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Definition of literature

Examples of literature in a sentence.

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'literature.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Middle English, from Anglo-French, from Latin litteratura writing, grammar, learning, from litteratus

15th century, in the meaning defined at sense 4

Phrases Containing literature

  • gray literature

Articles Related to literature

woman sitting on floor holding book in front of her face on pink background

Famous Novels, Last Lines

Needless to say, spoiler alert.

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Taking the temperature of a literary genre.

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Trending: 'Literature' As Bob Dylan...

Trending: 'Literature' As Bob Dylan Sees It

We know how the Nobel Prize committee defines literature, but how does the dictionary?

Dictionary Entries Near literature

literature search

Cite this Entry

“Literature.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/literature. Accessed 18 Feb. 2024.

Kids Definition

Kids definition of literature, more from merriam-webster on literature.

Nglish: Translation of literature for Spanish Speakers

Britannica English: Translation of literature for Arabic Speakers

Britannica.com: Encyclopedia article about literature

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What is Literature? || Definition & Examples

"what is literature": a literary guide for english students and teachers.

View the full series: The Oregon State Guide to English Literary Terms

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What is Literature? Transcript (English and Spanish Subtitles Available in Video; Click HERE for Spanish Transcript)

By Evan Gottlieb & Paige Thomas

The question of what makes something literary is an enduring one, and I don’t expect that we’ll answer it fully in this short video. Instead, I want to show you a few different ways that literary critics approach this question and then offer a short summary of the 3 big factors that we must consider when we ask the question ourselves.

Let’s begin by making a distinction between “Literature with a capital L” and “literature with a small l.”

“Literature with a small l” designates any written text: we can talk about “the literature” on any given subject without much difficulty.

“Literature with a capital L”, by contrast, designates a much smaller set of texts – a subset of all the texts that have been written.

what_is_literature_little_l.png

speaker gesturing to literature with a small "l" rather than with a big "L"

So what makes a text literary or what makes a text “Literature with a capital L”?

Let’s start with the word itself.  “Literature” comes from Latin, and it originally meant “the use of letters” or “writing.” But when the word entered the Romance languages that derived from Latin, it took on the additional meaning of “knowledge acquired from reading or studying books.” So we might use this definition to understand “Literature with a Capital L” as writing that gives us knowledge--writing that should be studied.

But this begs the further question: what books or texts are worth studying or close reading ?

For some critics, answering this question is a matter of establishing canonicity.  A work of literature becomes “canonical” when cultural institutions like schools or universities or prize committees classify it as a work of lasting artistic or cultural merit.

The canon, however, has proved problematic as a measure of what “Literature with a capital L” is because the gatekeepers of the Western canon have traditionally been White and male. It was only in the closing decades of the twentieth century that the canon of Literature was opened to a greater inclusion of diverse authors.

And here’s another problem with that definition: if inclusion in the canon were our only definition of Literature, then there could be no such thing as contemporary Literature, which, of course, has not yet stood the test of time.

And here’s an even bigger problem: not every book that receives good reviews or a wins a prize turns out to be of lasting value in the eyes of later readers.

On the other hand, a novel like Herman Melville’s Moby-Di ck, which was NOT received well by critics or readers when it was first published in 1851, has since gone on to become a mainstay of the American literary canon.

moby_dick_with_quote.png

graphic with cover of Melville's "Moby Dick" and quote

As you can see, canonicity is obviously a problematic index of literariness.

So… what’s the alternative?  Well, we could just go with a descriptive definition: “if you love it, then it’s Literature!”

But that’s a little too subjective.  For example, no matter how much you may love a certain book from your childhood (I love The Very Hungry Caterpillar ) that doesn’t automatically make it literary, no matter how many times you’ve re-read it.

Furthermore, the very idea that we should have an emotional attachment to the books we read has its own history that cannot be detached from the rise of the middle class and its politics of telling people how to behave.

Ok, so “literature with a capital L” cannot always by defined by its inclusion in the canon or the fact that it has been well-received so…what is it then? Well, for other critics, what makes something Literature would seem to be qualities within the text itself.

According to the critic Derek Attridge, there are three qualities that define modern Western Literature:

1. a quality of invention or inventiveness in the text itself;

2.  the reader’s sense that what they are reading is singular. In other words, the unique vision of the writer herself.

3. a sense of ‘otherness’ that pushes the reader to see the world around them in a new way

Notice that nowhere in this three-part definition is there any limitation on the content of Literature. Instead, we call something Literature when it affects the reader at the level of style and construction rather than substance.

In other words, Literature can be about anything!

what_is_literature_caterpillar.png

speaker telling a secret with photo of Carle's "The Very Hungry Caterpillar" in the background

The idea that a truly literary text can change a reader is of course older than this modern definition. In the English tradition, poetry was preferred over novels because it was thought to create mature and sympathetic reader-citizens.

Likewise, in the Victorian era, it was argued that reading so-called “great” works of literature was the best way for readers to realize their full spiritual potentials in an increasingly secular world.

But these never tell us precisely what “the best” is.  To make matters worse, as I mentioned already, “the best” in these older definitions was often determined by White men in positions of cultural and economic power.

So we are still faced with the question of whether there is something inherent in a text that makes it literary.

Some critics have suggested that a sense of irony – or, more broadly, a sense that there is more than one meaning to a given set of words – is essential to “Literature with a capital L.”

Reading for irony means reading slowly or at least attentively.  It demands a certain attention to the complexity of the language on the page, whether that language is objectively difficult or not.

In a similar vein, other critics have claimed that the overall effect of a literary text should be one of “defamiliarization,” meaning that the text asks or even forces readers to see the world differently than they did before reading it.

Along these lines, literary theorist Roland Barthes maintained that there were two kinds of texts: the text of pleasure, which we can align with everyday Literature with a small l” and the text of jouissance , (yes, I said jouissance) which we can align with Literature. Jouissance makes more demands on the reader and raises feelings of strangeness and wonder that surpass the everyday and even border on the painful or disorienting.

Barthes’ definition straddles the line between objectivity and subjectivity. Literature differs from the mass of writing by offering more and different kinds of experiences than the ordinary, non-literary text.

Literature for Barthes is thus neither entirely in the eye of the beholder, nor something that can be reduced to set of repeatable, purely intrinsic characteristics.

This negative definition has its own problems, though. If the literary text is always supposed to be innovative and unconventional, then genre fiction, which IS conventional, can never be literary.

So it seems that whatever hard and fast definition we attempt to apply to Literature, we find that we run up against inevitable exceptions to the rules.

As we examine the many problematic ways that people have defined literature, one thing does become clear. In each of the above examples, what counts as Literature depends upon three interrelated factors: the world, the text, and the critic or reader.

You see, when we encounter a literary text, we usually do so through a field of expectations that includes what we’ve heard about the text or author in question [the world], the way the text is presented to us [the text], and how receptive we as readers are to the text’s demands [the reader].

With this in mind, let’s return to where we started. There is probably still something to be said in favor of the “test of time” theory of Literature.

After all, only a small percentage of what is published today will continue to be read 10, 20, or even 100 years from now; and while the mechanisms that determine the longevity of a text are hardly neutral, one can still hope that individual readers have at least some power to decide what will stay in print and develop broader cultural relevance.

The only way to experience what Literature is, then, is to keep reading: as long as there are avid readers, there will be literary texts – past, present, and future – that challenge, excite, and inspire us.

Interested in more video lessons? View the full series:

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Definition of Literature

What is literature (definition of literature by celebrated authors).

What is literature

The word ‘ Literature’   is a modified form of a Latin word ( literra, litteratura or litteratus)  that means: ‘ writing formed with letters’ . Let us look at what is literature according to definitions by different celebrated literary personalities.

Literature can be any written work, but it is especially an artistic or intellectual work of writing. It is one of the fine arts, like painting, dance, music, etc. which provides aesthetic pleasure to the readers. It differs from other written works by only its one additional trait: that is aesthetic beauty. If a written work lacks aesthetic beauty and serves only utilitarian purpose, it is not literature. The entire genre like poetry, drama, or prose is a blend of intellectual works and has an aesthetic beauty of that work. When there is no any aesthetic beauty in any written work that is not pure literature.

Definition of Literature According to Different Writers

  Throughout the history of English literature , many of the great writers have defined it and expressed its meaning in their own way. Here are the few famous definitions of literature by timeless celebrated authors.

Virginia Woolf :   Virginia defined literature in a perfect way. “Literature is strewn with the wreckage of those who have minded beyond reason the opinion of others.”

Ezra Pound :  “Great literature is simply language charged with meaning to the utmost possible degree.”

Alfred North Whitehead :  “It is in literature that the concrete outlook of humanity receives its expression.”

Henry James :  “It takes a great deal of history to produce a little literature.”

Lewis :  “Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.”

Oscar Wilde :  “Literature always anticipates life. It does not copy it but moulds it to its purpose. The nineteenth century, as we know it, is largely an invention of Balzac.”

Chesterton :  “Literature is a luxury; fiction is a necessity.”

Forster: The definition of literature by Forster is much interesting. “What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote”.

All the these definitions of literature by great writers represent different aspects of it, and shows that in how many ways it can be effective.

Literature: A Depiction of Society

It might sound strange that  what is literature’s  relation with a society could be. However, literature is an integral part of any society and has a profound effect on ways and thinking of people of that society. Actually, society is the only subject matter of literature. It literally shapes a society and its beliefs. Students, who study literature , grow up to be the future of a country. Hence, it has an impact on a society and it moulds it.

According to different definitions of literature by authors, it literally does the depiction of society; therefore, we call it ‘ mirror of   society’ . Writers use it effectively to point out the ill aspects of society that improve them. They also use it to highlight the positive aspects of a society to promote more goodwill in society.

The  essays   in literature often call out on the problems in a country and suggest solutions for it. Producers make films and write novels, and short stories  to touch subjects like morals, mental illnesses, patriotism, etc. Through such writings, they relate all matters to society. Other genre can also present the picture of society. We should keep in mind that the picture illustrated by literature is not always true. Writers can present it to change the society in their own ways.

The Effects of Literature on a Society:

 The effects of literature on a society can be both positive and negative. Because of this, the famous philosophers Aristotle and Plato have different opinions about its effect on society.

Plato was the one who started the idea of written dialogue. He was a moralist, and he did not approve of poetry because he deemed it immoral. He considered poetry as based on false ideas whereas the basis of philosophy came from reality and truth. Plato claims that, “poetry inspires undesirable emotions in society. According to him, poetry should be censored from adults and children for fear of lasting detrimental consequences” (Leitch & McGowan). He further explains it by saying, “Children have no ability to know what emotions should be tempered and which should be expressed as certain expressed emotions can have lasting consequences later in life”. He says, “Strong emotions of every kind must be avoided, in fear of them spiraling out of control and creating irreparable damage” (Leitch & McGowan). However, he did not agree with the type of poetry and wanted that to be changed. ( read Plato’s attack on poetry )

Now Aristotle considers literature of all kinds to be an important part of children’s upbringing. Aristotle claims that, “poetry takes us closer to reality. He also mentioned in his writings that it teaches, warns, and shows us the consequences of bad deeds”. He was of the view that it is not necessary that poetry will arouse negative feelings. ( Read Aristotle’s defense of poetry )

Therefore, the relation of literature with society is of utter importance. It might have a few negative impacts, through guided studying which we can avoid. Overall, it is the best way of passing information to the next generation and integral to learning.

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What Literature Can Teach Us

Communication and research skills—and how to be a better human being

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Literature is a term used to describe written and sometimes spoken material. Derived from the Latin word  literature  meaning "writing formed with letters," literature most commonly refers to works of the creative imagination, including poetry, drama , fiction , nonfiction , and in some instances, journalism , and song. 

What Is Literature?

Simply put, literature represents the culture and tradition of a language or a people. The concept is difficult to precisely define, though many have tried; it's clear that the accepted definition of literature is constantly changing and evolving.

For many, the word literature suggests a higher art form; merely putting words on a page doesn't necessarily equate to creating literature. A canon is the accepted body of works for a given author. Some works of literature are considered canonical, that is, culturally representative of a particular genre (poetry, prose, or drama).

Literary Fiction vs. Genre Fiction

Some definitions also separate literary fiction from so-called "genre fiction," which includes types such as mystery, science fiction, western, romance, thriller, and horror. Think mass-market paperback.

Genre fiction typically does not have as much character development as literary fiction and is read for entertainment, escapism, and plot, whereas literary fiction explores themes common to the human condition and uses symbolism and other literary devices to convey the author's viewpoint on his or her chosen themes. Literary fiction involves getting into the minds of the characters (or at least the protagonist) and experiencing their relationships with others. The protagonist typically comes to a realization or changes in some way during the course of a literary novel.

(The difference in type does not mean that literary writers are better than genre fiction writers, just that they operate differently.)

Why Is Literature Important?

Works of literature, at their best, provide a kind of blueprint of human society. From the writings of ancient civilizations such as Egypt and China to Greek philosophy and poetry, from the epics of Homer to the plays of William Shakespeare, from Jane Austen and Charlotte Bronte to Maya Angelou , works of literature give insight and context to all the world's societies. In this way, literature is more than just a historical or cultural artifact; it can serve as an introduction to a new world of experience.

But what we consider to be literature can vary from one generation to the next. For instance, Herman Melville's 1851 novel " Moby Dick "   was considered a failure by contemporary reviewers. However, it has since been recognized as a masterpiece and is frequently cited as one of the best works of Western literature for its thematic complexity and use of symbolism. By reading "Moby Dick" in the present day, we can gain a fuller understanding of literary traditions in Melville's time. 

Debating Literature 

Ultimately, we may discover meaning in literature by looking at what the author writes or says and how he or she says it. We may interpret and debate an author's message by examining the words he or she chooses in a given novel or work or observing which character or voice serves as the connection to the reader.

In academia, this decoding of the text is often carried out through the use of  literary theory using a mythological, sociological, psychological, historical, or other approaches to better understand the context and depth of a work.

Whatever critical paradigm we use to discuss and analyze it, literature is important to us because it speaks to us, it is universal, and it affects us on a deeply personal level. 

School Skills

Students who study literature and read for pleasure have a higher vocabulary, better reading comprehension, and better communication skills, such as writing ability. Communication skills affect people in every area of their lives, from navigating interpersonal relationships to participating in meetings in the workplace to drafting intraoffice memos or reports.

When students analyze literature, they learn to identify cause and effect and are applying critical thinking skills. Without realizing it, they examine the characters psychologically or sociologically. They identify the characters' motivations for their actions and see through those actions to any ulterior motives.

When planning an essay on a work of literature, students use problem-solving skills to come up with a thesis and follow through on compiling their paper. It takes research skills to dig up evidence for their thesis from the text and scholarly criticism, and it takes organizational skills to present their argument in a coherent, cohesive manner.

Empathy and Other Emotions

Some studies say that people who read literature have more empathy for others, as literature puts the reader into another person's shoes. Having empathy for others leads people to socialize more effectively, solve conflicts peacefully, collaborate better in the workplace, behave morally, and possibly even become involved in making their community a better place.

Other studies note a correlation between readers and empathy but do not find causation . Either way, studies back the need for strong English programs in schools, especially as people spend more and more time looking at screens rather than books.

Along with empathy for others, readers can feel a greater connection to humanity and less isolated. Students who read literature can find solace as they realize that others have gone through the same things that they are experiencing or have experienced. This can be a catharsis and relief to them if they feel burdened or alone in their troubles.

Quotes About Literature

Here are some quotes about literature from literature giants themselves.

  • Robert Louis Stevenson : "The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish."
  • Jane Austen, "Northanger Abbey" : "The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid."
  • William Shakespeare, "Henry VI" : “I’ll call for pen and ink and write my mind.”
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Instructor Resources

Defining literature.

Literature , in its broadest sense, is any written work. Etymologically, the term derives from Latin  litaritura/litteratura “writing formed with letters,” although some definitions include spoken or sung texts. More restrictively, it is writing that possesses literary merit. Literature can be classified according to whether it is fiction or non-fiction and whether it is poetry or prose. It can be further distinguished according to major forms such as the novel, short story or drama, and works are often categorized according to historical periods or their adherence to certain aesthetic features or expectations (genre).

Taken to mean only written works, literature was first produced by some of the world’s earliest civilizations—those of Ancient Egypt and Sumeria—as early as the 4th millennium BC; taken to include spoken or sung texts, it originated even earlier, and some of the first written works may have been based on a pre-existing oral tradition. As urban cultures and societies developed, there was a proliferation in the forms of literature. Developments in print technology allowed for literature to be distributed and experienced on an unprecedented scale, which has culminated in the twenty-first century in electronic literature.

Definitions of literature have varied over time.  In Western Europe prior to the eighteenth century, literature as a term indicated all books and writing. [1]   A more restricted sense of the term emerged during the Romantic period, in which it began to demarcate “imaginative” literature. [2]

  Contemporary debates over what constitutes literature can be seen as returning to the older, more inclusive notion of what constitutes literature. Cultural studies, for instance, takes as its subject of analysis both popular and minority genres, in addition to canonical works. [3]

Major Forms

French words arranged on a page to form a sketch of a man wearing a hat

A calligram by Guillaume Apollinaire. These are a type of poem in which the written words are arranged in such a way to produce a visual image.

Poetry is a form of literary art that uses aesthetic and rhythmic qualities of language to evoke meanings in addition to, or in place of, prosaic ostensible meaning (ordinary intended meaning). Poetry has traditionally been distinguished from prose by its being set in verse; [4]  prose is cast in sentences, poetry in lines; the syntax of prose is dictated by meaning, whereas that of poetry is held across metre or the visual aspects of the poem. [5]  

Prior to the nineteenth century, poetry was commonly understood to be something set in metrical lines; accordingly, in 1658 a definition of poetry is “any kind of subject consisting of Rythm or Verses”. [6]  Possibly as a result of Aristotle’s influence (his Poetics ), “poetry” before the nineteenth century was usually less a technical designation for verse than a normative category of fictive or rhetorical art. [7]  As a form it may pre-date literacy, with the earliest works being composed within and sustained by an oral tradition; [8]  hence it constitutes the earliest example of literature.

Prose is a form of language that possesses ordinary syntax and natural speech rather than rhythmic structure; in which regard, along with its measurement in sentences rather than lines, it differs from poetry. [9]  On the historical development of prose, Richard Graff notes that ”

  • Novel : a long fictional prose narrative.
  • Novella :The novella exists between the novel and short story; the publisher Melville House classifies it as “too short to be a novel, too long to be a short story.” [10]
  • Short story : a dilemma in defining the “short story” as a literary form is how to, or whether one should, distinguish it from any short narrative .  Apart from its distinct size, various theorists have suggested that the short story has a characteristic subject matter or structure; [11]   these discussions often position the form in some relation to the novel. [12]

Drama is literature intended for performance. [13]

  • Leitch et al. , The Norton Anthology of Theory and Criticism , 28 ↵
  • Ross, "The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century," 406 &  Eagleton, Literary theory: an introduction , 16 ↵
  • "poetry, n.". Oxford English Dictionary . OUP . Retrieved 13 February 2014 . (subscription required) ↵
  • Preminger, The New Princeton Encyclopedia of Poetry and Poetics , 938–9 ↵
  • Ross, "The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century", 398 ↵
  • Finnegan, Ruth H. (1977). Oral poetry: its nature, significance, and social context. Indiana University Press. p. 66. &  Magoun, Jr., Francis P. (1953). "Oral-Formulaic Character of Anglo-Saxon Narrative Poetry".Speculum 28 (3): 446–67. doi:10.2307/2847021 ↵
  • Preminger, The New Princeton Encyclopedia of Poetry and Poetics , 938–9 &Alison Booth; Kelly J. Mays. "Glossary: P". LitWeb, the Norton Introduction to Literature Studyspace . Retrieved 15 February 2014 .  ↵
  • Antrim, Taylor (2010). "In Praise of Short". The Daily Beast . Retrieved 15 February 2014 . ↵
  • Rohrberger, Mary; Dan E. Burns (1982). "Short Fiction and the Numinous Realm: Another Attempt at Definition". Modern Fiction Studies . XXVIII (6). &  May, Charles (1995). The Short Story. The Reality of Artifice . New York: Twain. ↵
  • Marie Louise Pratt (1994). Charles May, ed. The Short Story: The Long and the Short of It . Athens: Ohio UP. ↵
  • Elam, Kier (1980). The Semiotics of Theatre and Drama . London and New York: Methuen. p. 98.ISBN 0-416-72060-9. ↵
  • Literature. Provided by : Wikipedia. Located at : https://en.wikipedia.org/wiki/Literature#cite_note-44 . License : CC BY-SA: Attribution-ShareAlike
  • Image of man formed by words. Authored by : Guillaume Apollinaire. Located at : https://commons.wikimedia.org/wiki/File:Calligramme.jpg . License : Public Domain: No Known Copyright
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Definition of literature noun from the Oxford Advanced Learner's Dictionary

  • English/American/French literature
  • children's literature
  • great works of literature
  • For most people, the desire to study literature begins with a love of reading.
  • write/​publish literature/​poetry/​fiction/​a book/​a story/​a poem/​a novel/​a review/​an autobiography
  • become a writer/​novelist/​playwright
  • find/​have a publisher/​an agent
  • have a new book out
  • edit/​revise/​proofread a book/​text/​manuscript
  • dedicate a book/​poem to…
  • construct/​create/​weave/​weave something into a complex narrative
  • advance/​drive the plot
  • introduce/​present the protagonist/​a character
  • describe/​depict/​portray a character (as…)/(somebody as) a hero/​villain
  • create an exciting/​a tense atmosphere
  • build/​heighten the suspense/​tension
  • evoke/​capture the pathos of the situation
  • convey emotion/​an idea/​an impression/​a sense of…
  • engage the reader
  • seize/​capture/​grip the (reader’s) imagination
  • arouse/​elicit emotion/​sympathy (in the reader)
  • lack imagination/​emotion/​structure/​rhythm
  • use/​employ language/​imagery/​humour/ (US English) humor/​an image/​a symbol/​a metaphor/​a device
  • use/​adopt/​develop a style/​technique
  • be rich in/​be full of symbolism
  • evoke images of…/a sense of…/a feeling of…
  • create/​achieve an effect
  • maintain/​lighten the tone
  • introduce/​develop an idea/​a theme
  • inspire a novel/​a poet/​somebody’s work/​somebody’s imagination
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Home » What is Literature – Definition, Types, Examples

What is Literature – Definition, Types, Examples

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What is Literature

Definition:

Literature refers to written works of imaginative, artistic, or intellectual value, typically characterized by the use of language to convey ideas, emotions, and experiences. It encompasses various forms of written expression, such as novels, poems, plays, essays, short stories, and other literary works.

History of Literature

The history of literature spans thousands of years and includes works from many different cultures and languages. Here is a brief overview of some of the major periods and movements in the history of literature:

Ancient Literature (3000 BCE – 500 CE)

  • Ancient Mesopotamian Literature (3000 BCE – 2000 BCE): This period includes the earliest known writings, such as the Epic of Gilgamesh, a Sumerian epic poem that explores themes of friendship, mortality, and the search for immortality.
  • Ancient Greek Literature (800 BCE – 200 BCE): This era produced works by legendary writers such as Homer, known for the Iliad and the Odyssey, and playwrights like Sophocles, Aeschylus, and Euripides, who wrote tragic plays exploring human nature and the conflicts between gods and mortals.
  • Ancient Roman Literature (200 BCE – 500 CE): Roman literature included works by poets like Virgil (known for the Aeneid) and historians like Livy and Tacitus, who chronicled the rise and fall of the Roman Empire.

Medieval Literature (500 CE – 1500 CE)

  • Early Medieval Literature (500 CE – 1000 CE): During this period, literature was mainly religious and included works such as Beowulf, an Old English epic poem, and The Divine Comedy by Dante Alighieri, an Italian epic poem that describes the journey through Hell, Purgatory, and Heaven.
  • High Medieval Literature (1000 CE – 1300 CE): This era saw the emergence of troubadour poetry in Provence, France, which celebrated courtly love, as well as the works of Geoffrey Chaucer, such as The Canterbury Tales, which combined diverse stories and social commentary.
  • Late Medieval Literature (1300 CE – 1500 CE): Notable works from this period include Dante’s Divine Comedy, Petrarch’s sonnets, and the works of Christine de Pizan, an early feminist writer.

Renaissance Literature (14th – 17th centuries)

  • Italian Renaissance Literature (14th – 16th centuries): This period witnessed the flourishing of humanism and produced works by authors such as Francesco Petrarch and Giovanni Boccaccio, who emphasized the individual, the secular, and the revival of classical themes and styles.
  • English Renaissance Literature (16th – 17th centuries): This era saw the works of William Shakespeare, including his plays such as Hamlet and Macbeth, which explored complex human emotions and the human condition. Other notable writers include Christopher Marlowe and Edmund Spenser.

Enlightenment Literature (17th – 18th centuries)

  • This period marked a shift towards reason, rationality, and the questioning of established beliefs and systems. Influential writers during this time included René Descartes, John Locke, Voltaire, Jean-Jacques Rousseau, and Denis Diderot.

Romanticism (late 18th – mid-19th centuries)

  • Romantic literature emphasized individual emotion, imagination, and nature. Key figures include William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats.

Victorian Literature (19th century)

  • This era was characterized by the reign of Queen Victoria and featured writers such as Charles Dickens, Jane Austen, Charlotte and Emily Brontë, and Oscar Wilde.

Modernist Literature (late 19th – early 20th centuries)

  • Modernist literature emerged as a response to the social, political, and technological changes of the time. It is characterized by experimentation with narrative structure, language, and perspective. Notable modernist writers include T.S. Eliot, Virginia Woolf, James Joyce, and Marcel Proust.

Postmodern Literature (mid-20th century – present)

  • Postmodern literature challenges traditional notions of narrative and reality. It often incorporates elements of metafiction, intertextuality, and fragmented narratives. Prominent postmodern authors include Jorge Luis Borges, Italo Calvino, Salman Rushdie, and Margaret Atwood.

Contemporary Literature (late 20th century – present)

  • Contemporary literature encompasses a wide range of diverse voices and styles. It explores various themes and addresses contemporary issues, reflecting the cultural, social, and political contexts of the present time. Notable contemporary authors include Toni Morrison, J.K. Rowling, Haruki Murakami, Chimamanda Ngozi Adichie, and Zadie Smith.

Types of Literature

Types of Literature are as follows:

Short story

Graphic novel, electronic literature.

Poetry is a form of literature that uses language to convey emotions or ideas in a concise and often rhythmic manner. Poetry has been around for centuries, with many different cultures creating their own unique styles. While some people may view poetry as difficult to understand, there is often great beauty in its simplicity. Whether you are looking to read poems for enjoyment or to better analyze literary works, understanding the basics of poetry can be very helpful.

Examples of Poetry in Literature

There are countless examples of poetry in literature, ranging from ancient works to contemporary masterpieces. Here are just a few examples:

  • “ The Love Song of J. Alfred Prufrock ” by T.S. Eliot (1915): This modernist poem explores themes of alienation, identity, and the human condition.
  • “ Do not go gentle into that good night ” by Dylan Thomas (1951): This villanelle is a powerful meditation on death and the struggle for survival.
  • “ The Waste Land” by T.S. Eliot (1922) : This epic poem is a complex and multi-layered exploration of the modern world and its spiritual emptiness.
  • “ The Raven” by Edgar Allan Poe (1845) : This famous poem is a haunting and macabre exploration of grief, loss, and the supernatural.
  • “ Sonnet 18″ by William Shakespeare (1609) : This classic sonnet is a beautiful and romantic tribute to the beauty of the beloved.
  • “ Ode to a Nightingale” by John Keats (1819) : This ode is a sublime exploration of the power of beauty and the transcendent experience of art.
  • “ The Road Not Taken” by Robert Frost (1916) : This famous poem is a contemplative meditation on choices, regrets, and the uncertainties of life.

These are just a few examples of the many works of poetry that exist in literature. Poetry can explore a wide range of themes and emotions, using language and imagery to create powerful and moving works of art.

Prose is a type of written language that typically contains dialogue and narration. In literature, prose is the most common form of writing. Prose can be found in novels, short stories, plays, and essays.

Examples of Prose in Literature

“ The Essays” by Michel de Montaigne (1580) – This collection of prose is a seminal work of the French Renaissance and is credited with popularizing the use of personal reflections in prose literature. Montaigne’s writing style in these works is informal and conversational, and covers a vast range of topics including morality, philosophy, religion, and politics. The prose is notable for its intimacy and personal nature, as Montaigne often uses his own experiences and thoughts to illustrate his ideas.

A novel is a fictional book that is typically longer than 300 pages. It tells a story, usually in chronological order, and has characters and settings that are developed over the course of the story. Novels are often divided into chapters, which help to break up the story and make it easier to read.

Novels are one of the most popular genres of literature, and there are many different types of novels that you can read. Whether you’re looking for a romance novel, a mystery novel, or a historical fiction novel, there’s sure to be a book out there that you’ll love.

Examples of Novels in Literature

  • “Don Quixote” by Miguel de Cervantes (1605) – This novel is considered one of the greatest works of Spanish literature and is a satirical take on chivalric romance. It follows the adventures of a delusional knight, Don Quixote, and his loyal squire, Sancho Panza.
  • “Robinson Crusoe” by Daniel Defoe (1719) – This novel is considered one of the earliest examples of the English novel and is a tale of survival and self-reliance. It follows the story of a man named Robinson Crusoe, who is stranded on a deserted island for 28 years.
  • “Pride and Prejudice” by Jane Austen (1813) – This novel is considered one of the greatest works of English literature and is a romantic comedy of manners. It follows the story of Elizabeth Bennet and her complicated relationship with Mr. Darcy, a wealthy landowner.
  • “To Kill a Mockingbird” by Harper Lee (1960) – This novel is a classic of American literature and deals with issues of race, class, and justice in the American South during the 1930s. It follows the story of a young girl named Scout and her experiences with racism and prejudice.
  • “The Great Gatsby” by F. Scott Fitzgerald (1925) – This novel is considered a masterpiece of American literature and is a social commentary on the decadence and excess of the Roaring Twenties. It follows the story of Jay Gatsby, a wealthy and mysterious man, and his obsession with a woman named Daisy Buchanan.

A novella is a work of fiction that is shorter than a novel but longer than a short story. The word “novella” comes from the Italian word for “new”, which is fitting because this type of story is often seen as being between the old and the new. In terms of length, a novella typically has about 20,000 to 40,000 words.

While novels are usually about one main plot with several subplots, novellas are usually focused on one central conflict. This conflict is usually resolved by the end of the story. However, because novellas are longer than short stories, there is more room to develop characters and explore themes in depth.

Examples of Novella in Literature

  • “Heart of Darkness” by Joseph Conrad (1899) – This novella is a powerful and haunting portrayal of European imperialism in Africa. It follows the journey of a steamboat captain named Marlow, who is sent to find a man named Kurtz deep in the Congo.
  • “The Old Man and the Sea” by Ernest Hemingway (1952) – This novella is a Pulitzer Prize-winning story of an aging Cuban fisherman named Santiago and his epic struggle to catch a giant marlin. It is a testament to the resilience and determination of the human spirit.
  • “The Metamorphosis” by Franz Kafka (1915) – This novella is a surreal and disturbing tale of a man named Gregor Samsa, who wakes up one morning to find himself transformed into a giant insect. It explores themes of isolation, identity, and the human condition.
  • “Of Mice and Men” by John Steinbeck (1937) – This novella is a tragic story of two migrant workers, George and Lennie, who dream of owning their own farm but are thwarted by their own limitations and the harsh realities of the Great Depression. It is a powerful commentary on the American Dream and the plight of the working class.
  • “Animal Farm” by George Orwell (1945) – This novella is a satirical allegory of the Russian Revolution and the rise of Stalinism. It follows the story of a group of farm animals who overthrow their human owner and create their own society, only to be corrupted by their own leaders. It is a cautionary tale about the dangers of totalitarianism and propaganda.

A short story is a work of fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents.

The short story is one of the oldest forms of literature and has been found in oral cultures as well as in written form. In terms of length, it is much shorter than the novel, typically ranging from 1,000 to 20,000 words.

The short story has often been described as a “perfect form” because it allows for greater compression and variety than either the novel or poem. It also allows writers to experiment with different styles and genres.

Examples of Short Story in Literature

  • “The Tell-Tale Heart” by Edgar Allan Poe (1843) – This classic horror story is a chilling portrayal of a murderer who is haunted by the sound of his victim’s heartbeat. It is a masterful example of Poe’s psychological and suspenseful writing style.
  • “The Lottery” by Shirley Jackson (1948) – This controversial short story is a commentary on the dark side of human nature and the dangers of blind adherence to tradition. It follows the annual tradition of a small town that holds a lottery, with a surprising and shocking ending.
  • “The Gift of the Magi” by O. Henry (1905) – This heartwarming story is a classic example of a holiday tale of selflessness and sacrifice. It follows the story of a young couple who each give up their most prized possession to buy a gift for the other.
  • “A Clean, Well-Lighted Place” by Ernest Hemingway (1933) – This minimalist story is a reflection on the existential angst and loneliness of modern life. It takes place in a cafe late at night and explores the relationships between the patrons and the waiter.
  • “The Yellow Wallpaper” by Charlotte Perkins Gilman (1892) – This feminist short story is a powerful critique of the medical establishment and the treatment of women’s mental health. It follows the story of a woman who is confined to her bedroom and becomes obsessed with the yellow wallpaper on the walls.

A graphic novel is a book that tells a story through the use of illustrations and text. Graphic novels can be based on true stories, or they can be fictional. They are usually longer than traditional books, and they often have more complex plots.

Graphic novels first gained popularity in the 1970s, when publishers began releasing collections of comics that had been previously published in magazines. Since then, the genre has grown to include original works, as well as adaptations ofexisting stories.

Graphic novels are now widely respected as a form of literature, and they have been adapted into many different mediums, including movies, television shows, and stage plays.

Examples of Graphic Novels in Literature

  • “ Watchmen” by Alan Moore and Dave Gibbons (1986-1987) – This graphic novel is considered one of the greatest works of the medium and is a deconstruction of the superhero genre. It follows a group of retired superheroes who come out of retirement to investigate the murder of one of their own.
  • “ Maus” by Art Spiegelman (1980-1991) – This Pulitzer Prize-winning graphic novel is a harrowing and poignant account of a Jewish survivor of the Holocaust and his strained relationship with his son. The characters are depicted as animals, with the Jews as mice and the Nazis as cats.
  • “ Persepolis” by Marjane Satrapi (2000-2003) – This autobiographical graphic novel is a coming-of-age story set against the backdrop of the Iranian Revolution. It follows the author’s experiences growing up in Iran and then moving to Europe as a teenager.
  • “Sandman” by Neil Gaiman (1989-1996) – This epic fantasy series is a masterful exploration of mythology, literature, and human nature. It follows the story of Morpheus, the Lord of Dreams, as he navigates through the world of dreams and interacts with characters from across time and space.
  • “Batman: The Dark Knight Returns” by Frank Miller (1986) – This influential graphic novel is a gritty and realistic portrayal of an aging Batman who comes out of retirement to fight crime in a dystopian future. It is credited with revolutionizing the Batman character and inspiring a new era of darker and more mature superhero stories.

Electronic literature, also known as e-literature, is a genre of writing that uses electronic media to create works of art. This type of literature often includes elements of interactivity, hypertextuality, and multimedia.

E-literature has its roots in early computer games and interactive fiction. These early works were created using simple text-based programming languages like BASIC and HTML. Today, e-literature has evolved into a complex form of art that incorporates multimedia elements such as audio and video.

Examples of Electronic Literature in Literature

  • “ Afternoon: A Story” by Michael Joyce (1987) – This hypertext fiction is considered one of the earliest examples of electronic literature. It is a nonlinear narrative that can be read in multiple paths and contains multimedia elements like images and sound.
  • “ Patchwork Girl” by Shelley Jackson (1995) – This hypertext novel is a retelling of Mary Shelley’s “Frankenstein” that uses digital media to explore the themes of identity, gender, and creation. It contains animated graphics, video, and sound.
  • “ The Dreamlife of Letters” by Brian Kim Stefans (2000) – This work of interactive poetry uses computer algorithms to generate new poems based on the user’s input. It combines traditional poetic forms with digital technologies to create a unique reading experience.
  • “ Flight Paths” by Kate Pullinger and Chris Joseph (2007) – This work of electronic literature is a collaborative multimedia project that explores the lives of immigrants and refugees. It combines text, video, and audio to create an immersive and interactive experience.
  • “Inanimate Alice” by Kate Pullinger and Chris Joseph (2005-2016) – This interactive digital novel follows the story of a young girl named Alice as she grows up in a world of technology and media. It uses a combination of text, video, animation, and sound to create a unique and engaging narrative.

Non-fiction

Non-fiction in literature is defined as prose writings that are based on real events, people, or places. Non-fiction is often divided into categories such as biography, history, and essay.

Examples of Non-fiction in Literature

  • “ The Origin of Species” by Charles Darwin (1859) – This landmark book is one of the most influential works in the history of science. It lays out Darwin’s theory of evolution by natural selection and provides evidence for the descent of all living things from a common ancestor.
  • “The Autobiography of Malcolm X” by Malcolm X and Alex Haley (1965) – This autobiography is a candid and powerful account of Malcolm X’s life as an African American civil rights leader. It explores his journey from a troubled youth to a powerful orator and activist, and provides insights into the social and political climate of the time.
  • “ The Feminine Mystique” by Betty Friedan (1963) – This groundbreaking book is a seminal work of feminist literature. It critiques the idea of the “happy housewife” and argues that women’s social roles and expectations are limiting and oppressive.
  • “The New Jim Crow” by Michelle Alexander (2010) – This book is a powerful critique of the criminal justice system and its impact on communities of color. It argues that the system perpetuates racial inequality and provides a call to action for reform.

Drama is a genre of literature that tells a story through the use of dialogue and action. It often has a strong plot and characters who undergo change or development over the course of the story. Drama can be divided into several subgenres, such as tragedy, comedy, and farce.

Examples of Drama in Literature

  • “ Hamlet” by William Shakespeare (1603) – This tragedy is considered one of the greatest plays ever written. It tells the story of Prince Hamlet of Denmark and his quest for revenge against his uncle, who murdered his father and married his mother.
  • “ A Doll’s House” by Henrik Ibsen (1879) – This play is a landmark work of modern drama. It explores themes of gender roles, marriage, and personal identity through the story of a married woman who decides to leave her husband and children in order to discover herself.
  • “ Death of a Salesman” by Arthur Miller (1949) – This play is a powerful critique of the American Dream and the pressures of modern society. It tells the story of a salesman named Willy Loman and his family, as they struggle to come to terms with the realities of their lives.
  • “ Fences” by August Wilson (1985) – This play is part of Wilson’s “Pittsburgh Cycle,” a series of ten plays that explore the African American experience in the 20th century. It tells the story of a former Negro League baseball player named Troy Maxson and his relationship with his family.

Also see Literature Review

Examples of Literature

Examples of Literature are as follows:

  • “The Silent Patient” by Alex Michaelides
  • “Normal People” by Sally Rooney
  • “Where the Crawdads Sing” by Delia Owens
  • “The Water Dancer” by Ta-Nehisi Coates
  • “Harry Potter and the Cursed Child” by J.K. Rowling, Jack Thorne, and John Tiffany
  • “The Ferryman” by Jez Butterworth
  • “The Inheritance” by Matthew Lopez
  • “Sweat” by Lynn Nottage
  • “The Hill We Climb” by Amanda Gorman (inaugural poem at the 2021 U.S. presidential inauguration)
  • “The Tradition” by Jericho Brown
  • “Homie” by Danez Smith
  • “The Carrying” by Ada Limón
  • “Call Me by Your Name” (2017) directed by Luca Guadagnino (based on the novel by André Aciman)
  • “The Great Gatsby” (2013) directed by Baz Luhrmann (based on the novel by F. Scott Fitzgerald)
  • “The Lord of the Rings” trilogy (2001-2003) directed by Peter Jackson (based on the novels by J.R.R. Tolkien)
  • “The Handmaiden” (2016) directed by Park Chan-wook (based on the novel “Fingersmith” by Sarah Waters)
  • “Lemonade” (2016) by Beyoncé (visual album with accompanying poetry and prose)
  • “To Pimp a Butterfly” (2015) by Kendrick Lamar (rap album with dense lyrical storytelling)
  • “I See You” (2017) by The xx (album inspired by themes of love and connection)
  • “Carrie & Lowell” (2015) by Sufjan Stevens (folk album exploring personal and familial themes)
  • Blogs and online articles that discuss literary analysis, book reviews, and creative writing
  • Online literary magazines and journals publishing contemporary works of fiction, poetry, and essays
  • E-books and audiobooks available on platforms like Kindle, Audible, and Scribd
  • Social media platforms where writers share their works and engage with readers, such as Twitter and Instagram

Purpose of Literature

The purpose of literature is multifaceted and can vary depending on the author, genre, and intended audience. However, some common purposes of literature include:

Entertainment

Literature can provide enjoyment and pleasure to readers through engaging stories, complex characters, and beautiful language.

Literature can teach readers about different cultures, time periods, and perspectives, expanding their knowledge and understanding of the world.

Reflection and introspection

Literature can encourage readers to reflect on their own experiences and beliefs, prompting self-discovery and personal growth.

Social commentary

Literature can serve as a medium for social criticism, addressing issues such as inequality, injustice, and oppression.

Historical and cultural preservation

Literature can document and preserve the history, traditions, and values of different cultures and societies, providing insight into the past.

Aesthetic appreciation:

literature can be appreciated for its beauty and artistic value, inspiring readers with its language, imagery, and symbolism.

The Significance of Literature

Literature holds immense significance in various aspects of human life and society. It serves as a powerful tool for communication, expression, and exploration of ideas. Here are some of the key significances of literature:

Communication and Expression

Literature allows individuals to communicate their thoughts, emotions, and experiences across time and space. Through various literary forms such as novels, poems, plays, and essays, writers can convey their ideas and perspectives to readers, fostering understanding and empathy.

Cultural Reflection

Literature often reflects the values, beliefs, and experiences of a particular culture or society. It provides insights into different historical periods, social structures, and cultural practices, offering a glimpse into the diversity and richness of human experiences.

Knowledge and Education

Literature is a valuable source of knowledge, as it presents ideas, concepts, and information in an engaging and accessible manner. It introduces readers to different subjects, such as history, science, philosophy, psychology, and more, allowing them to expand their understanding and broaden their intellectual horizons.

Emotional and Intellectual Development

Literature has the power to evoke emotions and provoke critical thinking. By immersing oneself in literary works, readers can develop a deeper understanding of complex emotions, empathy for diverse perspectives, and the ability to think critically and analytically.

Preservation of Cultural Heritage

Literature acts as a repository of a society’s cultural heritage. It preserves the history, traditions, myths, and folklore of a particular community, ensuring that future generations can connect with their roots and learn from the experiences of the past.

Social Commentary and Critique

Literature often serves as a platform for social commentary and critique. Writers use their works to shed light on social issues, challenge societal norms, and promote positive change. By addressing controversial topics and presenting alternative viewpoints, literature can spark discussions and inspire activism.

Entertainment and Escapism

Literature offers a means of entertainment and escapism from the realities of everyday life. Engaging narratives, compelling characters, and vivid descriptions transport readers to different worlds, allowing them to experience joy, excitement, and adventure through the pages of a book.

Imagination and Creativity

Literature fuels the human imagination and nurtures creativity. It encourages readers to think beyond the boundaries of their own experiences, envision new possibilities, and explore alternative realities. Literature inspires writers to craft unique stories and ideas, contributing to the expansion of artistic expression.

Personal Growth and Self-Reflection

Reading literature can have a profound impact on personal growth and self-reflection. It provides opportunities for introspection, introspection, and self-discovery, as readers identify with characters, grapple with moral dilemmas, and contemplate the deeper meaning of life and existence.

The Enduring Impact of Literature

Literature has an enduring impact that transcends time and continues to influence individuals and societies long after it is written. Here are some ways in which literature leaves a lasting impression:

Cultural Legacy:

Literary works become part of a society’s cultural legacy. They shape and reflect the values, beliefs, and traditions of a particular era or community. Classic works of literature, such as Shakespeare’s plays or the novels of Jane Austen, continue to be studied, performed, and celebrated, preserving their impact across generations.

Influence on Other Art Forms:

Literature has a profound influence on other art forms, such as film, theater, music, and visual arts. Many famous literary works have been adapted into films or stage productions, reaching new audiences and extending their influence beyond the written word. Artists and musicians often draw inspiration from literary themes, characters, and narratives, further amplifying their impact.

Shaping Worldviews:

Literature has the power to shape and challenge worldviews. Through stories, ideas, and perspectives presented in literary works, readers are exposed to different cultures, experiences, and ideologies. This exposure fosters empathy, broadens perspectives, and encourages critical thinking, ultimately influencing how individuals perceive and understand the world around them.

Inspirational Source:

Literature serves as an inspirational source for individuals in various fields. Writers, artists, scientists, and thinkers often draw inspiration from the works of literary giants who have explored the depths of human emotions, grappled with existential questions, or challenged societal norms. Literature provides a wellspring of ideas and creativity that continues to fuel innovation and intellectual discourse.

Social and Political Change:

Literature has played a significant role in driving social and political change throughout history. Many literary works have addressed pressing social issues, advocated for human rights, and challenged oppressive systems. By shedding light on societal injustices and encouraging readers to question the status quo, literature has been instrumental in inspiring activism and fostering social progress.

Universal Themes and Human Experience:

Literature explores universal themes and the complexities of the human experience. Whether it’s love, loss, identity, or the pursuit of meaning, these themes resonate with readers across time and cultures. Literary works offer insights into the depths of human emotions, dilemmas, and aspirations, creating a shared understanding and connecting individuals across generations.

Intellectual and Personal Development:

Reading literature stimulates intellectual growth and personal development. It encourages critical thinking, analytical skills, and the ability to empathize with diverse perspectives. Literary works challenge readers to reflect on their own lives, values, and beliefs, promoting self-discovery and personal growth.

Enduring Literary Characters:

Iconic literary characters have a lasting impact on popular culture and the collective imagination. Characters like Sherlock Holmes, Hamlet, or Elizabeth Bennet have become archetypes, influencing the portrayal of similar characters in other works and becoming a part of our cultural lexicon.

Preservation of History and Memory:

Literature plays a crucial role in preserving historical events, experiences, and cultural memories. Historical novels, memoirs, and eyewitness accounts provide valuable insights into past eras, allowing future generations to learn from and connect with the past.

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Literary Terms

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This handout gives a rundown of some important terms and concepts used when talking and writing about literature.

Included below is a list of literary terms that can help you interpret, critique, and respond to a variety of different written works. This list is by no means comprehensive, but instead offers a primer to the language frequently used by scholars and students researching literary works. This list and the terms included in it can help you begin to identify central concerns or elements in a work that might help facilitate your interpretation, argumentation, and analysis. We encourage you to read this list alongside the other guides to literary interpretation included on the OWL Website. Please use the links on the left-hand side of this page to access other helpful resources.

  • Characterization : The ways individual characters are represented by the narrator or author of a text. This includes descriptions of the characters’ physical appearances, personalities, actions, interactions, and dialogue.
  • Dialogue : Spoken exchanges between characters in a dramatic or literary work, usually between two or more speakers.
  • Genre : A kind of literature. For instance, comedy, mystery, tragedy, satire, elegy, romance, and epic are all genres. Texts frequently draw elements from multiple genres to create dynamic narratives. Alastair Fowler uses the following elements to define genres: organizational features (chapters, acts, scenes, stanzas); length; mood (the Gothic novel tends to be moody and dark); style (a text can be high, low, or in-between depending on its audience); the reader’s role (readers of a mystery are expected to interpret evidence); and the author’s reason for writing (an epithalamion is a poem composed for marriage) (Mickics 132-3).
  • Imagery : A term used to describe an author’s use of vivid descriptions “that evoke sense-impressions by literal or figurative reference to perceptible or ‘concrete’ objects, scenes, actions, or states” (Baldick 121). Imagery can refer to the literal landscape or characters described in a narrative or the theoretical concepts an author employs.
  • Plot : The sequence of events that occur through a work to produce a coherent narrative or story.
  • Point of View: The perspective (visual, interpretive, bias, etc.) a text takes when presenting its plot and narrative. For instance, an author might write a narrative from a specific character’s point of view, which means that that character is our narrative and readers experience events through his or her eyes.
  • Style : Comprising an author’s diction, syntax, tone, characters, and other narrative techniques, “style” is used to describe the way an author uses language to convey his or her ideas and purpose in writing. An author’s style can also be associated to the genre or mode of writing the author adopts, such as in the case of a satire or elegy with would adopt a satirical or elegiac style of writing.
  • Symbol(ism): An object or element incorporated into a narrative to represent another concept or concern. Broadly, representing one thing with another. Symbols typically recur throughout a narrative and offer critical, though often overlooked, information about events, characters, and the author’s primary concerns in telling the story.
  • Theme : According to Baldick, a theme may be defined as “a salient abstract idea that emerges from a literary work’s treatment of its subject-matter; or a topic recurring in a number or literary works” (Baldick 258). Themes in literature tend to differ depending on author, time period, genre, style, purpose, etc.
  • Tone : A way of communicating information (in writing, images, or sound) that conveys an attitude. Authors convey tone through a combination of word-choice, imagery, perspective, style, and subject matter. By adopting a specific tone, authors can help readers accurately interpret meaning in a text.
  • First person : A story told from the perspective of one or several characters, each of whom typically uses the word “I.” This means that readers “see” or experience events in the story through the narrator’s eyes.
  • Second person : A narrative perspective that typically addresses that audience using “you.” This mode can help authors address readers and invest them in the story.
  • Third person : Describes a narrative told from the perspective of an outside figure who does not participate directly in the events of a story. This mode uses “he,” “she,” and “it” to describe events and characters.

Types of Prose Texts

  • Bildungsroman : This is typically a type of novel that depicts an individual’s coming-of-age through self-discovery and personal knowledge. Such stories often explore the protagonists’ psychological and moral development. Examples include Dickens’ Great Expectations and Joyce’s A Portrait of the Artist as a Young Man .
  • Epistolary : A novel composed primarily of letters sent and received by its principal characters. This type of novel was particularly popular during the eighteenth century.
  • Essay : According to Baldick, “a short written composition in prose that discusses a subject or proposes an argument without claiming to be a complete or thorough exposition” (Baldick 87). A notable example of the essay form is Jonathan Swift’s “A Modest Proposal,” which uses satire to discuss eighteenth-century economic and social concerns in Ireland.
  • Novella : An intermediate-length (between a novel and a short story) fictional narrative.

Terms for Interpreting Authorial Voice

  • Apology : Often at the beginning or conclusion of a text, the term “apology” refers to an instance in which the author or narrator justifies his or her goals in producing the text.
  • Irony : Typically refers to saying one thing and meaning the opposite, often to shock audiences and emphasize the importance of the truth.
  • Satire : A style of writing that mocks, ridicules, or pokes fun at a person, belief, or group of people in order to challenge them. Often, texts employing satire use sarcasm, irony, or exaggeration to assert their perspective.
  • Stream of consciousness : A mode of writing in which the author traces his or her thoughts verbatim into the text. Typically, this style offers a representation of the author’s exact thoughts throughout the writing process and can be used to convey a variety of different emotions or as a form of pre-writing.

Terms for Interpreting Characters

  • Antagonist : A character in a text who the protagonist opposes. The antagonist is often (though not always) the villain of a story.
  • Anti-hero : A protagonist of a story who embodies none of the qualities typically assigned to traditional heroes and heroines. Not to be confused with the antagonist of a story, the anti-hero is a protagonist whose failings are typically used to humanize him or her and convey a message about the reality of human existence.
  • Archetype : “a resonant figure of mythic importance, whether a personality, place, or situation, found in diverse cultures and different historical periods” (Mickics 24). Archetypes differ from allegories because they tend to reference broader or commonplace (often termed “stock”) character types, plot points, and literary conventions. Paying attention to archetypes can help readers identify what an author may posit as “universal truths” about life, society, human interaction, etc. based on what other authors or participants in a culture may have said about them.
  • Epithet : According to Taafe, “An adjective, noun, or phase expressing some characteristic quality of a thing or person or a descriptive name applied to a person, as Richard the Lion-Hearted” (Taafe 58). An epithet usually indicates some notable quality about the individual with whom it addresses, but it can also be used ironically to emphasize qualities that individual might actually lack.
  • Personification : The artistic representation of a concept, quality, or idea in the form of a person. Personification can also refer to “a person who is considered a representative type of a particular quality or concept” (Taafe 120). Many classical deities are good examples of personifications. For instance, the Greek god Ares is a personification of war.
  • Protagonist : The primary character in a text, often positioned as “good” or the character with whom readers are expected to identify. Protagonists usually oppose an antagonist.

Terms for Interpreting Word Choice, Dialogue, and Speech

  • Alliteration : According to Baldick, “The repetition of the same sounds—usually initial consonants of words or of stressed syllabus—in any sequence of neighboring words” (Baldick 6). Alliteration is typically used to convey a specific tone or message.
  • Apostrophe : This figure of speech refers to an address to “a dead or absent person, or an abstraction or inanimate object” and is “usually employed for emotional emphasis, can become ridiculous [or humorous] when misapplied” (Baldick 17).
  • Diction : Word choice, or the specific language an author, narrator, or speaker uses to describe events and interact with other characters.

Terms for Interpreting Plot

  • Climax : The height of conflict and intrigue in a narrative. This is when events in the narrative and characters’ destinies are most unclear; the climax often appears as a decision the protagonist must make or a challenge he or she must overcome in order for the narrative to obtain resolution.
  • Denouement : The “falling action” of a narrative, when the climax and central conflicts are resolved and a resolution is found. In a play, this is typically the last act and in a novel it might include the final chapters.
  • Deus Ex Machina : According to Taafe, “Literally, in Latin, the ‘god from the machine’; a deity in Greek and Roman drama who was brought in by stage machinery to intervene in the action; hence, any character, event, or device suddenly introduced to resolve the conflict” (43).
  • Exposition : Usually located at the beginning of a text, this is a detailed discussion introducing characters, setting, background information, etc. readers might need to know in order to understand the text that follows. This section is particularly rich for analysis because it contains a lot of important information in a relatively small space.
  • Frame Narrative : a story that an author encloses around the central narrative in order to provide background information and context. This is typically referred to as a “story within a story” or a “tale within a tale.” Frame stories are usually located in a distinct place and time from the narratives they surround. Examples of stories with frame narratives include Canterbury Tales, Frankenstein , and Wuthering Heights .
  • In media res : Beginning in “the middle of things,” or when an author begins a text in the midst of action. This often functions as a way to both incorporate the reader directly into the narrative and secure his or her interest in the narrative that follows.

Terms for Interpreting Layers of Meaning

  • Allegory : A literary mode that attempts to convert abstract concepts, values, beliefs, or historical events into characters or other tangible elements in a narrative. Examples include, Gulliver’s Travels, The Faerie Queene, Pilgrim’s Progress, and Paradise Lost .
  • Allusion : When a text references, incorporates, or responds to an earlier piece (including literature, art, music, film, event, etc). T.S. Eliot’s The Waste Land (1922) offers an extensive example of allusion in literature. According to Baldick, “The technique of allusion is an economical means of calling upon the history or the literary tradition that author and reader are assumed to share” (7).
  • Hyperbole : exaggerated language, description, or speech that is not meant to be taken literally, but is used for emphasis. For instance, “I’ve been waiting here for ages” or “This bag weighs a ton.”
  • Metaphor : a figure of speech that refers to one thing by another in order to identify similarities between the two (and therefore define each in relation to one another).
  • Note that metonymy differs subtly from synecdoche, which substitutes a part of something for the whole. For example, the phrase "all hands on deck" can substitute for the more awkward "all people on deck."
  • Parody : a narrative work or writing style that mocks or mimics another genre or work. Typically, parodies exaggerate and emphasize elements from the original work in order to ridicule, comment on, or criticize their message.
  • Simile : a figure of speech that compares two people, objects, elements, or concepts using “like” or “as.”

Works Cited

For more information or to read about other literary terms, please see the following texts:

Baldick, Chris. Oxford Dictionary of Literary Terms . Oxford University Press, 2001.

Mikics, David. A New Handbook of Literary Terms . Yale University Press, 2007.

Taafe, James G. A Student’s Guide to Literary Term s. The World Publishing Company, 1967.

Cambridge Dictionary

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Meaning of literature in English

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literature noun [U] ( WRITING )

  • He's very knowledgeable about German literature.
  • I had a brilliant English teacher who fired me with enthusiasm for literature at an early age .
  • She's studying for an MA in French literature.
  • Classic literature never goes out of print .
  • The festival will encompass everything from music , theater and ballet to literature, cinema and the visual arts .
  • action hero
  • alliterative
  • alternative history
  • fictionality
  • fictionally
  • non-character
  • non-literary
  • non-metrical
  • nonsense verse
  • sympathetically
  • tartan noir

literature noun [U] ( SPECIALIST TEXTS )

  • advance notice
  • advance warning
  • advertisement
  • aide-mémoire
  • bumper sticker
  • push notification
  • the gory details idiom
  • the real deal

literature noun [U] ( INFORMATION )

  • information Can I get some information on college courses?
  • details Please send me details of your self-defense classes.
  • directions Just follow the directions on the label.
  • instructions Have you read the instructions all the way through?
  • directions We had to stop and ask for directions.
  • guidelines The government has issued new guidelines on health and safety at work.
  • adverse publicity
  • customer relationship management
  • differentiator
  • opinion mining
  • overexposure
  • unadvertised
  • unmarketable

You can also find related words, phrases, and synonyms in the topics:

literature | Intermediate English

Literature | business english, examples of literature, collocations with literature.

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Humanities LibreTexts

1.2: Why Read and Write About Literature?

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  • Page ID 118569

  • Heather Ringo & Athena Kashyap
  • City College of San Francisco via ASCCC Open Educational Resources Initiative

Why Read Literature?

In the age of memes, Twitter, Youtube, and streaming television services, literature might seem like a relic of the past. Indeed, fewer people are reading literature than ever. According to an article published in the Washington Post, "in 2015, 43 percent of adults read at least one work of literature in the previous year. That's the lowest percentage in any year since NEA surveys began tracking r eading and arts participation in 1982 when the literature reading rate was 57 percent" (Ingraham). If the decline of literature-reading in adults isn't the death knoll of literature, the decline in teenagers might be. According to NPR, in a recently conducted poll, "nearly half of 17-year-olds say they read for pleasure no more than one or two times a year — if that" ( Ludden). How many books have you read this year? How many poems? Indeed, in a world of Netflix and TikTok, it is difficult for stinky old books to compete.

But this is hardly a new problem if it is even a problem at all.

Consider the words of master-of-clapbacks Sir Philip Sydney, #throwback to the late 1500s and early 1600s. After the invention of the printing press by Johannes Gutenberg, many people saw the proliferation of novels and plays as morally poisonous. Talking heads of the time argued that poetry and literature were a waste of time, or "fake news" as some might call it today. They questioned the purpose of fictional works. Poet and diplomat Sir Philip Sydney responded with a scathing literary smack-down to the haters. He argued the poet has a special talent to create new, beautiful worlds that no other professional can claim, and that those who question the purpose of poetry have "earth-creeping" minds and are "momes" (AKA fools, blockheads). He further stated that he hopes these momes never get "favor" (love) because they don't know how to write sonnets to woo their love interests and that they don't get an epitaph on their graves, because that is the poet's job. Ouch, harsh.

In today's world, it seems that Sidney would probably consider most people momes. After all, very few of us read or appreciate poetry regularly. Most of our reading and writing is done on the internet: in the forms of Facebook posts, memes, tweets, snapchats, Tik Tok videos, and viral news. In response to this trend, many famous authors and literary critics have stated that literature is dead (Breuklander). Indeed, if we define literature as only printed novels and poetry, perhaps it is, for all intents and purposes, dead. But... what if we were to define literature as Sidney did--a creation made from the "zodiac of [the poet's] own wit," improving upon nature itself through invention? Might some of today's internet media fall into that definition?

What if literature isn't dead after all...but thriving more than ever? What if we radically reconsider the parameters of literature? What if literature has just evolved from sonnets and novels to tweets and memes? In this textbook, we will explore how technology has blurred the lines between Literature and literature. We will question and explore the "usefulness" of literature in a world that encourages split-second attention spans. We will see how literature has solved problems in the past, and explore how it can be used to solve problems in the future. Medicine, a threat to the status quo, entertainment, activism, or boring stinky old piles of pages: what is literature to you?

No matter the reader, no matter the writer, no matter the genre, literature is a cultural relic, a manifestation of the human experience. Thus, it can teach us things about our society and about ourselves we might not be able to learn from other types of media. It enables us to experience and discuss ideas from the safety of our armchairs, to project ourselves onto characters and environments, to explore worlds and lived experiences we otherwise would never have the opportunity to experience.

Additionally, data suggests reading literature benefits us in profound ways.

Benefits of Literature

Studies show reading literature may help

  • promote empathy and social skills (Castano and Kidd)
  • alleviate symptoms of depression (Billington et al.)
  • business leaders succeed (Coleman)
  • prevent dementia by stimulating the mind (Thorpe)

These are just a few of the studied benefits of literature. As we continue to gain increasing complexity in terms of measuring brain activity and developing other tools to measure brain function, scientists may find more benefits.

Why Write About Literature?

You might be asking yourself why you should bother writing about something you've read. After all, isn't creative writing more fun, journalistic writing more interesting, and technical writing more useful? Maybe, but consider this: writing about literature will let you exercise your critical thinking skills like no other style of writing will. Even if you don't want to pursue a career involving literature, you can use critical thinking and analysis in any field from philosophy to business to physics. More than being able to think critically, you need to be able to express those thoughts in a coherent fashion. Writing about literature will allow you to practice this invaluable communication skill.

“Okay,” you say, “that's all good and well. But hasn't anything I have to say about a story already been said? So what's the point, then?” When you write your paper, you might end up saying something that has been discussed, argued over, or proposed by literary critics and students alike. However, when you write something, you present a point of view through your unique voice. Even if something has been said about a book many times, you can add something new to that discussion. Perhaps you can state an idea in simpler terms, or you want to disagree with a popular viewpoint. Even if you're writing to an instructor's prompt, your voice will make the paper unique.

How Do I Start?

To many of us, writing a response to something we've had to read sounds more than a little daunting. There are so many things to examine and analyze in a book, play, or poem. But before you decide that writing about writing just isn't for you, think about this--you already have many of the skills you need to write a good response to literature.

How many times have you heard about someone who watched a horror movie and yelled, “Don't go into the basement!” at the potential victim. Or maybe you've listened to a song and thought about how the lyrics described your life almost perfectly. Perhaps you like to jump up and cheer for your favorite team even if you're watching the game from home. Each time you do one of these things, you are responding to something you've seen or heard. And when you read a book, you likely do the same thing. Have you ever read anything and sympathized with or hated a character? If so, you've already taken your first step in responding to literature.

However, the next steps are a little harder. You need to be able to put your response into writing so other people can understand why you believe one thing or another about a book, play, or poem. In addition, writing an essay based on how a story makes you think or feel is only one of many ways to respond to what you read. In order to write a strong paper, you will need to examine a text both subjectively and objectively . If you only write about your personal reaction to a book, there won't be much to support your argument except your word alone. Thus, you will need to use some facts from the text to support your argument. Rather than trying to evaluate every nuance of a text all at once, you should start with the basics: character and plot. From there, you can examine the theme of the work and then move on to the finer points such as the writing itself. For instance, when determining how you want to analyze a piece of literature, you might want to ask yourself the following series of questions:

  • Who are the characters?
  • What are they doing?
  • Why and how are they doing it?
  • Do their actions relate to any broader topics or issues?
  • How does the author convey this through their writing?

Questions to consider when writing about literature

Of course, answering these questions will only start your analysis. However, if you can answer them, you will have a strong grasp of the basic elements of the story. From there, you can go on to more specific questions, such as, “How does symbolism help illustrate the theme?” or “What does the author say about the relationships between characters through the dialogue he gives them?” However, before you can start answering detailed questions like these, you should look at the basic elements of what you're reading. Some of the most common elements in a piece of literature include:

  • Plot (story or play) or structure (poem)
  • Symbolism and Figurative Language

As you work through each genre in this book, try to examine each of these elements in each piece of literature you read.

Optional, Supplemental Reading: Excerpt from Sir Philip Sidney's Defense of Poesy

"There is no art delivered unto mankind that has not the works of nature for his principal object, without which they could not consist, and on which they so depend as they become actors and players, as it were, of what nature will have set forth. So doth the astronomer look upon the stars, and, by that he sees, set down what order nature has taken therein. So do the geometrician and arithmetician in their divers sorts of quantities. So doth the musician in times tell you which by nature agree, which not. The natural philosopher thereon has his name, and the moral philosopher stands upon the natural virtues, vices, and passions of man; and “follow nature,” says he, “therein, and thou shalt not err.” The lawyer says what men have determined, the historian what men have done. The grammarian speaks only of the rules of speech, and the rhetorician and logician, considering what in nature will soonest prove and persuade, thereon give artificial rules, which still are compassed within the circle of a question, according to the proposed matter. The physician weighs the nature of man’s body, and the nature of things helpful or hurtful unto it. And the metaphysic, though it be in the second and abstract notions, and therefore be counted supernatural, yet doth he, indeed, build upon the depth of nature.

Only the poet, disdaining to be tied to any such subjection, lifted up with the vigor of his own invention, doth grow, in effect, into another nature, in making things either better than nature brings forth, or, quite anew, forms such as never were in nature, as the heroes, demi-gods, cyclops, chimeras, furies, and such like; so as he goes hand in hand with nature, not enclosed within the narrow warrant of her gifts, but freely ranging within the zodiac of his own wit. Nature never set forth the earth in so rich tapestry as divers poets have done; neither with pleasant rivers, fruitful trees, sweet-smelling flowers, nor whatsoever else may make the too-much-loved earth more lovely; her world is brazen, the poets only deliver a golden...

But if—fie of such a but!—you be born so near the dull-making cataract of Nilus, that you cannot hear the planet-like music of poetry; if you have so earth-creeping a mind that it cannot lift itself up to look to the sky of poetry, or rather, by a certain rustical disdain, will become such a mome [blockhead—ed.], as to be a Momus of poetry; then, though I will not wish unto you the ass’ ears of Midas, nor to be driven by a poet’s verses, as Bubonax was, to hang himself; nor to be rimed to death, as is said to be done in Ireland; yet thus much curse. I must send you in the behalf of all poets:—that while you live in love, and never get favor for lacking skill of a sonnet; and when you die, your memory die from the earth for want of an epitaph." -- Sir Philip Sydney

Works Cited

Billington, Josie, Dowrick, Christopher, Hamer, Andrew, Robinson, Jude and Clare Williams. An investigation into the therapeutic benefits of reading in relation to depression and well-being. Liverpool Health Inequalities Research Institute. University of Liverpool, Nov. 2010. https://www.liverpool.ac.uk/media/livacuk/iphs/web_version_therapeutic_benefits_of_reading_final_report_Mar.pdf

Breuklander, Joel. "Literature is Dead (According to Straight, White Guys at Least)." The Atlantic, 18 July 2013. Web. https://www.theatlantic.com/entertainment/archive/2013/07/literature-is-dead-according-to-straight-white-guys-at-least/277906/ Accessed 12 August 2018

Castano, Emanuele and David Kidd. "Reading Literary Fiction Improves Theory of Mind." Science. 18 Oct. 2013;342(6156):377-80.

Coleman, John. "The Benefits of Poetry for Professionals." Harvard Business Review, 2012. https://hbr.org/2012/11/the-benefits-of-poetry-for-pro

Ingraham, Christopher. "The long, steady decline of literary reading." The Washington Post, 7 Sep 2016. Web. https://www.washingtonpost.com/news/wonk/wp/2016/09/07/the-long-steady-decline-of-literary-reading/?utm_term=.ad2fa9146ec0 Accessed 2 August 2018.

Ludden, Jennifer. "Why Aren't Teens Reading Like They Used To?" NPR. 12 May 2014. https://www.npr.org/2014/05/12/311111701/why-arent-teens-reading-like-they-used-to Accessed 02 August 2018.

Thorpe, J.R. "Why Reading Poetry Is Good For Your Brain." Bustle , 20 Apr. 2017. https://www.bustle.com/p/why-reading-poetry-is-good-for-your-brain-51884

Sidney, Sir Philip. The Defense of Poesy. The Poetry Foundation. 13 Oct. 2009. Web. https://www.poetryfoundation.org/articles/69375/the-defence-of-poesy Accessed 2 August 2018.

Contributors and Attributions

  • Why Write About Literature sections adapted from "Writing About Literature Basics" from Commonsense Composition by Crystle Bruno of San Jose State University licensed CC BY-NC 4.0

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1 What Is Literature and Why Do We Study It?

written literature define

In this book created for my English 211 Literary Analysis introductory course for English literature and creative writing majors at the College of Western Idaho, I’ll introduce several different critical approaches that literary scholars may use to answer these questions.  The critical method we apply to a text can provide us with different perspectives as we learn to interpret a text and appreciate its meaning and beauty.

The existence of literature, however we define it, implies that we study literature. While people have been “studying” literature as long as literature has existed, the formal study of literature as we know it in college English literature courses began in the 1940s with the advent of New Criticism. The New Critics were formalists with a vested interest in defining literature–they were, after all, both creating and teaching about literary works. For them, literary criticism was, in fact, as John Crowe Ransom wrote in his 1942 essay “ Criticism, Inc., ” nothing less than “the business of literature.”

Responding to the concern that the study of literature at the university level was often more concerned with the history and life of the author than with the text itself, Ransom responded, “the students of the future must be permitted to study literature, and not merely about literature. But I think this is what the good students have always wanted to do. The wonder is that they have allowed themselves so long to be denied.”

We’ll learn more about New Criticism in Section Three. For now, let’s return to the two questions I posed earlier.

What is literature?

First, what is literature ? I know your high school teacher told you never to look up things on Wikipedia, but for the purposes of literary studies, Wikipedia can actually be an effective resource. You’ll notice that I link to Wikipedia articles occasionally in this book. Here’s how Wikipedia defines literature :

“ Literature  is any collection of  written  work, but it is also used more narrowly for writings specifically considered to be an  art  form, especially  prose   fiction ,  drama , and  poetry . [1]  In recent centuries, the definition has expanded to include  oral literature , much of which has been transcribed. [2] Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.”

This definition is well-suited for our purposes here because throughout this course, we will be considering several types of literary texts in a variety of contexts.

I’m a Classicist—a student of Greece and Rome and everything they touched—so I am always interested in words with Latin roots. The Latin root of our modern word literature  is  litera , or “letter.” Literature, then, is inextricably intertwined with the act of writing. But what kind of writing?

Who decides which texts are “literature”?

The second question is at least as important as the first one. If we agree that literature is somehow special and different from ordinary writing, then who decides which writings count as literature? Are English professors the only people who get to decide? What qualifications and training does someone need to determine whether or not a text is literature? What role do you as the reader play in this decision about a text?

Let’s consider a few examples of things that we would all probably classify as literature. I think we can all (probably) agree that the works of William Shakespeare are literature. We can look at Toni Morrison’s outstanding ouvre of work and conclude, along with the Nobel Prize Committee, that books such as Beloved   and  Song of Solomon   are literature. And if you’re taking a creative writing course and have been assigned the short stories of Raymond Carver or the poems of Joy Harjo , you’re probably convinced that these texts are literature too.

In each of these three cases, a different “deciding” mechanism is at play. First, with Shakespeare, there’s history and tradition. These plays that were written 500 years ago are still performed around the world and taught in high school and college English classes today. It seems we have consensus about the tragedies, histories, comedies, and sonnets of the Bard of Avon (or whoever wrote the plays).

In the second case, if you haven’t heard of Toni Morrison (and I am very sorry if you haven’t), you probably have heard of the Nobel Prize. This is one of the most prestigious awards given in literature, and since she’s a winner, we can safely assume that Toni Morrison’s works are literature.

Finally, your creative writing professor is an expert in their field. You know they have an MFA (and worked hard for it), so when they share their favorite short stories or poems with you, you trust that they are sharing works considered to be literature, even if you haven’t heard of Raymond Carver or Joy Harjo before taking their class.

(Aside: What about fanfiction? Is fanfiction literature?)

We may have to save the debate about fan fiction for another day, though I introduced it because there’s some fascinating and even literary award-winning fan fiction out there.

Returning to our question, what role do we as readers play in deciding whether something is literature? Like John Crowe Ransom quoted above, I think that the definition of literature should depend on more than the opinions of literary critics and literature professors.

I also want to note that contrary to some opinions, plenty of so-called genre fiction can also be classified as literature. The Nobel Prize winning author Kazuo Ishiguro has written both science fiction and historical fiction. Iain Banks , the British author of the critically acclaimed novel The Wasp Factory , published popular science fiction novels under the name Iain M. Banks. In other words, genre alone can’t tell us whether something is literature or not.

In this book, I want to give you the tools to decide for yourself. We’ll do this by exploring several different critical approaches that we can take to determine how a text functions and whether it is literature. These lenses can reveal different truths about the text, about our culture, and about ourselves as readers and scholars.

“Turf Wars”: Literary criticism vs. authors

It’s important to keep in mind that literature and literary theory have existed in conversation with each other since Aristotle used Sophocles’s play Oedipus Rex to define tragedy. We’ll look at how critical theory and literature complement and disagree with each other throughout this book. For most of literary history, the conversation was largely a friendly one.

But in the twenty-first century, there’s a rising tension between literature and criticism. In his 2016 book Literature Against Criticism: University English and Contemporary Fiction in Conflict, literary scholar Martin Paul Eve argues that twenty-first century authors have developed

a series of novelistic techniques that, whether deliberate or not on the part of the author, function to outmanoeuvre, contain, and determine academic reading practices. This desire to discipline university English through the manipulation and restriction of possible hermeneutic paths is, I contend, a result firstly of the fact that the metafictional paradigm of the high-postmodern era has pitched critical and creative discourses into a type of productive competition with one another. Such tensions and overlaps (or ‘turf wars’) have only increased in light of the ongoing breakdown of coherent theoretical definitions of ‘literature’ as distinct from ‘criticism’ (15).

One of Eve’s points is that by narrowly and rigidly defining the boundaries of literature, university English professors have inadvertently created a situation where the market increasingly defines what “literature” is, despite the protestations of the academy. In other words, the gatekeeper role that literary criticism once played is no longer as important to authors. For example, (almost) no one would call 50 Shades of Grey literature—but the salacious E.L James novel was the bestselling book of the decade from 2010-2019, with more than 35 million copies sold worldwide.

If anyone with a blog can get a six-figure publishing deal , does it still matter that students know how to recognize and analyze literature? I think so, for a few reasons.

  • First, the practice of reading critically helps you to become a better reader and writer, which will help you to succeed not only in college English courses but throughout your academic and professional career.
  • Second, analysis is a highly sought after and transferable skill. By learning to analyze literature, you’ll practice the same skills you would use to analyze anything important. “Data analyst” is one of the most sought after job positions in the New Economy—and if you can analyze Shakespeare, you can analyze data. Indeed.com’s list of top 10 transferable skills includes analytical skills , which they define as “the traits and abilities that allow you to observe, research and interpret a subject in order to develop complex ideas and solutions.”
  • Finally, and for me personally, most importantly, reading and understanding literature makes life make sense. As we read literature, we expand our sense of what is possible for ourselves and for humanity. In the challenges we collectively face today, understanding the world and our place in it will be important for imagining new futures.

A note about using generative artificial intelligence

As I was working on creating this textbook, ChatGPT exploded into academic consciousness. Excited about the possibilities of this new tool, I immediately began incorporating it into my classroom teaching. In this book, I have used ChatGPT to help me with outlining content in chapters. I also used ChatGPT to create sample essays for each critical lens we will study in the course. These essays are dry and rather soulless, but they do a good job of modeling how to apply a specific theory to a literary text. I chose John Donne’s poem “The Canonization” as the text for these essays so that you can see how the different theories illuminate different aspects of the text.

I encourage students in my courses to use ChatGPT in the following ways:

  • To generate ideas about an approach to a text.
  • To better understand basic concepts.
  • To assist with outlining an essay.
  • To check grammar, punctuation, spelling, paragraphing, and other grammar/syntax issues.

If you choose to use Chat GPT, please include a brief acknowledgment statement as an appendix to your paper after your Works Cited page explaining how you have used the tool in your work. Here is an example of how to do this from Monash University’s “ Acknowledging the Use of Generative Artificial Intelligence .”

I acknowledge the use of [insert AI system(s) and link] to [specific use of generative artificial intelligence]. The prompts used include [list of prompts]. The output from these prompts was used to [explain use].

Here is more information about how to cite the use of generative AI like ChatGPT in your work. The information below was adapted from “Acknowledging and Citing Generative AI in Academic Work” by Liza Long (CC BY 4.0).

The Modern Language Association (MLA) uses a template of core elements to create citations for a Works Cited page. MLA  asks students to apply this approach when citing any type of generative AI in their work. They provide the following guidelines:

Cite a generative AI tool whenever you paraphrase, quote, or incorporate into your own work any content (whether text, image, data, or other) that was created by it. Acknowledge all functional uses of the tool (like editing your prose or translating words) in a note, your text, or another suitable location. Take care to vet the secondary sources it cites. (MLA)

Here are some examples of how to use and cite generative AI with MLA style:

Example One: Paraphrasing Text

Let’s say that I am trying to generate ideas for a paper on Charlotte Perkins Gilman’s short story “The Yellow Wallpaper.” I ask ChatGPT to provide me with a summary and identify the story’s main themes. Here’s a  link to the chat . I decide that I will explore the problem of identity and self-expression in my paper.

My Paraphrase of ChatGPT with In-Text Citation

The problem of identity and self expression, especially for nineteenth-century women, is a major theme in “The Yellow Wallpaper” by Charlotte Perkins Gilman (“Summarize the short story”).

Image of "Yellow Wallpaper Summary" chat with ChatGPT

Works Cited Entry

“Summarize the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Include a breakdown of the main themes” prompt.  ChatGPT.  24 May Version, OpenAI, 20 Jul. 2023,  https://chat.openai.com/share/d1526b95-920c-48fc-a9be-83cd7dfa4be5 

Example Two: Quoting Text

In the same chat, I continue to ask ChatGPT about the theme of identity and self expression. Here’s an example of how I could quote the response in the body of my paper:

When I asked  ChatGPT  to describe the theme of identity and self expression, it noted that the eponymous yellow wallpaper acts as a symbol of the narrator’s self-repression. However, when prompted to share the scholarly sources that formed the basis of this observation,  ChatGPT  responded, “As an AI language model, I don’t have access to my training data, but I was trained on a mixture of licensed data, data created by human trainers, and publicly available data. OpenAI, the organization behind my development, has not publicly disclosed the specifics of the individual datasets used, including whether scholarly sources were specifically used” (“Summarize the short story”).

It’s worth noting here that ChatGPT can “ hallucinate ” fake sources. As a Microsoft training manual notes, these chatbots are “built to be persuasive, not truthful” (Weiss &Metz, 2023). The May 24, 2023 version will no longer respond to direct requests for references; however, I was able to get around this restriction fairly easily by asking for “resources” instead.

When I ask for resources to learn more about “The Yellow Wallpaper,” here is one source it recommends:

“Charlotte Perkins Gilman’s The Yellow Wallpaper: A Symptomatic Reading” by Elaine R. Hedges: This scholarly article delves into the psychological and feminist themes of the story, analyzing the narrator’s experience and the implications of the yellow wallpaper on her mental state. It’s available in the journal “Studies in Short Fiction.” (“Summarize the short story”).

Using Google Scholar, I look up this source to see if it’s real. Unsurprisingly, this source is not a real one, but it does lead me to another (real) source: Kasmer, Lisa. “Charlotte Perkins Gilman’s’ The Yellow Wallpaper’: A Symptomatic Reading.”  Literature and Psychology  36.3 (1990): 1.

Note: ALWAYS check any sources that ChatGPT or other generative AI tools recommend.

For more information about integrating and citing generative artificial intelligence tools such as ChatGPT, please see this section of  Write What Matters.

I acknowledge that ChatGPT does not respect the individual rights of authors and artists and ignores concerns over copyright and intellectual property in its training; additionally, I acknowledge that the system was trained in part through the exploitation of precarious workers in the global south. In this work I specifically used ChatGPT to assist with outlining chapters, providing background information about critical lenses, and creating “model” essays for the critical lenses we will learn about together. I have included links to my chats in an appendix to this book.

Critical theories: A targeted approach to writing about literature

Ultimately, there’s not one “right” way to read a text. In this book. we will explore a variety of critical theories that scholars use to analyze literature. The book is organized around different targets that are associated with the approach introduced in each chapter. In the introduction, for example, our target is literature. In future chapters you’ll explore these targeted analysis techniques:

  • Author: Biographical Criticism
  • Text: New Criticism
  • Reader: Reader Response Criticism
  • Gap: Deconstruction (Post-Structuralism)
  • Context: New Historicism and Cultural Studies
  • Power: Marxist and Postcolonial Criticism
  • Mind: Psychological Criticism
  • Gender: Feminist, Post Feminist, and Queer Theory
  • Nature: Ecocriticism

Each chapter will feature the target image with the central approach in the center. You’ll read a brief introduction about the theory, explore some primary texts (both critical and literary), watch a video, and apply the theory to a primary text. Each one of these theories could be the subject of its own entire course, so keep in mind that our goal in this book is to introduce these theories and give you a basic familiarity with these tools for literary analysis. For more information and practice, I recommend Steven Lynn’s excellent Texts and Contexts: Writing about Literature with Critical Theory , which provides a similar introductory framework.

I am so excited to share these tools with you and see you grow as a literary scholar. As we explore each of these critical worlds, you’ll likely find that some critical theories feel more natural or logical to you than others. I find myself much more comfortable with deconstruction than with psychological criticism, for example. Pay attention to how these theories work for you because this will help you to expand your approaches to texts and prepare you for more advanced courses in literature.

P.S. If you want to know what my favorite book is, I usually tell people it’s Herman Melville’s Moby Dick . And I do love that book! But I really have no idea what my “favorite” book of all time is, let alone what my favorite book was last year. Every new book that I read is a window into another world and a template for me to make sense out of my own experience and better empathize with others. That’s why I love literature. I hope you’ll love this experience too.

writings in prose or verse, especially :  writings having excellence of form or expression and expressing ideas of permanent or universal interest (Merriam Webster)

Critical Worlds Copyright © 2024 by Liza Long is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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Written literature: what it is, how it arises, types and main features

What is written literature.

When we talk about written literature, we refer to one of the main divisions that take place in the world of literature, in terms of its main classification of types of literature. That is, it is one of the two most important categories that includes a large amount of content and that in turn, we can divide into another series of categories.

Thus, written literature refers to the set of written works or texts that have been produced and recorded by human beings throughout history. In this way we have a large number of texts that we can divide into three categories: literary text, non-literary text and digital text, a much more recent category that comes with the digital era.

How does written literature arise?

Although it is difficult to define the origin of written literature, the closest approximations allow us to place it in Classical Greece, in particular with the tradition of Western literature. There, it arose from the transcription of epic texts attributed to Homer, such as the Iliad and the Odyssey, fundamental texts in the history of literature.

In its beginnings, it was only literature of oral transmission, reason for which its composition was structured in verse and was decisive for the development of other later literary works that will leave the first texts to humanity as the Greek tragedies with authors such as Euripides, Aeschylus and Sophocles. Thus, throughout history, important works were consolidated and written with varied resources for their care and safety, so that the printing press, an element that also divides the development of literature, will be fundamental for the continuation of written literature, mainly.

What is written literature

As we mentioned, within the written literature we have three main categories on which all texts are organized. Thus, first we have the literary text, then there is the non-literary text and then the digital texts. Each of these categories allows us to locate all types of texts that we can find today.

Now, if we have said that written literature is properly texts, it is necessary to mention that this term refers to all the statements that are part of a written document. These statements, in turn, are sets of signs and symbols that are part of a language and convey a message.

Main characteristics

It is important to consider that much of the written literature initially existed as oral literature, so it is with the passage of time that it began to be recorded so that it would not fall into oblivion. Now, let’s look at the main characteristics of written literature:

Permanence over time

One of the main features of texts, in any of its categories, has to do with the fact that the content or message that is printed in them, has the ability to last over time. That is to say, it is a message that can be read accurately long after it has been produced, since it is registered and has the advantage of remaining intact, also considering the production of copies.

Broader reach

Whether we are referring to the physical object of the book or the text, which even in its digital format is valid for this feature, we have that texts or written literature also has the advantage of being able to cross borders. It is not only a matter of traveling a distance in time, but also of place, since it can reach exactly other areas of the world and the same message can be read in other spaces.

Impossibility of interaction

The message or content of the text is already registered, so there is no possibility of generating an interaction with the information that is captured. In other words, in this case, the receiver does not have the possibility of intervening or modifying the content because he/she will only have access to it when it is finished.

Text planning

Unlike the spontaneity in which oral literature is developed, which is recorded in speech immediately, written literature has a planning process in which, before reaching the receiver, he/she can modify aspects of its content, make corrections and so on, before reaching him/her.

If you want to know more about other aspects of literature, the second most important category within the types of literature and more, remember that in our section dedicated to this artistic field you can find a lot of information to continue learning.

  • What is Neoclassical and Romantic Sculpture?
  • What is Rococo Sculpture? Characteristics
  • Baroque Sculpture, most outstanding features
  • Renaissance Sculpture, strong religious sentiment
  • Gothic Sculpture, interest in nature
  • Most important aspects of Romanesque sculpture
  • Sculpture during Christianity – History, Concept and Works
  • Etruscan and Roman Sculpture – Concept, History, Concepts
  • Ancient Greek Sculpture – Definition, History and Representatives
  • Aegean Sculpture – Definition, Development and Representatives

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Methodology

  • How to Write a Literature Review | Guide, Examples, & Templates

How to Write a Literature Review | Guide, Examples, & Templates

Published on January 2, 2023 by Shona McCombes . Revised on September 11, 2023.

What is a literature review? A literature review is a survey of scholarly sources on a specific topic. It provides an overview of current knowledge, allowing you to identify relevant theories, methods, and gaps in the existing research that you can later apply to your paper, thesis, or dissertation topic .

There are five key steps to writing a literature review:

  • Search for relevant literature
  • Evaluate sources
  • Identify themes, debates, and gaps
  • Outline the structure
  • Write your literature review

A good literature review doesn’t just summarize sources—it analyzes, synthesizes , and critically evaluates to give a clear picture of the state of knowledge on the subject.

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Table of contents

What is the purpose of a literature review, examples of literature reviews, step 1 – search for relevant literature, step 2 – evaluate and select sources, step 3 – identify themes, debates, and gaps, step 4 – outline your literature review’s structure, step 5 – write your literature review, free lecture slides, other interesting articles, frequently asked questions, introduction.

  • Quick Run-through
  • Step 1 & 2

When you write a thesis , dissertation , or research paper , you will likely have to conduct a literature review to situate your research within existing knowledge. The literature review gives you a chance to:

  • Demonstrate your familiarity with the topic and its scholarly context
  • Develop a theoretical framework and methodology for your research
  • Position your work in relation to other researchers and theorists
  • Show how your research addresses a gap or contributes to a debate
  • Evaluate the current state of research and demonstrate your knowledge of the scholarly debates around your topic.

Writing literature reviews is a particularly important skill if you want to apply for graduate school or pursue a career in research. We’ve written a step-by-step guide that you can follow below.

Literature review guide

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Writing literature reviews can be quite challenging! A good starting point could be to look at some examples, depending on what kind of literature review you’d like to write.

  • Example literature review #1: “Why Do People Migrate? A Review of the Theoretical Literature” ( Theoretical literature review about the development of economic migration theory from the 1950s to today.)
  • Example literature review #2: “Literature review as a research methodology: An overview and guidelines” ( Methodological literature review about interdisciplinary knowledge acquisition and production.)
  • Example literature review #3: “The Use of Technology in English Language Learning: A Literature Review” ( Thematic literature review about the effects of technology on language acquisition.)
  • Example literature review #4: “Learners’ Listening Comprehension Difficulties in English Language Learning: A Literature Review” ( Chronological literature review about how the concept of listening skills has changed over time.)

You can also check out our templates with literature review examples and sample outlines at the links below.

Download Word doc Download Google doc

Before you begin searching for literature, you need a clearly defined topic .

If you are writing the literature review section of a dissertation or research paper, you will search for literature related to your research problem and questions .

Make a list of keywords

Start by creating a list of keywords related to your research question. Include each of the key concepts or variables you’re interested in, and list any synonyms and related terms. You can add to this list as you discover new keywords in the process of your literature search.

  • Social media, Facebook, Instagram, Twitter, Snapchat, TikTok
  • Body image, self-perception, self-esteem, mental health
  • Generation Z, teenagers, adolescents, youth

Search for relevant sources

Use your keywords to begin searching for sources. Some useful databases to search for journals and articles include:

  • Your university’s library catalogue
  • Google Scholar
  • Project Muse (humanities and social sciences)
  • Medline (life sciences and biomedicine)
  • EconLit (economics)
  • Inspec (physics, engineering and computer science)

You can also use boolean operators to help narrow down your search.

Make sure to read the abstract to find out whether an article is relevant to your question. When you find a useful book or article, you can check the bibliography to find other relevant sources.

You likely won’t be able to read absolutely everything that has been written on your topic, so it will be necessary to evaluate which sources are most relevant to your research question.

For each publication, ask yourself:

  • What question or problem is the author addressing?
  • What are the key concepts and how are they defined?
  • What are the key theories, models, and methods?
  • Does the research use established frameworks or take an innovative approach?
  • What are the results and conclusions of the study?
  • How does the publication relate to other literature in the field? Does it confirm, add to, or challenge established knowledge?
  • What are the strengths and weaknesses of the research?

Make sure the sources you use are credible , and make sure you read any landmark studies and major theories in your field of research.

You can use our template to summarize and evaluate sources you’re thinking about using. Click on either button below to download.

Take notes and cite your sources

As you read, you should also begin the writing process. Take notes that you can later incorporate into the text of your literature review.

It is important to keep track of your sources with citations to avoid plagiarism . It can be helpful to make an annotated bibliography , where you compile full citation information and write a paragraph of summary and analysis for each source. This helps you remember what you read and saves time later in the process.

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To begin organizing your literature review’s argument and structure, be sure you understand the connections and relationships between the sources you’ve read. Based on your reading and notes, you can look for:

  • Trends and patterns (in theory, method or results): do certain approaches become more or less popular over time?
  • Themes: what questions or concepts recur across the literature?
  • Debates, conflicts and contradictions: where do sources disagree?
  • Pivotal publications: are there any influential theories or studies that changed the direction of the field?
  • Gaps: what is missing from the literature? Are there weaknesses that need to be addressed?

This step will help you work out the structure of your literature review and (if applicable) show how your own research will contribute to existing knowledge.

  • Most research has focused on young women.
  • There is an increasing interest in the visual aspects of social media.
  • But there is still a lack of robust research on highly visual platforms like Instagram and Snapchat—this is a gap that you could address in your own research.

There are various approaches to organizing the body of a literature review. Depending on the length of your literature review, you can combine several of these strategies (for example, your overall structure might be thematic, but each theme is discussed chronologically).

Chronological

The simplest approach is to trace the development of the topic over time. However, if you choose this strategy, be careful to avoid simply listing and summarizing sources in order.

Try to analyze patterns, turning points and key debates that have shaped the direction of the field. Give your interpretation of how and why certain developments occurred.

If you have found some recurring central themes, you can organize your literature review into subsections that address different aspects of the topic.

For example, if you are reviewing literature about inequalities in migrant health outcomes, key themes might include healthcare policy, language barriers, cultural attitudes, legal status, and economic access.

Methodological

If you draw your sources from different disciplines or fields that use a variety of research methods , you might want to compare the results and conclusions that emerge from different approaches. For example:

  • Look at what results have emerged in qualitative versus quantitative research
  • Discuss how the topic has been approached by empirical versus theoretical scholarship
  • Divide the literature into sociological, historical, and cultural sources

Theoretical

A literature review is often the foundation for a theoretical framework . You can use it to discuss various theories, models, and definitions of key concepts.

You might argue for the relevance of a specific theoretical approach, or combine various theoretical concepts to create a framework for your research.

Like any other academic text , your literature review should have an introduction , a main body, and a conclusion . What you include in each depends on the objective of your literature review.

The introduction should clearly establish the focus and purpose of the literature review.

Depending on the length of your literature review, you might want to divide the body into subsections. You can use a subheading for each theme, time period, or methodological approach.

As you write, you can follow these tips:

  • Summarize and synthesize: give an overview of the main points of each source and combine them into a coherent whole
  • Analyze and interpret: don’t just paraphrase other researchers — add your own interpretations where possible, discussing the significance of findings in relation to the literature as a whole
  • Critically evaluate: mention the strengths and weaknesses of your sources
  • Write in well-structured paragraphs: use transition words and topic sentences to draw connections, comparisons and contrasts

In the conclusion, you should summarize the key findings you have taken from the literature and emphasize their significance.

When you’ve finished writing and revising your literature review, don’t forget to proofread thoroughly before submitting. Not a language expert? Check out Scribbr’s professional proofreading services !

This article has been adapted into lecture slides that you can use to teach your students about writing a literature review.

Scribbr slides are free to use, customize, and distribute for educational purposes.

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If you want to know more about the research process , methodology , research bias , or statistics , make sure to check out some of our other articles with explanations and examples.

  • Sampling methods
  • Simple random sampling
  • Stratified sampling
  • Cluster sampling
  • Likert scales
  • Reproducibility

 Statistics

  • Null hypothesis
  • Statistical power
  • Probability distribution
  • Effect size
  • Poisson distribution

Research bias

  • Optimism bias
  • Cognitive bias
  • Implicit bias
  • Hawthorne effect
  • Anchoring bias
  • Explicit bias

A literature review is a survey of scholarly sources (such as books, journal articles, and theses) related to a specific topic or research question .

It is often written as part of a thesis, dissertation , or research paper , in order to situate your work in relation to existing knowledge.

There are several reasons to conduct a literature review at the beginning of a research project:

  • To familiarize yourself with the current state of knowledge on your topic
  • To ensure that you’re not just repeating what others have already done
  • To identify gaps in knowledge and unresolved problems that your research can address
  • To develop your theoretical framework and methodology
  • To provide an overview of the key findings and debates on the topic

Writing the literature review shows your reader how your work relates to existing research and what new insights it will contribute.

The literature review usually comes near the beginning of your thesis or dissertation . After the introduction , it grounds your research in a scholarly field and leads directly to your theoretical framework or methodology .

A literature review is a survey of credible sources on a topic, often used in dissertations , theses, and research papers . Literature reviews give an overview of knowledge on a subject, helping you identify relevant theories and methods, as well as gaps in existing research. Literature reviews are set up similarly to other  academic texts , with an introduction , a main body, and a conclusion .

An  annotated bibliography is a list of  source references that has a short description (called an annotation ) for each of the sources. It is often assigned as part of the research process for a  paper .  

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Rantz: Seattle English students told it’s ‘white supremacy’ to love reading, writing

Feb 14, 2024, 7:08 PM

Image: Lincoln High School in Seattle teachings on white supremacy leads to controversy. Seattle wh...

Lincoln High School in Seattle teachings on white supremacy leads to controversy. (School photo courtesy of the school district website; quiz images provided by a parent in the school district)

(School photo courtesy of the school district website; quiz images provided by a parent in the school district)

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BY JASON RANTZ

The Jason Rantz Show, 3pm-7pm on KTTH

Students in a Seattle English class were told that their love of reading and writing is a characteristic of “white supremacy,” in the latest Seattle Public Schools high school controversy. The lesson plan has one local father speaking out, calling it “educational malpractice.”

As part of the Black Lives Matter at School Week, World Literature and Composition students at Lincoln High School were given a handout with definitions of the “9 characteristics of white supremacy,” according to the father of a student. Given the subject matter of the class, the father found it odd this particular lesson was brought up.

The Seattle high schoolers were told that “Worship of the Written Word” is white supremacy because it is “an erasure of the wide range of ways we communicate with each other.” By this definition, the very subject of World Literature and Composition is racist. It also chides the idea that we hyper-value written communication because it’s a form of “honoring only what is written and even then only what is written to a narrow standard, full of misinformation and lies.” The worksheet does not provide any context for what it actually means.

“I feel bad for any students who actually internalize stuff like this as it is setting them up for failure,” the father explained to the Jason Rantz Show on KTTH.

More from Jason Rantz: Communist Seattle teacher breaks silence to support Hamas, claim ‘ACAB’

Everything is ‘white supremacy’ at Seattle Public Schools

The father asked to remain anonymous for fear of retribution against his child by Seattle Public Schools. He said the other pieces of the worksheet were equally disturbing.

The worksheet labels “objectivity,” “individualism,” and “perfectionism” as white supremacy. If students deny their own racism — or that any of the nine characteristics are legitimately racist — is also white supremacy. Denialism or being overly defensive is a racist example of an “entitlement to name what is an [sic] isn’t racism and that those with power have a right to be shielded from the stresses of antiracist work.”

The father argues the concepts are “incoherent and cannot stand any sort of reasoned analysis.” And he notes that it’s set up to ensure students accept every concept without ever questioning the claims.

“How is a 15-year-old kid supposed to object in class when ‘denial and defensiveness’ is itself a characteristic of white supremacy? This is truly educational malpractice.”

written literature define

Terms and definitions regarding white supremacy given to Lincoln High students.

White students told to apologize in yet another Seattle high school controversy

Another aspect of the white supremacy lesson at this Seattle school involved a video titled “Getting Called Out: How to Apologize” by Franchesca Ramsey. It’s reportedly presented in the context of white students expressing what the teacher views as “white supremacy.”

“Getting called out, in this context of this video, is when you say or do something that upholds the oppression of a marginalized group of people,” Ramsey says.

Ramsey says her advice is about becoming an ally and “doing the right thing.” She explains you shouldn’t “get defensive” by denying you’re oppressing marginalized people, even if you’re not actually oppressing marginalized people.

“What you really need to do is listen because this is where the other person is hopefully going to explain to you what you did wrong and how you can explain it,” she says.

In the context of the worksheet on white supremacy, it seems clear that students must merely accept that they are upholding oppression. Using the worksheet, if a student defends independence or a love of reading and writing, that student is supposed to accept that it’s white supremacist thinking and stop acting independently or loving to read and write.

written literature define

The worksheet on white supremacy.

Father says Seattle Public Schools isn’t serving students

The father says he taught his son to be on the lookout for this kind of Radical Left indoctrination. It’s why his son flagged the worksheets to him. But he notes that the curriculum doesn’t exactly help his kid on the subject he’s supposed to be learning.

“My problem with this curriculum is that this is supposed to be a writing and literature class and lessons like these do nothing to help my kid become a better writer,” the father explained. “I’m sure Lincoln administration will point to the high ELA proficiency scores but the high proportion of HCC [highly capable] kids (40% of the student body) is a big factor. With so many smart, hard working kids (white supremacists) it’s easy to support these luxury beliefs but system-wide only 63% of kids are proficient in English. Is this really the best use of class time? ”

The father also wonders how many students will fall for this toxic thinking across Seattle schools where concepts around white supremacy are so clearly partisan.

“I feel bad for any students who actually internalize stuff like this as it is setting them up for failure,” he said.

Seattle Public Schools spokespeople provided their normal response to requests for comment: none.

written literature define

‘How do white supremacy characteristics show up in your personal lives?’ was a question in a worksheet given to Lincoln High students.

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IMAGES

  1. Forms of Written Literature

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  2. PPT

    written literature define

  3. Definition of Literature for Fundamentals of Literature

    written literature define

  4. What is Literature

    written literature define

  5. Forms of Written Literature

    written literature define

  6. PPT

    written literature define

VIDEO

  1. Oral literature and written literature..important term

  2. What is Literature??

  3. Definition of Literature, Literature as the Reflection of Life and Society, W. H. Hudson, BA English

  4. How to define Hybridization./ and also written with cursive calligraphy

  5. How to define Resonance./and also written with cursive calligraphy

  6. Demystifying Literary Analysis: A Deep Dive into Humanities Writing

COMMENTS

  1. Literature

    literature, a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution.

  2. Literature Definition & Meaning

    literature noun lit· er· a· ture ˈli-tə-rə-ˌchu̇r ˈli-trə-ˌchu̇r, ˈli-tər-ˌchu̇r, ˈli-tə-, -chər, -ˌtyu̇r -ˌtu̇r 1 a (1) : writings in prose or verse especially : writings having excellence of form or expression and expressing ideas of permanent or universal interest literature stands related to man as science stands to nature J. H. Newman (2)

  3. Literature

    Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose, fiction, drama, poetry, and including both print and digital writing. In recent centuries, the definition has expanded to include oral literature, also known as orature much of which has been transcribed.

  4. What is Literature? || Definition & Examples

    1. a quality of invention or inventiveness in the text itself; 2. the reader's sense that what they are reading is singular. In other words, the unique vision of the writer herself. 3. a sense of 'otherness' that pushes the reader to see the world around them in a new way

  5. Definition of Literature

    (Definition of Literature by Celebrated Authors) Definition of Literature The word 'Literature' is a modified form of a Latin word (literra, litteratura or litteratus) that means: 'writing formed with letters'. Let us look at what is literature according to definitions by different celebrated literary personalities.

  6. LITERATURE

    B1 written artistic works, especially those with a high and lasting artistic value: classical / modern literature "Wuthering Heights" is a classic of English literature. Fewer examples He's very knowledgeable about German literature. I had a brilliant English teacher who fired me with enthusiasm for literature at an early age.

  7. 1.1: What is Literature?

    Literature vs. literature. As illustrated in the somewhat silly example above, one way we can define what constitutes literature is by identifying what is definitely not literature.For our intents and purposes of defining most terms in this textbook, we will use the Oxford English Dictionary's definitions.Many professors who teach Literature use the concept of Big L Literature vs. little l ...

  8. What Literature Can Teach Us

    Literature is a term used to describe written and sometimes spoken material. Derived from the Latin word literature meaning "writing formed with letters," literature most commonly refers to works of the creative imagination, including poetry, drama, fiction, nonfiction, and in some instances, journalism, and song. What Is Literature?

  9. Literature

    Literature (from the Latin Littera meaning 'letters' and referring to an acquaintance with the written word) is the written work of a specific culture, sub-culture, religion, philosophy or the study of such written work which may appear in poetry or in prose.

  10. Defining Literature

    Literature, in its broadest sense, is any written work. Etymologically, the term derives from Latin litaritura/litteratura "writing formed with letters," although some definitions include spoken or sung texts. More restrictively, it is writing that possesses literary merit.

  11. 1.6: Defining Literature

    Definition. Definitions of literature have varied over time. In Western Europe prior to the eighteenth century, literature as a term indicated all books and writing. [1] A more restricted sense of the term emerged during the Romantic period, in which it began to demarcate "imaginative" literature.

  12. Literature

    Literature is a body of work that transmits culture. Much of literature is written, but some are also visual (such as plays) and oral (such as folktales). Major forms of literature are nonfiction ...

  13. literature noun

    /ˈlɪtrətʃər/, /ˈlɪtrətʃʊr/ [uncountable] pieces of writing that are valued as works of art, especially novels, plays and poems (in contrast to technical books and newspapers, magazines, etc.) English/American/French literature children's literature great works of literature

  14. English literature

    The term "English literature" refers to the body of written works produced in the English language by inhabitants of the British Isles from the 7th century to the present, ranging from drama, poetry, and fiction to autobiography and historical writing. Landmark writers range from William Shakespeare and Arundhati Roy to Jane Austen and Kazuo Ishiguro.

  15. What is Literature

    Literature refers to written works of imaginative, artistic, or intellectual value, typically characterized by the use of language to convey ideas, emotions, and experiences. It encompasses various forms of written expression, such as novels, poems, plays, essays, short stories, and other literary works. History of Literature

  16. Literary Terms

    Writing in Literature Literary Terms Literary Terms Literary Terms Included below is a list of literary terms that can help you interpret, critique, and respond to a variety of different written works.

  17. PDF What Is Literature?

    define literature in terms of the way it is written. However, literary styles tend to create counter styles. If one finds richly descriptive prose in some literary works, one also finds writing that self consciously avoids such prose. The same goes for ail the characte ristics on the list. This does not show that we need a longer list. If

  18. LITERATURE

    B1 written artistic works, especially those with a high and lasting artistic value: classical / modern literature "Wuthering Heights" is a classic of English literature. Fewer examples He's very knowledgeable about German literature. I had a brilliant English teacher who fired me with enthusiasm for literature at an early age.

  19. 1.2: Why Read and Write About Literature?

    Benefits of Literature. Studies show reading literature may help. promote empathy and social skills (Castano and Kidd) alleviate symptoms of depression (Billington et al.) business leaders succeed (Coleman) prevent dementia by stimulating the mind (Thorpe) These are just a few of the studied benefits of literature.

  20. What Is Literature and Why Do We Study It?

    Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.". This definition is well-suited for our purposes here because throughout this course, we will be considering several types of literary texts in a variety of contexts.

  21. Written literature. What it is, how it arises, types and

    Although it is difficult to define the origin of written literature, the closest approximations allow us to place it in Classical Greece, in particular with the tradition of Western literature. There, it arose from the transcription of epic texts attributed to Homer, such as the Iliad and the Odyssey, fundamental texts in the history of ...

  22. Oral literature

    oral literature, the standard forms (or genres) of literature found in societies without writing.The term oral literature is also used to describe the tradition in written civilizations in which certain genres are transmitted by word of mouth or are confined to the so-called folk (i.e., those who are "unlettered," or do not use writing).. Oral literature is, arguably, the best phrase ...

  23. How to Write a Literature Review

    Examples of literature reviews. Step 1 - Search for relevant literature. Step 2 - Evaluate and select sources. Step 3 - Identify themes, debates, and gaps. Step 4 - Outline your literature review's structure. Step 5 - Write your literature review.

  24. Literature of Mesopotamia

    The literature of Mesopotamia dates from c. 2600 BCE when scribes began composing original works in the region of Sumer.The Sumerians invented writing c. 3500 BCE, but it was then mostly used for record-keeping. The literature of ancient Mesopotamia influenced the works of other civilizations including Egypt, Greece, and Rome.. The pieces in this collection represent only a very small fraction ...

  25. Rantz: Seattle students told it's 'white supremacy' to love reading

    Students in a Seattle English class were told that their love of reading and writing is a characteristic of "white supremacy," in the latest Seattle Public Schools high school controversy.

  26. In History: Toni Morrison on why 'writing for black people is tough'

    When Toni Morrison began writing for her 'neighbourhood,' American literature transformed. "You know it was like listening to jazz musicians, black people in music were very, very critical. They ...

  27. Literature Students Told 'Worship of the Written Word' Is White

    World Literature and Composition students were told that "Worship of the Written Word" is white supremacy because it is "an erasure of the wide range of ways we communicate with each other ...