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Table of Contents
- Rave and Reviews
About The Book
About the author.
James Hamilton is an art and cultural historian. His books include Turner: A Life , which was shortlisted for the James Tait Black Memorial Prize, and A Strange Business: Making Art and Money in Nineteenth-Century Britain, which in 2014 was named Art Book of the Year by the Sunday Times. Hamilton has been the curator of an array of art collections and projects and is a Fellow of the Barber Institute of Fine Arts.
- Publisher: Pegasus Books (November 1, 2022)
- Length: 496 pages
- ISBN13: 9781639362721
Browse Related Books
- Art > History > Romanticism
- Art > Individual Artist
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Raves and Reviews
"In this vibrant text, Hamilton paints a unique portrait of John Constable. Through skillful use and analysis of Constable’s writings, Hamilton takes a deep look into his subject’s life, including his influences, challenges, and tragedies, as well as the misconceptions that have followed the man behind the paintings. An intimate, enlightening look at an indispensable painter.”
– Kirkus Reviews, starred review
“An eye-opening biography. This life of the celebrated landscape painter is full of surprises. The most fascinating pages in Hamilton's book come from his close scrutiny of Constable's canvases, [and the] magnificent color plates lift it on to another plane. They track Constable's career from the early portraits to exciting sky effects like the tempestuous Rainstorm over the Sea, painted in Brighton. Such illustrations make John Constable a treasure."
– John Carey, The Sunday Times
"An excellent biography. Revealing on the life, perceptive on the art."
– Independent on Sunday
“Absorbing. Hamilton has made judicious use of Constable's extensive correspondence and other writings, drawing deeply on these rich resources to bring the artist's own words into the heart of his book. Hamilton is particularly illuminating on Constable's early life. Hamilton is an astute judge of his subject's complex character. Constable may be a challenging subject, but Hamilton's deft use of his compelling voice keeps the narrative moving.”
– Susan Owens, Literary Review
"A wonderful new biography. Hamilton is fascinating on Gainsborough's experimental and innovative technique."
– Financial Times
“A biography as rich with colorful characters as any novel. As a biographer, Hamilton is a patient, perceptive portraitist, attuned to every swerve in the currents of Constable's life. Hamilton captures particularly vividly the timbre of relationships and the textures of Constable's day-to-day life. On a coach back to London from Suffolk in his 50s, [Constable] drew a fellow passenger's attention to Dedham Vale: ‘Is this not beautiful?’ ‘Yes Sir,’ came the answer, ‘this is Constable's country.’ ‘I am John Constable,’ he replied. John Constable: A Portrait will bring you as close as is probably possible to understanding what those four words meant."
– Sunday Telegrapgh
“Hamilton moves deftly between Constable's personal and professional life and the network of relations and patrons that kept him afloat, and he is just as attuned to the radical aspects of Constable's art. In his pictures, as Hamilton shows, nature does not stand decorously stand still but becomes a pulsating, living entity.”
– The New Statesman
“This beautiful biography captures its subject's enchanting, clever, argumentative personality with considerable grace. One of this biography's many pleasures is its descriptions of the wide range of people Constable liked or was interested in. The sense of London society and of the warm humans who populated it, not least Constable's wonderful wife Maria, have an almost novelistic quality.”
– The Spectator
“Gives us an account of the man himself in all his complexity, drawing on his vast correspondence and diaries. Hamilton writes beautifully and his style is so engaging that the pace of this mighty work clips along. Highly recommend.”
– The Field
“The Constable of James Hamilton's illuminating biography is a radical, an artist possessed of an ‘experimental burn’ to paint the skies and seasons in new lights. Hamilton is an assured and insightful guide. He upturns assumptions and encourages you to look with keener eyes.”
– The Times
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John Constable: The Making of a Master Hardcover – October 21, 2014
- Hardcover $17.65 9 Used from $17.65 1 New from $2,470.00 1 Collectible from $2,470.00
- Print length 223 pages
- Language English
- Publisher Victoria & Albert Museum
- Publication date October 21, 2014
- Dimensions 11.25 x 1 x 9.75 inches
- ISBN-10 1851778004
- ISBN-13 978-1851778003
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- Publisher : Victoria & Albert Museum; First Edition (October 21, 2014)
- Language : English
- Hardcover : 223 pages
- ISBN-10 : 1851778004
- ISBN-13 : 978-1851778003
- Item Weight : 3.22 pounds
- Dimensions : 11.25 x 1 x 9.75 inches
- #250 in Oil Painting
- #2,379 in Artist & Architect Biographies
- #5,331 in Individual Artists (Books)
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John Constable – The Life and Works of John Constable the Artist
J ohn Constable was an English painter whose life spanned from the late 1700s until the early 1800s. He helped to revolutionize the art of landscape painting and elevate it to the respected art form it is today. Although he was not successful during his time, he is now thought to be one of the most famous artists in English history.
Table of Contents
- 1.1 Early Life
- 1.2 Constable the Artist
- 1.3 Marriage and Children
- 1.4 Final Years
- 2.1 Composition
- 2.2 Color and Light
- 2.3 The Forefather of Impressionism
- 3.1 Paris Salon (1824)
- 3.2 Royal Academy of Arts (2021-2022)
- 4.1 Drawings
- 4.2 Paintings
- 5.1 Memoirs of the Life of John Constable: Composed Chiefly of His Letters (1980) by Charles Robert Leslie
- 5.2 The Early Paintings and Drawings of John Constable (1996) by Graham Reynolds
- 5.3 John Constable: The Making of a Master (2014) by Mark Evans
- 6.1 What Was John Constable Known For?
- 6.2 How Much Is a John Constable Painting Worth?
Artist in Context: Who Was John Constable?
John Constable was an artist who lived a fairly peaceful existence in the English countryside. Although the life he lived was simple, the impact his art made was profound. This section will give an introduction to John Constable’s biography as well as an insight into his career.
John Constable was born on 11 June 1776 in a small village in Suffolk, England. He came from a fairly wealthy family due to the fact that his father was a corn merchant. During those times, it was typical that the oldest son would take charge of the family business once their father was no longer able to work. Constable was only his father’s second son, but his older brother was severely mentally handicapped and thus, unfit to take over.
Therefore, his father always hoped that it would be John Constable who would enter the family business.
Whilst Constable did work for his father for a time, this was not his dream. Although many advised him against a career in art, his passion was too great to heed them. Realizing that his son could not be deterred, Constable’s father allowed him to enroll in the Royal Academy Schools at the age of 23.
Here, he studied drawing and painting, as well as learned about famous artists such as Claude Lorrain, who would influence his art.
Constable enjoyed painting the rural scenes that surrounded his family’s home en plein air. However, back then, landscape painting was not the esteemed art form it is today. Even those who favored Romanticism painting , which often focused on landscapes, preferred the landscapes of more exotic lands. Although Constable tried to paint scenery from other parts of England, he was always drawn back to his home county of Suffolk. For this reason, the area is now known as “Constable Country”.
Constable the Artist
John Constable’s art was not an instant success. In fact, he struggled to sell his paintings for the majority of his career, and even then, they would not be sold for much. However, he still kept showing his paintings at exhibitions such as the Royal Academy in the hopes that they would one day sell.
Thus, in order to earn money, he often painted portraits.
Back then, there were no cameras, so these were highly in demand. Although his portraits, such as Portrait of John Fisher, Archdeacon of Berkshire (1816) and Mrs. James Pulham, Sr. (1818), were highly praised, Constable found them tedious.
John Constable’s paintings began gaining recognition around 1817. Many applauded him for works such as Flatford Mill (Scene on a Navigable River) (1816-1817), but his paintings were still not selling. His first painting was sold for 100 guineas in 1819.
This not only allowed him to enter the Royal Academy as an associate, but also gave him a level of financial stability that he had not known in his career before.
The year 1821 would mark another event in Constable’s career. On a visit to England, the French artist Théodaore Géricault saw John Constable’s painting The Hay Wain (1821). He thought it was magnificent and expressed his admiration to his French peers.
Many were so inspired they began painting their own countryside in the same manner as Constable.
In 1824, the Anglo-French mogul John Arrowsmith John Constable’s paintings The Hay Wain and View on the Stour near Dedham (1822). Arrowsmith had them both displayed at the Paris Salon of 1824. The two paintings shown at the Salon even received a gold medal from Charles X of France himself. John Constable’s art received rave reviews in France. He sold more paintings here in a few years than he did in England throughout his entire career.
Marriage and Children
John Constable fell in love with Maria Elizabeth Bicknell when they were children. However, Maria’s family was very wealthy and did not believe that Constable was of high enough status to marry her. When Constable decided to become an artist, Maria’s family threatened to repudiate her if they got married. Even Constable’s own parents also advised him against marriage until he could support a family financially.
Unfortunately, both of Constable’s parents died soon after one another. Thus, he inherited one-fifth of the family corn business.
This allowed the couple to get married in 1816 without fear of becoming impoverished. The two had a very happy marriage, producing seven children. However, sadly, three of the seven children (John, Alfred, and Emily) died whilst they were all quite young. For unknown reasons, his other three children Maria Louisa, Isabel, and Lionel did not marry or have any children of their own. The only child to give the artist grandchildren was his son Charles.
In 1824, Constable’s wife Maria fell ill. They believed it to be the early onset of tuberculosis. Thus, in order to try to benefit Maria’s health, the family moved to the seaside town of Brighton. They lived here for four years, however, Maria eventually succumbed to consumption.
This left Constable to raise his children alone, many of whom were still very young.
Maria’s death sent Constable into a deep depression. He expressed this sadness in many areas of his life, refusing to wear any color but black and painting only gloomy scenes. John Constable’s art during this time was highly emotive. One can see evidence of this in paintings such as Hadleigh Castle (1829) and Salisbury Cathedral from the Meadows (1831).
In 1831, John Constable became a guest lecturer at the Royal Academy as well as the Royal Institution. His students were said to have loved him and his lessons. He lectured primarily on his approach to landscape painting, as well as some history of the genre.
His most pressed point was that artists must paint from life, not their imagination, as well as that art, like many things in life, is something that one must study and practice in order to become good at it.
Constable died on 31 March 1837 of coronary infarction. He was only 60 years old at this time. His body was buried next to that of his wife Maria. The St John-at-Hampstead Church, where the couple was buried, would become the place of their family tomb. All of their children would later be laid to rest here as well.
Artistic Characteristics of John Constable
John Constable’s art was groundbreaking and unique at the time of its creation. His paintings showcased novel techniques and color schemes that were not often utilized. This section will take a closer at some of the traits which defined his personal style.
John Constable always painted nature exactly how he saw it, capturing its raw beauty. During this time, it was customary for artists to alter the scene they painted in order to refine and perfect it. They would edit out fallen leaves or neaten up hedges. Constable, on the other hand, was all about conveying a realistic landscape with all of its quirks intact.
Constable also liked to create compositions that unified nature and man.
This desire for harmony between humanity and the elements was typical of Romantic painters. Constable would use a combination of manmade elements, such as building or farming equipment, and untamed landscapes to create interest. Some of his most famous paintings, such as The Hay Wain (1821), showcase this.
Color and Light
John Constable’s use of rich, vibrant colors in his landscapes was highly unique. Until then, landscapes were only ever painted using dull, sepia tones. It is unknown whether this was intentional or whether the varnish used to seal them diluted the colors. Constable deviated from this tradition, choosing to paint his landscapes in rich, complex colors instead.
Constable wanted his paintings to convey what he saw as realistically as he possibly could.
This meant that he had to experiment with new techniques of showing light and motion. This was particularly the case when painting water or the shadows cast by trees. To do this, he would add white highlights to his paintings, something that was fairly out of the ordinary for the time. This can be seen in paintings such as Dedham Lock and Mill (c. 1818/1820) as well as Water Meadows near Salisbury (1820).
The Forefather of Impressionism
Although John Constable was a Romanticism painter, many of his notable art characteristics bear resemblance to the Impressionists who came later. Firstly, the most visible similarity between Constable’s style and the Impressionists is his use of the impasto technique . The impasto technique is when an artist applies a thick layer of paint in which their brushstrokes can be seen.
This was not commonly used in Constable’s time and thus, was not very well received.
Another similarity between Constable’s work and that of the Impressionists was his love of en plein air painting . He loved to paint the countryside surrounding his home. At this time, it was also highly unusual to paint landscapes that contained human figures. This was something Constable loved to do and can be seen in many of his paintings such as Stratford Mill (1820) and Marine Parade and Old Chain Pier (1826). The Impressionists later employed figures in their landscapes regularly.
Important John Constable Artist Exhibitions
Although John Constable struggled to sell his paintings during his lifetime, this did not deter him from displaying them. Constable showed his artworks at plenty of art exhibitions, primarily in England and France. Two of his more noteworthy exhibitions will be discussed below.
Paris Salon (1824)
In 1824, a man named John Arrowsmith purchased two of John Constable’s paintings. These were The Hay Wain (1821) and View on the Stour near Dedham (1822). Arrowsmith, who was of British and French heritage, decided to enter the two paintings into the Paris Salon.
The French were enamored by Constable’s talent and originality.
So much so that he was awarded a gold medal by the king at the time, Charles X of France himself. Not only did this boost his career in France, but it also inspired many French artists to emulate his art style. For this reason, many consider this to be the most important exhibition he participated in during his lifetime.
Royal Academy of Arts (2021-2022)
Although this exhibition was held long after John Constable’s death, it is significant for two reasons. Firstly, Constable was a member of the Royal Academy himself. Not only did he study there, but he also lectured for them for a time. Thus, it is necessary for them to pay homage to him for the contributions he made to their establishment. Secondly, this exhibition is one of the largest displays of his works all in one venue. The reason this is so significant is that it is important that his works be introduced to the new generation in order to prolong his legacy.
The exhibition showcases a number of sketches, prints, watercolors, and oil paintings in order to give audiences a holistic view of his art.
John Constable Artworks
John Constable was an artist who created a large body of work throughout his lifetime. He utilized a variety of mediums including drawing, painting, and printmaking. This part of the article will give some insight into the artworks he created during his life.
John Constable was known primarily for his landscape paintings. Before he created these, often using either oil or watercolor paints, he would sketch the area. However, there are few of his drawings still in existence, making them very valuable. Below is a list of drawings, which now belong to public or private collections.
- Self Portrait (1806)
- Salisbury Cathedral (1823)
- View on the River Severn at Worcester (1835)
John Constable created so many paintings during his career that it would be impossible to discuss them all. Thus, this section will focus on his most famous paintings, a series of six landscapes known as the “Six-Footers”.
John Constable’s paintings were original for a number of reasons but most obviously due to their size. At this time, landscapes were typically completed on a smaller scale than historical or biblical paintings . Constable wished to not only draw attention to his landscapes but also make them appear life-sized, as if one was looking out of a window onto the scene. Due to their immense size, he could not paint them en plein air as he typically would.
Therefore, he created smaller, yet not less impressive, versions of them to use as a reference in his studio.
Each of the six “Six-Footers” displays a scene on the Stour River. This was located close to Constable’s home, where he spent a good deal of his life studying and sketching. This personal connection with the river allowed Constable to put his heart and soul into the paintings. One may also notice that whilst the first few paintings in the series depict serene scenes, the last two, The Lock and The Leaping Horse, contain more activity.
“The Lock” is the only painting in the series which is painted vertically, an unusual choice for a landscape painting.
John Constable was a fairly private man who just wanted a simple life. However, this did not mean that he was dull in the slightest. If you would like to read more about this interesting English artist, check out one of the book recommendations below.
Memoirs of the Life of John Constable: Composed Chiefly of His Letters (1980) by Charles Robert Leslie
Memoirs of the Life of John Constable: Composed Chiefly of His Letters was written by Charles Robert Leslie and published by Cornwell University Press in 1980. The novel tells the story of John Constable’s biography through a compilation of his letters. In these letters, one can learn the views and opinions of the artist stated in his own words. For context, the author has included explanatory notes for those who do not know much about Constable.
- Selected by scholars as being culturally important
- Reproduced from the original and remains as accurate as possible
- Includes original copyright references, library stamps, and more
The Early Paintings and Drawings of John Constable (1996) by Graham Reynolds
The Early Paintings and Drawings of John Constable was written by Graham Reynolds and published by Yale University Press in 1996. It is actually two books, one which contains a collection of 1370 Constable sketches and paintings, and another which contains background information and analyses on these artworks. This book contains beautiful prints of the artist’s work, many of which now belong to private collections.
- A discussion of all the paintings and drawings produced by Constable
- A beautiful two-volume set, with one of text and one of plates
- Describes and reproduces 1370 paintings and drawings in date order
John Constable: The Making of a Master (2014) by Mark Evans
John Constable: The Making of a Master was written by Mark Evans and published by the Victoria and Alfred Museum in 2014. The book focuses primarily on his painting techniques rather than his biography. The book also goes into detail about which artists Constable was inspired by as well as why he is an inspiration to many artists who followed him.
- Reconciles Constable's techniques with reverence for the masters
- Discusses how Constable assimilated the old masters' ideas
- Why Constable is such a powerful influence on contemporary artists
John Constable had a profound effect on the art of landscape painting. Unfortunately, he did not achieve widespread popularity or financial success during his time on earth. However, in the modern day, he is considered one of the most influential Romanticism painters in history. In 2005, his painting “The Hay Wain” was voted Britain’s second best-loved painting by the BBC, showing that his legacy is still going strong.
Frequently Asked Questions
What was john constable known for.
John Constable was an English painter who primarily painted landscapes. Constable completely transformed how people looked at landscape painting, thought of previously as a lowly form of art. He pushed boundaries by using new techniques and painting on a much larger scale than was customary for landscapes at the time. His painting The Hay Wain (1821) was elected the second-best painting in British history by a 2005 survey.
How Much Is a John Constable Painting Worth?
In 2012, one of John Constable’s famous so-called Six-Footers The Lock (1824) sold for an incredible £22.4 million. The Lock was Constable’s most successful painting during his lifetime, being the only one to sell on the first day of its exhibition. It was bought by an innkeeper’s son named James Morrison for 150 guineas. Today, 150 guineas are equal to a measly £157.50.
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John Constable: The Man and His Art. Hardcover – January 1, 1998. by Ronald Parkinson (Author) 9 ratings. See all formats and editions.
A fresh and lively biography of the revolutionary landscape painter John Constable. John Constable, who captured the landscapes and skies of southern England in a way never before seen on canvas, is beloved but little-understood artist.
This major book reconciles the two defining aspects of Constable’s work—his revolutionary painting techniques and his reverence for the old masters. Where other artists competed with the masters, Constable assimilated their ideas and values to imbue his own naturalistic vision with dynamism.
John Constable: a complete chronology and other articles; Constable's Oil Sketches Victoria and Albert Museum; A Sketchbook by Constable Victoria and Albert Museum; List of works held by the Victoria and Albert Museum; 390 paintings by John Constable at www.John-Constable.org