigate this area, and how you intend to conduct the research. You are not expected to be the expert, but you will need to demonstrate a sound knowledge of the subject and where your research will make a valuable contribution to the topic. When writing your research proposal, please take note of the following guidance:

A research proposal will only be considered if there are academics in the subject with an interest in your field. Please study the staff profiles closely to make sure there is at least one member of staff whose interests intersect broadly with your own.

The research proposal should be 1,000-2,000 words in length.

• Clearly define the topic you are interested in and demonstrate understanding of your research area.
• Include two or three research questions that you will explore in your research.
• Outline the range of research methodologies you will use to undertake the research.
• Include a provisional bibliography of primary and secondary sources.
• You might include a brief literature review of the key works that relate to your topic, particularly if this helps to exemplify the point below.
• Explain clearly how your research contributes to existing scholarship in the area; what gaps will it fill? How will it further knowledge of the area?
• Sketch out a provisional plan of work that includes research/archival visits and a timetable for the writing of chapters.
• Make sure the proposal is well presented with sections and subheadings and is free of errors.

Applicants with appropriate projects will be offered an interview with the programme leader and one or more subject specialists where they can discuss the de-tails of their research proposal.

How to Apply

Postgraduate Research Application Support

Find out more about the application process for research degrees and what you'll need to complete on our How to Apply page, which also features contact details for dedicated support with your application.

Entry Requirements 2024-25

Applicants should possess a relevant Master's degree or equivalent professional experience.

Applicants will also need to submit a research proposal and a 3,000-5,000 word sample of creative writing along with the application form. The research proposal will allow the School to judge the quality of the application and decide whether there is an appropriate supervisor for the proposed project.

If you have studied outside of the UK, and are unsure whether your qualification meets the above requirements, please visit our country pages : https://www.lincoln.ac.uk/studywithus/internationalstudents/entryrequirementsandyourcountry/ for information on equivalent qualifications.

Overseas students will be required to demonstrate English language proficiency equivalent to IELTS 7.0 overall, with a minimum of 6.5 in each element. For information regarding other English language qualifications we accept, please visit the English Requirements page: https://www.lincoln.ac.uk/studywithus/internationalstudents/englishlanguagerequirementsandsupport/englishlanguagerequirements/ .

For further advice on IELTS and the support available, please contact the International College by email at [email protected].

Applicants with appropriate projects will be offered an interview with the programme leader and one or more subject specialists where they can discuss the details of their research proposal.

Programme Fees

You will need to have funding in place for your studies before you arrive at the University. Our fees vary depending on the course, mode of study, and whether you are a UK or international student. You can view the breakdown of fees for this programme below. Research students may be required to pay additional fees in addition to cover the cost of specialist resources, equipment and access to any specialist collections that may be required to support their research project. These will be informed by your research proposal and will be calculated on an individual basis.

Funding Your Research

Loans and Studentships

Find out more about the optional available to support your postgraduate research, from Master's and Doctoral Loans, to research studentship opportunities. You can also find out more about how to pay your fees and access support from our helpful advisors.

Career Development

A doctoral qualification can be the capstone of academic achievement and often marks the beginning of a career in academia or research. A research programme provides the opportunity to become a true expert in your chosen field, while developing a range of valuable transferable skills that can support your career progression. A research-based degree is also the most direct pathway to an academic career. PhDs and research degrees are a great chance to expand your network and meet diverse people with similar interests, knowledge, and passion.

The University’s Doctoral School provides a focal point for Lincoln’s community of researchers, where ideas and experiences can be developed and shared across disciplines. It also offers support and training to help equip you for both academic and non-academic careers.

Doctoral School

Academic Contact

For more information about this course, please contact:

Dr Jackie Bolton [email protected]

Research at Lincoln

Through our research, we are striving to change society for the better. Working with regional, national, and international partners, our academics are engaged in groundbreaking studies that are challenging the status quo. We also understand the importance of providing the best possible environment for pursuing research that can support our communities, improve lives, and make a tangible difference to the world around us.

Prioritising Face-to-Face Teaching

At the University of Lincoln, we strive to ensure our students’ experience is engaging, supportive, and academically challenging. Throughout the Coronavirus pandemic, we have adapted to Government guidance to keep our students, staff, and community safe. All remaining Covid-19 legal restrictions in England were lifted in February 2022 under the Government’s Plan for Living with Covid-19, and we have embraced a safe return to in-person teaching on campus. Where appropriate, face-to-face teaching is enhanced by the use of digital tools and technology and may be complemented by online opportunities where these support learning outcomes.

We are fully prepared to adapt our plans if changes in Government guidance make this necessary, and we will endeavour to keep current and prospective students informed. For more information about how we are working to keep our community safe, please visit our coronavirus web pages .

Creative Writing

One of the nation's most prestigious open-enrollment creative writing programs..

Whether you're looking to improve your writing for personal fulfillment, want to be published, or are preparing to apply to an MFA program, the Writers' Program can help you achieve your goals. You will find a supportive community of instructors, academic counselors and fellow students to help you on your journey.

We offer a wide range of open-enrollment courses, all of which may be taken individually. A guide on where to get started is provided below.

We also offer a fully customizable 21-unit Certificate in Creative Writing  where you can develop professional creative writing skills in the genre of your choice.

What do you want to create?

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Creative Writing Certificate

Develop your skills in the genre of your choice, including fiction, creative nonfiction, poetry, and more.

This customizable program culminates in a capstone project where you will make significant progress on a polished collection of work.

Taught by a prestigious roster of instructors who are published writers and active professionals, courses can be taken onsite, online, or a combination of both.

Annual Writers Studio

4-day in-person, intensive workshops in Creative Writing & Screenwriting.

Perfect for both aspiring and experienced writers looking for new inspiration.

August 1-4, 2024 Registration opens Monday, February 5

Writers' Program Consultations

If you have a completed draft of a manuscript and need feedback for your work, you may consider a one-on-one consultation with a Writers’ Program instructor.

Consultations give you a full cover-to-cover read of your work, a written evaluation, and a follow-up conversation in person, via phone, or web chat.

Expect more from your education.

MFA, fiction writer, author of the story collection Once Removed (UGA Press) and winner of the Flannery O’Connor Award for Short Fiction. 

BUILD COMMUNITY

Writers' Program Network of Writers (WP NOW)

Stay immersed in the Writers' Program community. Our optional membership program offers exclusive access to a range of discounts and benefits, including members-only networking, professional development opportunities, and course discounts. 

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My UCLA Extension coursework, teachers, and colleagues have shaped my writing life, fueled the creation of my novel, and provided continual inspiration.

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College of Arts and Sciences » Academic Units » English » Creative Writing » Graduate Program » PhD in Creative Writing

PhD in Creative Writing

Program overview.

The PhD in Creative Writing and Literature is a four-year course of study. Following two years of course work that includes workshop, forms classes, pedagogical training, literature, and theory, students take exams in two areas, one that examines texts through the lens of craft and another that examines them through the lens of literary history and theory. Recent examples of the genre area include Comic Fiction, History of the Love Lyric, and Fantasy; recent examples of the scholarly area include History of the Novel, 20th Century American Poetry, and Modern & Contemporary British Fiction. In the first two years, students take three courses per semester; the teaching load throughout the program is one class per semester. Every PhD student has the opportunity to teach creative writing, with many also teaching literature classes. Most students are funded by teaching, with two or three at a time funded by editorial work at  The Cincinnati Review or Acre Books, and others funded in their dissertation year by college- or university-level fellowships. Fifth-year support, while not guaranteed, has generally been available to interested students in the form of student lecturerships, which carry a 2-2 load. The Creative Writing PhD at the University of Cincinnati has maintained over the last decade more than a 75% placement rate into full-time academic jobs for its doctoral graduates. Two-thirds of these positions are tenure-track.

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Writing the Cityscape: Narratives of Moscow since 1991

This thesis considers how continuity and transformation, the past and the future, are inscribed into the cityscape. Drawing on Roland Barthes’ image of the city as ‘a discourse’ and Michel de Certeau’s concept of the Wandersmänner, who write the city with their daily movements, this thesis takes urban space as both a repository of, and inspiration for, narratives. In few cities is the significance of writing narratives more visible than in Moscow. In the 1930s, it was conceived as the archetypal Soviet city, embodying the Soviet Union’s radiant future. Since the deconstruction of this grand narrative and the fall of the Soviet Union, competing ideas have flooded in to fill the void. With glass shopping arcades, a towering new business district, and reconstructed old churches, Moscow’s facelift offers only part of the picture. A number of other visions have been imprinted onto the post-Soviet city: nostalgic impulses for the simplicity of old Moscow; the search for a new, stable, powerful centre; desires for luxury, privatized gated communities; and feelings of abandonment in the grey, decaying, sprawling suburbs. Following an overview of recent changes to Moscow’s topography, these four major themes are investigated through the prism of post-Soviet Russian literature. Retro-detective fiction offers insight into nostalgia for the past and the temporal layers that build up the palimpsestic cityscape. Descriptions of Moscow after the apocalypse shed light on the city’s traditional concentric structure and the concomitant symbolism of hierarchy. Glamour literature challenges this paradigm by focusing on the gated community, a topographical form that splinters the city. Images of the supernatural and the Gothic lead to an alternative vision of the hybrid city, embracing multiplicity. In this way, fictional works defy the physical world’s constraints of time and space, revealing a kaleidoscope of different perspectives on post-Soviet Muscovite experiences.

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Did you mean..., diploma of arts and social sciences, art/science collaboration wins waterhouse natural science art prize, create your own world with an arts degree.

• Arts and Humanities

Your only limits are your imagination when you study a Bachelor of Arts. Graduate and Wiradjuri woman Kristie Harris is creating her own worlds of fantasy and wonder through her recently published children’s book and upcoming young adult novel.

Kristie’s children’s book, Andi’s Mermaid Tale, was published by Austin Macauley Publishers in 2023 and explores an underwater adventure in search of the prettiest shell in the sea. Her fantasy novel, A Queen’s Glory , was shortlisted for the 2023 Daisy Utemorrah Award and is the first of a five-part series exploring a world of mystical creatures including fae, witches, sirens, mermaids, Gods and more.

Kristie decided to take the wheel and enrol in the Associate Degree of Creative Writing and subsequent Bachelor of Arts at Southern Cross University after previously working as a truck driver.

She had always planned on writing adult fiction but following her studies decided to turn a new page.

“I had never considered writing children’s books but after studying a unit on writing for young people, I was opened up to a whole new world of writing,” Kristie said. “I’ve got three kids and so it was great to be able to write a story for them.”

Studying creative writing not only helped Kristie develop creative writing skills but also essay writing which she now uses in her role as Community Engagement Data Officer at the Institute for Urban Indigenous Health.

“I create the surveys and disseminate the feedback back to the community regarding our findings on research. It’s been really helpful being able to learn how to structure that properly,” Kristie said.

As an online student, Kristie said she enjoyed her time studying at Southern Cross University: “The online platform was really easy to use. I enjoyed the community feel of the University. I received a few scholarships during my studies and it was nice to have my hard work recognised.”

Kristie said studying creative writing has helped her start a new chapter in life.

“When you write, you get to create your own world. It opens up a whole realm of possibilities for what could or could not happen. I enjoy living in other worlds.

“My studies have changed my whole career trajectory. I was driving trucks and now I’m writing surveys and research papers and working on my career as an author.”

Learn more about studying arts .

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• Language Pathways (MPhil / PhD)

There are no deadlines for admission to SELCS-CMII and students can apply at any time of year to begin their research degrees in either late September or early January.

The minimum programme length for the MPhil and PhD degrees is two calendar years of full-time study or the equivalent in part-time study. Usually PhD degrees take at least three years full-time study or the equivalent in part-time study. The examination for both degrees is by thesis. The maximum word lengths of MPhil and PhD theses are 60,000 and 100,000 words respectively.

All candidates register in the first instance for an MPhil degree. During the second year of full-time study, or the equivalent of part-time study, candidates may be upgraded to a PhD degree, provided that they convince an upgrade panel that their research has attained an adequate standard.

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MPhil/PhD programmes: Dutch, French, German, Italian, Scandinavian Studies and  Spanish, Portuguese & Latin American Studies.

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With its exceptional range of modern and ancient languages and cultures, UCL provides a comprehensive environment for comparative literary study.

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If you are interested in completing a PhD in Early Modern Studies we can help you identify an appropriate supervisor.

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We consider the cultural and intellectual life of Europe and we focus on the emergence of modern Europe, the political implications of integration, and its transition from competing nation states and forms of governance to an expanding political and economic union.

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We have particular research strengths in film history, film theory, and in an exceptionally broad range of national and regional cinemas.

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We address the challenges arising from contemporary changes in gender relations and examine theoretical and methodological frameworks with which gender and sexualities are explored, researched and implemented.

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Our programme offers the possibility to research issues related to health and illness from the humanities and social sciences

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This programme is coming soon; candidates can apply to ‘ Research Degree: Centre for Multidisciplinary and Intercultural Inquiry ’ in the meantime.

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