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Posted on Sep 10, 2021

27 Sites for Landing Your Next Freelance Writing Jobs

In our media-saturated world, it’s often not hard to find writing jobs. That said, it’s not always easy to find quality opportunities that pay and let you really buff up your writing portfolio . To help you become a prolific freelance writer, here are 27 sites that can bring you good freelance writing jobs. There’s something for everyone, whether you’re interested in publishing, media, or copywriting; and whether you’re new to the craft or not! Hint: some of these are also great as in-between jobs to give you a break from writing your book while making some extra money.

For jobs in the world of publishing

You don’t have to be an author to be writing in publishing — you can be an editor , a ghostwriter , or you can even have a book marketing job (which involves writing things like flap copies). Here are some of the best sites for you to find those jobs.

Reedsy is a marketplace that connects authors with publishing professionals who can help them produce stellar books. You’d most likely be interested in ghostwriting options. Authors usually help with writing a manuscript or a book proposal — and nonfiction books are quite popular!

Freelance Writing Jobs | Ghostwriters on Reedsy

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2. Personal networks

It’s a cliche tip but it’s the truth — networking can be an incredibly effective way to get ghostwriting jobs . More experienced writers can reach out to previous clients who probably know other authors in need of writerly expertise. New freelance writers can ask family and friends; you’d be surprised how many good stories are lying underneath our everyday lives, waiting for a chance to shine. If you know someone who has a great story they might be comfortable sharing with the world — it could be a business experience, or perhaps a personal journey — pitch the idea to them and see if they’re interested!

💡 Pro-tip: Just because it’s personal doesn’t mean that you have to have met your contacts face-to-face! You can build a personal network on social media platforms like LinkedIn and Twitter as well.

3. Chicken Soup

Remember those soulful short story collections that took the world by storm in the early 2000s? The original authors have been and are still self-publishing lovely compilations throughout the years. They’re always looking for fresh new stories , and though it’s not a long-term gig, the theme varies with time so you can submit different pieces every now and then. For each story (which are capped at 1,200 words), the contributor gets paid $200.

4. Poets & Writers

Poets & Writers collects a wide range of job opportunities for US-based writers who want to enter the publishing industry. There are editorial assistant jobs , teaching jobs, advertising jobs, all of which are related to the sphere of writing one way or another. It’s constantly updated so bookmark it and come back whenever you need a new lead!

5. Quill and Quire

For those based in Canada, Quill and Quire ’s job board is the place to go. The magazine posts full-time, part-time , freelance, and remote positions in publishing houses big and small. Writing jobs are just one of the many professions they promote, so you get options to expand beyond writing. You can also subscribe to their newsletter to get the latest updates sent to your inbox.

6. Publishers Marketplace

If you don’t mind writing-adjacent jobs like editing, you can’t ignore Publishers Marketplace . Just from its name, you know that this is a no-nonsense site that aggregates the latest job postings in the industry. One thing to note is that they tend to list vacancies at traditional publishing houses, so qualifications such as an MFA or editing certificates are often (but not always) a requirement.

Are you open to having an editorial job while you write on the side? You can always find employment opportunities directly at publishing houses’ websites. Big 5 publishers are obvious options, but there are also a lot of independent publishers to check out. Below are a handful of companies that offer part-time or short-term opportunities for those who prefer a freelance-esque working experience.

7. Graywolf Press

Graywolf Press consistently puts out dozens of titles every year, fiction and nonfiction, that amplify the voices of underrepresented groups. The company offers seasonal paid internships and an annual fellowship for those new to creative writing jobs , which you can read about here . Both positions are part-time.

8. The Coffee House Press

It started out small but The Coffee House Press has grown into a boundary-pushing company that brings out thoughtful and award-winning titles. The perks of working at this publishing house goes beyond its exciting projects — there are also remote opportunities !

9. Soho Press

Based in New York, Soho Press is at the heart of the publishing world. The company is recognized for its mystery-specific imprint, and it offers seasonal paid internships , both on- and offline, for those who are interested.

Freelance Writing Jobs | Work on Mystery Books at Soho Press

10. Milkweed Editions

Milkweed Editions stands out for its experimental prose and poetry books — and the company offers two-year fellowships with paid salaries. If you want to be part of a diverse team and learn the ins and outs of book production, don’t forget to check Milkweed out.

11. Tachyon Publications

If you love sci-fi and fantasy, then look no further, Tachyon Publications is where you should apply to. They’re almost always looking for freelance copy editors and proofreaders to help out with new releases, and you might even find in-house opportunities to join their staff and office pets!

For jobs in media, culture, and journalism

Another path writers can go down, especially if you have a strong interest in pop culture, literature, and all the latest trends, is to work for magazines and newspapers. You can write columns, comment pieces, and the likes for plenty of different outlets.

12. Catapult

Catapult is a media company dedicated to helping emerging writers. The company offers classes, runs a magazine, and publishes both nonfiction and fiction titles, so there are several ways you can work with them. If you want to put pen to paper, you’ll be glad to know that the magazine’s always looking for new columnists — you pitch them here .

13. The Atavist Magazine

The Atavist takes creative nonfiction to another level with their monthly long-form stories. Rather than looking for popular profiles, they want you to delve into a character-driven recount of ordinary lived experiences. Their articles are 8,000 to 30,000 words long, so they’re almost like novelettes or novellas , and they offer a baseline payment of $6,000 per story. Find out more about how to pitch them here .

Freelance Writing Jobs | Write an Article for Atavist

14. Narratively

Another story-based nonfiction magazine, Narratively is an alternative for those who love finding hidden stories in life but would prefer to work on something shorter than an Atavist piece. Narratively asks for unique stories with a clear arc that engages the reader, so some creative writing skills are crucial. They pay around 0.10$ per word, and most articles are within the 2,000-5,000 words range.

15. Boulevard Magazine

If you want to write short stories and get paid for it, consider submitting to Boulevard . They’re open to fiction, non-fiction, and poetry submissions from November 1 to May 1, and they pay up to $300 per prose piece and $250 per poem. As with most literary magazines , you will have to space out your submissions, so this won’t pay the bill by itself. Still, it’s a bit of income you can add to your pocket every now and then!

16. Electric Literature

You might’ve heard of Electric Literature — it publishes fiction in its two weekly magazines ( Recommended Reading and The Commuter ) along with plenty of interviews, essays, and book listicles on its website. If you succeed in submitting a piece of flash fiction, short story, poetry, an interview, or an essay, you can earn between $75 and $300. They also host an annual short story contest, with an entry fee of $25, that can earn you $1,000.

✍ Interested in writing contests? Join Reedsy’s weekly short story contest and get the chance to win $250!

17. Longreads

Whether you have a reading list or a unique story to share, Longreads is happy to hear about it. The editors are looking for short listicles and extensive features — you can pitch to them according to these guidelines . Their rates are competitive, and they encourage you to keep sending them pitches even if they didn’t accept you the first time around.

18. Hyperallergic

Looking for freelance writing jobs outside the realm of fiction and authorship but are still related to art and culture? If you’re not one to miss out on the latest exhibitions and you keep up with the art world, you can write for Hyperallergic . They appreciate well-researched magazine articles that display interesting opinions, and they pay around $100 per piece. You can also go for a 10-week paid internship for a more extensive experience with them.

Freelance Writing Jobs | Hyperallergic Articles

19. Vox Media

If you want to go for full-time writing and editing positions at a news outlet, check out Vox Media . With many magazines and ezines under its umbrella, from the culinary publication Eater to cultural sites like The Verge, there are plenty of vacancies to be filled. You’ll find a mix of entry and senior level positions on their board, many of which are available remotely.

20. MediaBistro

For those eager to dive into multimedia production, there isn’t a more comprehensive job hub than MediaBistro . On this site, you can find a wide variety of jobs in magazines (including magazine editor positions, if you're ever interested), television companies, movie studios — the list goes on. While this selection does include more administrative positions, they still provide great inroads into journalist and screenwriting careers.

21. Journalism Jobs

Another option is Journalism Jobs , where you can find pretty much all positions available in the media world. You can try your hand at op-ed and article writing, or you can start editing for newspapers. The work is fast-paced and fact-based, and there’s plenty of room to hone your writing skills!

For marketing and PR jobs

Copywriting and content writing remains one of the most common freelance jobs for those who love words nowadays, which is why it’s a section we can’t overlook. Let’s check out some marketing and PR writing opportunities for you.

22. Contently

As its name suggests, this job marketplace is all about content marketing. Brands and freelancers unite on the same site so that writers can be matched with projects they’re suitable for. The network of clients on Contently includes companies like American Express and GE, which means the pay can be as high as $1 per word in some niches. In exchange, the quality of work has to be top-notch. As such, new writers might find that it takes a while before they get a job via Contently.

23. The Dots

This UK-based creative network functions like LinkedIn: it’s a space for creatives to showcase their profile, mingle with fellow workers, collaborate with one another, and apply to jobs. From TATE to Conde Nast to Burberry, there are global corporations on-site, searching for the next writer to strengthen their business. If you want to connect with like-minded people and keep your eyes peeled for high-profile opportunities, consider joining The Dots’s community .

24. Problogger

Focusing on helping bloggers earn more income, Problogger shares short-form ghostwriting , content writing, and even copy editing job opportunities without asking you to sign up or create an account with them. But consider signing up anyway if you want email updates regarding new vacancies in your preferred niches.

25. Freelance Writing Jobs

Freelance Writing curates a list of opportunities for writers in all industries, including marketing. It’s alway being updated, so be sure to check in every now and then or subscribe to their newsletter to be caught up! There’s really no fuss to the website — it’s just a very handy resource for those looking for freelance writing jobs.

26. Freelancer.com

Alternatively, you can check out Freelancer.com . This page lets you bid on writing jobs, and each client will select the freelancer most suitable for them. The problem with a site like this is balancing the competitiveness of your price with the value of your work so that you don’t undercharge. Doing some research on how much freelance ghostwriters charge beforehand will be necessary if you’re new to the craft.

27. Upwork

Another freelancer site you probably already know of is Upwork . While it uses the same mechanism as Freelancer, Upwork is a little more selective about its freelancers. They vet all applications, which means that you will have less people to compete with. Keep in mind though that, like Freelancer.com, Upwork is known for its lower rates.

And that’s it, those are 27 places where you can find some rewarding and legitimate freelance writing jobs. Apply with your best writing samples and we’re sure you’ll be able to find something for yourself. Good luck!

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35 Great Places to Find Freelance Fiction Writing Jobs

If you’re looking for a way to make some extra money, freelancing can be a great option. Freelance fiction writing, in particular, can be a fun and rewarding way to start building a second income doing something you love.

If you’re interested in freelance writing job opportunities, you’ll find below a comprehensive list of 35 popular sites, including popular writing job boards, content creation agencies, and writing marketplaces.

Can I Make a Living Writing Fiction?

The short answer is yes, you can definitely make a living writing fiction. Freelance fiction writing jobs abound and there are plenty of ways to make money by writing stories for magazines, websites, blogs, and, of course, Relay Publishing !

That said, make sure to keep your writing portfolio up to date and polished. In order to land work consistently, you need to be prepared to market yourself and your services at all times.

It’s also important to be familiar with industry standards and writing guidelines so that you can deliver quality work on spec.

But with dedication and patience, you’ll be able to turn your passion into a lucrative career path, and over time turn a side hustle into a full-time career.

What Skills Do You Need to Be a Freelance Fiction Writer?

If you’re interested in becoming a freelance fiction writer, there are certain skills and traits that will help you achieve success.

For starters, you need to be an excellent storyteller — skilled at crafting plots and characters with depth and emotion.

You also need strong writing skills, creativity, good research skills, and most importantly, flexibility.

While there are sites like Relay Publishing who exclusively look for fiction writers like yourself, be prepared to work on a variety of genres and assignments since writing job opportunities will come from different corners, from corporate blog writing to fiction book ghostwriting.

Where Are Different Places to Get Freelance Fiction Writing Jobs

Below, is a comprehensive list of freelance sites, where you’ll find most of the writing job postings available on the market right now.

Unlike massive job sites like Monster, Indeed, and LinkedIn, the sites below cater to writers like yourself.

Some sites list general writing job postings while others specialize in specific areas, such as content marketing, corporate communications, and so on.

Also, some sites post jobs for free while others offer curated postings in exchange for a monthly subscription fee.

Finally, some sites will want to approve your writing portfolio before they send you writing job opportunities.

So, without further ado, here’s a list of the best places where you can find freelance fiction writing jobs:

Freelance Job boards

In the sites below, you’ll mostly find writing job postings for one-time gig work. Having said that, once you build a relationship with your client and you deliver quality work on time, you may land a continuous stream of commissions that may last for several months and in some cases years:

Blogging Pro

FreelanceWriting

Freelance Writing Gigs

Smart Blogger

All Freelance Writing

WorkinginContent

Best Writing

Freelance Content Creation Platforms

content creation platforms - non fiction writing

The sites below connect companies looking for content creators with freelance writers like yourself. Although most assignments will cater to nonfiction writers, sometimes companies do look writers with strong storytelling skills:

People Per Hour

Writer Access

The Freelance Creative

We Work Remotely

The Writer Finder

Freelance Job Postings (monthly membership required)

The sites below give you access to curated writing job opportunities in exchange for a monthly membership fee:

MediaBistro

Freelance Writers Den

Writers Work

Freelance Corporate Gigs

The sites below cater mostly to large corporate clients looking for top-tier freelance writers. These sites usually have very high standards, so be prepared to present an impressive portfolio:

Constant Content

Freelance Gig Marketplaces

Finally, the sites below are general purpose freelance marketplaces that cater to multiple disciplines, including freelance writing:

Freelancer.com

In Conclusion

Freelance writing offers you a great pathway to start a second income, and paid fiction writing assignments can be especially rewarding. However, you need to be willing to put in the time and effort to develop a consistent clientele.

But with the right skills, disciplined job search, networking, and knowledge of the market, you can build a stream of freelance gigs that overtime will turn your side hustle into full-time income.

So, make sure to keep your portfolio as polished and professional as possible, browse the above sites for job opportunities, pitch your services to potential clients, and above all stay committed — especially at the beginning, when the frequency of the work can be unpredictable.

Freelance fiction writing jobs are out there. Just make the habit of checking the above sites regularly and don’t forget to check our job postings at Relay.

Good luck in your search!

Harry Wallett is the Founder and Managing Director of Relay Publishing. Combining his entrepreneurial background with a love of great stories, Harry founded Relay in 2013 as a fresh way to create books and for writers to earn a living from their work. Since then, Relay has sold 3+ million copies and worked with 100s of writers on bestselling titles such as Defending Innocence , The Alveria Dragon Akademy Series and Rancher’s Family Christmas .

Harry oversees the creative direction of the company, and works to develop a supportive collaborative environment for the Relay team to thrive within in order to fulfill our mission to create unputdownable books.

Relay Publishing wants you

If you think you have what it takes to become a brilliant writer, editor, or storyliner, Relay Publishing has a range of exciting opportunities .

Find out more about us , and get in touch .

We can’t wait to hear from you!

The 10 Best Creative Writing Jobs

Readers are attracted to creative writing because they like to step out of the regular boundaries of day to day life. They like to read about the author’s imaginations, feelings, explanations, and original ideas. Creative writing jobs are jobs that have you writing pieces that are meant to entertain.

Your work should keep readers interested and play on their desire for fantasy and imagination. This is about a writer allowing the imagination to take over a little bit, and let an interesting story to be told.

Creative writing jobs are gathering momentum as more clients are looking for writers who can add some originality and creativity to their business. Creative writing is becoming a part of modern society.

There’s a considerable increase in the demand for quality creative writers. This has, consequentially, created an increase in available creative writing jobs.

The Best Creative Writing Jobs

There are many lucrative creative writing jobs out there that are looking for writers to conjure new and exciting ideas. They want ideas that can help them convey their messages to the audiences in an engaging way.

As a creative writer, you can work with magazines, advertising platforms, websites, freelance sites, and even for yourself. The onus is on you as a creative writer to prove your worth and give the very best of yourself to your readers or audiences.

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Novel Writing

This job entails writing a long work of narrative fiction.

To be a good novelist you need to be creative, productive, and engaging. It equally requires talent, patience, and imaginative alertness since most ideas come from the abstract.

While novel writing can be enjoyable and lucrative, it is not easy. A novel has many elements to consider:

Note-taking
Brainstorming
Perspective
And many more

It’s a long and complicated process. There are many common mistakes you’ll probably make, and then need to correct. Make sure you’re mentally prepared.

A professional author can make around $65,048 per year, though this depends on the value and popularity of their work.

How to Become a Novelist

In order to become a novelist, you first need to write a novel! This is no small undertaking. For some, it takes them years to complete that manuscript.

Fortunately, there are many helpful writing tools out there these days that can make the process easier.

Squibler , for example, is a fantastic novel writing software that aims to help you write and publish your book within 30 days. This may sound like a crazy feat, but with proper organization, it can be done.

Squibler is simple but powerful. It offers you assistance and organization for every part of your novel, from brainstorming to publishing.

Scriptwriting

Scriptwriting will have writers creating scripts for mass media. This includes many things:

Feature film
Television production
Video games
Youtube videos

When people think of script writing , their minds almost always go to movies and TV. This may be the most popular type of script, but it’s not the only kind.

Many online video publications need scripts written as well. Some companies produce web series, which are only available to view online.

To have a good script you first need a good story. From a good story idea , you add sequence, create your scenes, bring in dialogue, cut away dead weight, and revise it.

Scriptwriting is similar to writing a novel in that you’re telling a story. After that, the differences start becoming obvious. You’re not just writing for someone else to read. They’re going to be watching .

This requires many different elements, such as cut scenes, transitions, actions, movements, placement, etc. It will require you to have a good visual sense as well as writing skills.

How to Sell Your Screenplay

There are a few avenues you can take to sell your screenplay to someone who will get it made.

Professional feedback is always valuable. There are consultants and coaches who work in the area of screenplays specifically. They can help you improve the script itself as well as advise you on how to get it sold.
Pitchfests and conferences. Sometimes, a writing conference of some sort will have a pitch component. This is an opportunity to pitch your screenplay to several people. The concept gets some criticism and many will advise you to go in without any expectations. The odds of actually selling your script on this day are low. But, it’s a chance to meet some people, introduce yourself, and make industry connections.
Get an agent. As with books, you can choose to find an agent to represent you. This will cost you some money up front, but a good agent or manager will have a strong list of contacts to itch your script to. They will also have plenty of industry knowledge to share with you.
Contests. These can be tricky and often come with an entry fee. But, they can be a good way to get attention. Should you do well in a contest, your work has a chance of being read by some top industry professionals, depending on the caliber of the contest.

Experienced and advanced writers can make up to one million dollars per screenplay. The low end for a good quality, original script from an unknown, first-time writer may be around $100,000.

Short Story Writing

Short stories can be a tremendous way for creative writers to flex their muscles. Individuals and websites always need writers of short stories – both fiction and nonfiction – to write compelling, exciting and entertaining stories.

To write a captivating story requires you to follow the principles of writing. A good story will contain a beginning, a middle, and an end.

How to Become a Short Story Writer

The process here is similar to that of a novelist. You first must write the stories. Once they are written, you can start the editing process and eventually move into publishing.

Typically, short stories are published in an anthology or collection.

This can be a collection of stories all from the same author. Or, a third party may put together an anthology with stories from many different authors. These usually have a theme of some sort.

The benefit of short stories is that there are many more freelancing opportunities. Websites, blogs, and other online publications might hire a creative writer on a regular basis to contribute short stories.

Or, they may go the route of taking submissions, and paying the writers of accepted pieces. Either way, you can make some money from individual stories in this way – without going through the entire publishing process yourself.

A writer can make up to $30 per hour of writing a story or charge about 12.5 cents per word. Word counts for a short story can range from 2-10,000 words on average.

Poetry Writing

Most people don’t think of poetry when they think of ways to make money from creative writing, but it is a possibility.

This is one of the creative writing jobs that need a very artistic way of writing. Poetry aims to stir the reader’s imagination and create emotion.

A writer can do this by choosing and arranging their words correctly and carefully. You’ll want to pay attention to rhythm, meaning, and sound. Poets can charge around $20 per page if their services are in demand.

How to Become a Paid Poet

Unlike some of the other creative writing jobs out there, it can be incredibly difficult to make your entire living off your poetry. Unless, of course, you get to the point of publishing your own collections – and they become successful.

That being said, there are a number of online publications that will pay you for your poetry. Depending on the type of website as well as it’s popularity, these can pay between $10 and $200 per accepted poem.

To begin, all you must do is research these publications. Find some that take submissions in your preferred style and/or genre, and start sending yours in.

It can be a tedious process. But, if you’re good, you could make a considerable amount of extra money from your prose.

Greeting Card Text Writing

This is an excellent writing job available for creative writers who are good at evoking emotion with a small number of words.

A highly creative mind is needed here. The words need to be clear and concise as well as witty and clever all at the same time.

Greeting cards are written for many different things:

Anniversaries
Get well soon
Expressing condolences
Mothers day
Fathers day

As a greeting card writer, you will need to be detailed. Your words need to be specific to the occasion you are writing for.

How to Become a Greeting Card Writer

The most important thing is to familiarize yourself with the different styles. I already listed off the many occasions that greeting cards are written for, but there are different styles a well.

Humor and poetry tend to be the most popular – with humor cards usually commanding a higher price.

That being said, it’s important, as a writer, to work with where you feel most comfortable and passionate. If you’re a poet and you want to work in this industry, write some beautifully rhymed greeting cards. There is still a huge market for this.

Once you find some you like, seek out their submission process. Some may work solely off submissions, while others may hire regular writers.

Knowing what kind of style, and even what occasion you’d most like to write for will help you determine where to go for employment. You’ll have to research companies that publish greeting cards in your desired area.

On average, a submission will pay around $25.However, a seasoned greeting card writer working for higher-end companies can make up to $300 per approved submission.

Songwriting

You need to be creative to write good songs. Songwriting has several different components:

Some people write every element of a song on their own. Others collaborate. One person writes the lyrics while another writes the music.

Some bands even make it a group effort when creating new songs. How the song gets written will depend on the talents and abilities of all those involved. If an artist is lacking something, that’s where you can come in.

It may be hard to believe, but many of the world’s most famous singers do not write their own songs. Just because someone can sing doesn’t mean they are gifted writers.

If you are both creative and musically inclined, songwriting can be a lucrative career option for you.

To be an original songwriter, you need to be able to visualize ideas and mix sounds together. Originality is key. There are many lawsuits created all the time because someone is being accused of stealing someone else’s song.

You need to be willing and able to put in the work to create something new, fresh, and interesting.

How to Become a Songwriter

The first step is simple – write a song! Many songwriters take classes and receive professional training, while many do not. In the end, it all comes down to how good and how appealing your work is.

Once you have some songs written, you can start sharing them with artists you think might like to sing them. You’ll have to start small and work your way up.

A talented and successful songwriter will eventually have artists coming to them for new material, rather than having to advertise themselves.

A songwriter typically makes $45 – 500 per song depending on the client and job.

Speech Writing

This writing job requires you to create entertaining, convincing, and sometimes humorous content that urges the audience to listen. Speech writing can be for various occasions like weddings, elections, and anniversaries.

Writing a speech needs someone who is expressive enough to be able to articulate deep and thought-provoking ideas in a concise way. They need to be personalized to help sway the audience to the speaker’s side.

Most of the time, a winning speech you should have a little humor in it – everyone loves a good laugh! Of course, there are exceptions to this depending on the context of the speech.

How to Become a Speech Writer

To begin, A speechwriter should have a bachelor’s degree in communications, journalism, and/or English.

Once you have the degree under your belt, it’s time to start gaining experience. There are a few ways you an go about finding work as a speech wrier:

Find employment with a public relations agency. They will have you writing speeches for multiple clients.
Go freelance. This allows you to work on a contract basis for as many organizations and clients as you want.
Occasionally, a company or even an individual may choose to keep a full-time speechwriter on staff.

How to Write a Good Speech

There are many different types of speeches and different settings in which they will be given. That said, there are a few key things to remember when writing a good speech.

Your overall goal is to make a good impression and leave the audience with two or three main takeaways.
Make them remember you. Many speeches have gone down in history, but they tend to be famous for only one brilliant, witty, and/or hilarious line. Use a strong metaphor, an unusual analogy, or shock factor to leave a lasting impression.
Make the opening count. Your audience is most receptive at the beginning of your speech. Grab their attention right away. Questions, funny stories, or shocking statistics can do this.
Make it short, sweet, and simple. If a certain detail or sentence doesn’t help you get your main idea or message across, take it out. A short, easy to understand speech is much more impactful than a long one with a lot of unnecessary detail.

A talented and successful speechwriter can make around $100,000 per year.

Column Writing

This job is about a writer sharing their thoughts, ideas, or opinions within a publication. A column will have a writer who contributes regular articles on the same general topic. For example, an advice column will have the writer answering reader-submitted questions.

Regular readers of the publication will grow to know and like the columnist. Eventually, readers will build trust with them. They will willingly take the advice given, products recommended, or whatever the case may be.

Columns will appear in many types of publications, both on and offline:

Newsletters

How to Become a Column Writer

First, you will need to decide which type of publication you most want to write for. Do you want to write for a print publication like a magazine or newspaper? Or do you want to contribute to an online blog or website?

Some people prefer to be published in print. But, this will limit you to what’s available locally. Pursuing online publications will give you many more options.

Next, it’s all about persistence. Find the publications you want to write for, and get in contact. Not every publication will love your writing or share your vision. Don’t give up.

Writing a Good Column

Writing a good column takes practice. And practice regularly, you must. Publications change their content all the time. If readers aren’t absolutely loving your column you’re at risk of being phased out.

Here are some tips for maintaining a good column, once you’ve gotten in somewhere:

Stay on schedule. Constantly missed deadlines will make you undesirable to work with in no time.
Always be interesting. Don’t let your column get repetitive. Even if you’re always writing on the same general subject, find ways to keep it fresh and engaging.
Spend the proper amount of time on each piece. After a while, writing your column will feel routine. Don’t let yourself slip. It may only be 1000 words, but the quality needs to be top-notch.
Choose your publications wisely. In the beginning, it may be tempting to apply to everything and accept the first offer you get. Don’t rush into anything. Do your research. Many print publications are dying out. You don’t want t jump onto a sinking ship.

Different publications will pay different rates. Often, the more popular and well-known the publication is, the more they will pay their contributors.

Some may be paid a salary while others are paid per article written. On average, however, a columnist might make between $20-30/hour.

A job as a professional editor is something many creative writers decide to pursue. It’s important to know that editing will require much less writing on your part. You will mostly be going over the work of other people.

Even still, editing is a rewarding job that you can take pride in. Editors are often in charge of the entire publication, so you will see a variety of work and writing styles.

This is fun and exciting for some. Putting together a magazine, newspaper or even maintaining a website is a real art. The finished product is something to admire when done well.

How to Become an Editor

Most who wish to be an editor will pursue a degree in journalism, communications, or English. This will give employers confidence that you have the appropriate knowledge, though it’s not always required.

Editors can work on a freelance basis, but it’s more common for a publication, website, or other company to have full time editors on staff.

These jobs are often posted on job boards and websites, or can be discovered through word of mouth.

Skills Required to Become an Editor

While it is a common pursuit, not all writers can also be editors. It does require a certain set of skills:

Extensive knowledge of grammar rules
Extreme attention to detail
Excellent communication skills – you will often be working with writers
Intermediate to advanced computer skills. Even if you are editing for a print publication, most of the work will be done on a computer.
Good knowledge of current communication and publishing tools.

If this sounds like you, perhaps a job as an editor would suit you. The average salary for an editor is about $56,000. However, higher-end publications may pay more.

Ghostwriting

This is a writing job that some don’t like to do. However, if you’re willing to do the work and let someone else take the credit, it can be quite lucrative.

Ghostwriters are people who write something for someone, who then turns around and posts it under their name – or perhaps the company name.

As long as both parties agree to the terms, this is perfectly fine and is actually quite common. Many websites hire ghostwriters to keep their content coming regularly.

Others will pay someone to ghost write an entire book. This could be any number of things:

Short stories or novellas. Some people have a creative idea in mind but aren’t good at writing it out. They will hire a ghostwriter to actually craft the story, but it will be published under their own name.
Nonfiction/self-help books. Again, they have the idea but need someone to structure and write it for them.
How-to guides. Someone has the knowledge, expertise, and process for something. Someone else turns it into a readable and cohesive instructional for consumers.
Their own autobiography. There are some people who have an incredible life story. It’s one they want to share with the world, but they aren’t a writer. Many ghostwriters write someone else’s life story.
Resumes. Every employee needs help with their resume whether that’s for an HR generalist or VP of marketing.

The list can go on. Those willing to ghost write are endlessly valuable to those with good ideas but no real writing skills and/or lack of time.

How to Become a Ghostwriter

Most ghostwriters find their work online, and work is often done on a freelance basis. Freelance job boards, blogging job boards, and LinkedIn jobs posts from HR coordinators are good places to start.

Some websites or companies might advertise for themselves that they are looking for a ghostwriter. With this, all you must do is follow the given application instructions.

The pay range for a ghostwriter is quite large. They can make anywhere from $0.01/word to $0.25/per word. Others go from $10/hour to $100/hour.

The rate you are paid depends largely on your skill level, the amount of experience you have, and the individual client you are working with.

Where to Find Creative Writing Jobs Online

So, now you’ve learned how to turn your creative writing into some money. As discussed above, there are many ways you can go about selling your work or getting hired to produce it.

Some methods are online, while others are done offline. The websites listed below are some good places to get started.

They won’t make you millions. But, you can start building your professional portfolio and generate some cash at the same time.

Flash Fiction Online

This is a good one for those looking to sell their short stories. Every month, they publish a small collection of flash fiction. This is essentially a very short story – between 500-1000 words.

They accept submissions in any genre or category and anyone can submit. They pay out $60 per published story if they are given exclusive rights. For a story previously published elsewhere, they will pay 2 cents per word.

The Sun Magazine

The Sun is an online magazine that publishes a variety of content including fiction, nonfiction , and poetry. They have a lean towards personal writing but are always on the lookout for bold pieces on cultural and political topics.

For fiction and nonfiction, they pay between $300-2000, depending on length. There is no minimum word count, though they don’t like to publish pieces over 7000 words.

For poetry, they pay between $100-250.

If you are interested, they also accept interview pitches and photography submissions. Online submission is easy, and there is no cost.

Rattle is a publication that focuses on poetry. They publish a physical issue four times a year, with around 100 pages of poetry. They also run a blog which will feature one poem each day.

Rattle is passionate about poetry and want to see it revived in this day and age. They also want to encourage poets of all kinds. This means that they don’t care for credentials or previous credits.

If they like your poem, they will publish it.

If your work is featured in a printed issue, they pay $100. For work that doesn’t make the print publication but gets featured on the blog, they pay $50.

It is free to submit, and there are no restrictions whatsoever in regards to length or genre.

Clarkesworld Magazine

Clarkesworld Magazin e publishes short stories and short novellas in the science fiction and fantasy genres. the magazine is published monthly and contains interviews and articles along with several pieces of fiction.

Word counts must be between 10-22,000 words. If accepted, stories are paid at a rate of 10 cents per word for the first 7000 words, and 8 cents for each word over 7000.

Clarkesworld has won many awards and is a well-respected publication that pays its writers well. If you’re a science fiction or fantasy writer , definitely consider submitting here.

Freelance Job Boards

All of the above-mentioned publications are places where you can submit your work for free, and get paid upon acceptance. This can be an effective way to make some extra cash and build your portfolio as a creative writer.

But, it’s not necessarily a way to build a true career. Where applicable, pursue the “real world” avenues. Make connections, talk to agents, practice your in-person pitch.

In addition to this, you may consider perusing some freelance job boards as well. These will often have all kinds of freelance jobs posted – not just writing.

However, once you narrow your search, it can be a good way to find regular clients to hire you on a contract basis. This will create good contacts and a more steady, reliable income.

Short story writing, script writing, ghostwriting, songwriting, and editing can all commonly be found as freelance-based jobs.

Finding a Creative Writing Job is Not Impossible

The term “starving artist” is familiar to most. Many have resigned themselves to making their writing a hobby. You don’t have to do this.

It may be more difficult than obtaining your run of the mill retail job, but you can still do what you love for a living as a creative mind.

Pursue a degree if you think it will help you, and stay persistent. Send queries. Submit your work. Cold-pitch all day long.

Pile up your rejection letters and let them serve as your biggest motivation. With talent, drive, and determination, you will find the people who share your vision. You’ll find the people who value good writing and are willing to pay for it.

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A Literary Tour of Moscow

It’s hard to count the exact number of great Russian writers who showed their love for Moscow. The city has attracted and prompted stories for a long time now, inspiring many to express their writing talent. Thus, Moscow’s literary sights are fully deserving of our attention, and this guide gladly presents you six of them, from museums to apartments.

1. nikolay gogol museum.

Library, Museum

2. The State Museum of Mayakovsky

3. Turgenev's Family House

The portrait of Ivan Turgenev by Vasiliy Perov (1872)

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5. The Apartment of Dostoevsky

Building, Memorial, Museum

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6. The Mikhail Bulgakov Museum

KEEN TO EXPLORE THE WORLD?

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Since you are here, we would like to share our vision for the future of travel - and the direction Culture Trip is moving in.

Culture Trip launched in 2011 with a simple yet passionate mission: to inspire people to go beyond their boundaries and experience what makes a place, its people and its culture special and meaningful — and this is still in our DNA today. We are proud that, for more than a decade, millions like you have trusted our award-winning recommendations by people who deeply understand what makes certain places and communities so special.

Increasingly we believe the world needs more meaningful, real-life connections between curious travellers keen to explore the world in a more responsible way. That is why we have intensively curated a collection of premium small-group trips as an invitation to meet and connect with new, like-minded people for once-in-a-lifetime experiences in three categories: Culture Trips, Rail Trips and Private Trips. Our Trips are suitable for both solo travelers, couples and friends who want to explore the world together.

Culture Trips are deeply immersive 5 to 16 days itineraries, that combine authentic local experiences, exciting activities and 4-5* accommodation to look forward to at the end of each day. Our Rail Trips are our most planet-friendly itineraries that invite you to take the scenic route, relax whilst getting under the skin of a destination. Our Private Trips are fully tailored itineraries, curated by our Travel Experts specifically for you, your friends or your family.

We know that many of you worry about the environmental impact of travel and are looking for ways of expanding horizons in ways that do minimal harm - and may even bring benefits. We are committed to go as far as possible in curating our trips with care for the planet. That is why all of our trips are flightless in destination, fully carbon offset - and we have ambitious plans to be net zero in the very near future.

A Guide to Cautionary Russian Proverbs and What They Mean

The Soviet Union’s Best Heart-Throbs and Pinups

Guides & Tips

A 48 hour guide to astrakhan, russia.

Zhenotdel: The Soviet Union's Feminist Movement

Unusual Facts About the Soviet Union

A Soviet Pilot Went Missing in Afghanistan and Was Found 30 Years Later

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The best halal restaurants in kazan.

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ALL MOSCOW TOURS
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People & blogs about Moscow

Impressions of an expat.

This blog written in the form of fascinating novel-in-progress. Marco North immerses the readers into particular situations expats can face daily but in literary processed version. The blog is widely popular and even is called as «the work of a modern Chekhov».

Site: http://impressionsofanexpat.blogspot.com

Kidding Herself

Kidding Herself is written from the point of view of a five year old girl and is a child’s guide to going out in Moscow. Herself moved to Moscow from London in 2015 with her British Mama, her Russian Papa and her AngloRusski Big Brother. Find out what she thinks about the Kremlin, Red Square, the zoo, more art galleries than she thinks are strictly necessary and the giant Central Children’s Store.

Site: http://kiddingherself.com

FunnyNotesBlog

Mostly the funny notes of Iva coping with Russian life and culture!

Site: https://funnynotesblog.blogspot.ru

Potty diares

This is a blog of an expat mother of two sons, living in Moscow. The author shares her experience on bringing up kids in Moscow, some useful tips and impressions of the city.

Site: http://potty-diaries.blogspot.co.uk

Arty Generation

This is a site about artists and creative people in Moscow.

Site: https://www.artygeneration.com

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Will A.I. Take All Our Jobs? This Economist Suggests Maybe Not.

By Peter Coy

Opinion Writer

Let’s say for now that the day comes when robots and artificial intelligence can outperform human beings at every conceivable job, from waxing floors to waxing eyebrows to waxing philosophical at a lectern. Will there still be work for people?

There could be, says Noah Smith, a blogging economist. “It’s very possible that regular humans will have plentiful, high-paying jobs in the age of A.I. dominance — often doing much the same kind of work that they’re doing right now,” he wrote Sunday on his Substack.

I ran Smith’s argument by several economists who think a lot about these issues, and they were skeptical. But there’s so much pessimism around the future of work these days that Smith’s take comes as a welcome ray of sunshine. That’s why I’m taking it seriously.

Smith rests his case on one of the most beautiful theories in economics: comparative advantage, which boils down to “do what you’re best at.” The theory implies that even if Martha Stewart has an absolute advantage in ironing shirts — she does it better than anyone else in the world — she should still have someone else iron her shirts for her, because her time is better spent on something she’s even better at, namely producing TV shows. (I took this example from a Marginal Revolution University video .)

The relevance to artificial intelligence is obvious. To maximize profit, the owners of A.I. will want to put it to work doing things it’s a million times as good at as people, and not bother with jobs for which it’s only twice as good as people. That leaves space for human beings to keep working for a living rather than taking handouts.

The theory of comparative advantage would hold even if A.I. got super cheap, Smith argues. As long as the computing power available for A.I. is a scarce resource, its owners will always want to put it to its highest and best use. Which is probably not going to be teaching yoga or writing this newsletter.

Problem solved! Or actually not quite. Smith acknowledged one “important and scary” limitation to his argument. That’s the fact that people compete with computers for resources. The resources consumed to employ people, such as electricity for their offices, might be more profitably used to power more artificial intelligence.

Smith referred to a 2013 piece by the economist Tyler Cowen, who pointed out that businesses didn’t keep using horses for transporting goods once trucks were invented, even though horses had a comparative (not absolute) advantage in pulling things. Horses were sent to the glue factory. Not a pleasant thought for human workers.

David Autor, an economist at the Massachusetts Institute of Technology, also used the example of unneeded horses in an email response to my questions. Human workers “have a real cost of upkeep,” he wrote. “Accordingly, humans might become a noncompetitive factor of production for any activity.”

Autor said he didn’t believe that robots and A.I. would become better than people at everything, which is the scenario we’re exploring here. If they did, though, he wrote, “it’s likely that workers would eventually become ‘too expensive to employ’ — or would earn too little to cover their own costs of upkeep.”

Autor is a faculty co-director of M.I.T.’s Shaping the Future of Work Initiative, along with fellow economists Daron Acemoglu and Simon Johnson. Acemoglu emailed me that he, like Autor, is optimistic about a continuing role for people in the labor market. “An upper bound of the fraction of jobs that would be affected by A.I. and computer vision technologies within the next 10 years is less than 10 percent,” he wrote.

Like Autor, though, he said that to the degree that A.I. does get better than people at everything, one shouldn’t expect human labor to gain market power or even hold its own.

Ethan Mollick, who teaches innovation and entrepreneurship at the University of Pennsylvania’s Wharton School, has a new book, “Co-Intelligence: Living and Working With A.I.” He writes that A.I. is really good at exactly the types of things human beings pride themselves on, such as creativity. “Research by economists Ed Felten, Manav Raj and Rob Seamans concluded that A.I. overlaps most with the most highly compensated, highly creative and highly educated work,” Mollick’s book says.

That would imply that the jobs A.I. will leave for us human beings will be the scut work. Mollick isn’t that pessimistic himself, but he did tell me that everyone who gets deep into A.I. has “at least one existential crisis,” where his or her economic value as a flesh-and-blood being is questioned.

I asked Smith by email what he thought of the comments by Autor, Acemoglu and Mollick. He wrote that the future of human work hinges on whether A.I. is or isn’t allowed to consume all the energy that’s available. If it isn’t, “then humans will have some energy to consume, and then the logic of comparative advantage is in full effect.” He added: “From this line of reasoning we can see that if we want government to protect human jobs, we don’t need a thicket of job-specific regulations. All we need is ONE regulation — a limit on the fraction of energy that can go to data centers.”

That made me optimistic about jobs again — until I interviewed Pascual Restrepo, an associate professor of economics at Boston University. Autor recommended him because he recently gave a presentation about humans in the age of A.I. titled, “You Won’t Be Missed.”

Restrepo likened the conquest of jobs by A.I. to a rising tide that covers one rock at a time until eventually they’re all underwater. “You can still put in your time and call it work,” he said. “But its value will be a shrinking share of all the value that’s created.”

Comparative advantage is real, but it won’t stop A.I. from taking over everything if it’s better at everything and computing keeps getting cheaper, Restrepo said. We can still work, but by working, we are at best saving the A.I. some computational resources. When we apply our puny brains to a problem for an hour, we’re sparing the A.I. from having to spend a split second on it, enabling the A.I. — like Martha Stewart — to spend that split second on what it does best, which is generating enormous amounts of value from things we can only distantly perceive today. The owners of A.I. will happily pay us for that service.

The payment we get in terms of goods and services could look quite large by today’s standards. But it would be tiny compared with the overall wealth in society, most of which would be created by A.I., Restrepo said. So, people wouldn’t need jobs. Work would cease to be central to our lives. The bright side? If the gains are shared widely (not a certainty), we’re talking about a future of unimaginable luxury for all.

The Readers Write

Dear Readers: Thank you for telling me about the coincidences in your lives. Many of your stories were amazing. Then again, as some skeptics pointed out, even extremely unlikely things are bound to happen occasionally. I sense from your mail that perceiving coincidences as meaningful often comes from a yearning for connection — to a lost loved one, to an old friend, to a younger self.

You wrote that rolling 10 sixes is no less probable than rolling 6-2-4-5-1-3-2-5-4-6. I disagree, based on a statistical method called chi-square goodness of fit. The series of sixes has such low probability that we can infer a loaded die, while the other pattern is highly consistent with chance (97.7 percent likelihood that the die is fair). While human pattern bias is certainly real, sometimes something that smells funny truly is.

Shannon Walker Indianapolis, Ind.

I am in the “just a coincidence” camp. To explain, I recommend the hilarious Spurious Correlations website , which is full of meaningless coincidences. For example, Cheddar cheese consumption in the United States is highly correlated with solar power generation in Haiti, and petroleum consumption in Azerbaijan is highly correlated with the distance between Neptune and Mercury.

Brian Brady Seal Beach, Calif.

I specialize in twin studies. Identical twins display more “coincidences” than fraternal twins. The rarer the behavior, the more likely it is to signify a meaningful connection that is likely to partly reflect genetic underpinnings. For example, one pair of identical twins raised apart met at age 25. Both twins used a rare Swedish toothpaste called Vademecum.

Nancy L. Segal Fullerton, Calif. The writer is a psychology professor at California State University, Fullerton.

Regarding your piece on the Realtors settlement : As a recent seller of a property in Australia, I paid 1.8 percent to our selling agent. When we want to buy a property, we just usually go online to look for listings of properties ourselves, or buy the Saturday newspapers, where the properties for sale are usually published. The operative word being “ourselves.” We don’t pay someone else to look for us or represent us to buy our property for us, and therefore we don’t pay a buyer agent’s commission.

Khoon Tan Sydney, Australia

Why is it that the conversation about retirement never addresses personal responsibility? At age 73 I am living very comfortably, with an in-city condo and a small summer farm in the country. I circumnavigated the world when I was 28, sleeping in the jungle in Thailand and in caves in Crete when I had to, and wheeling and dealing on the streets of Hong Kong when I needed cash. Today, I receive Social Security payments well below the national average, have no pension plan and minimal savings in the bank, but have no debt. I dress in designer clothes, which I buy at thrift stores. I make my own coffee in the morning. I am a member of a reciprocal museum association, which allows me to view the finest art for the cost of a single museum membership. I don’t belong to a gym but have exercise resistance bands that cost me $6. Sit-ups and push-ups don’t cost me anything. Walking doesn’t cost me anything. No “crisis” here.

Matthew Cassis Damariscotta, Maine

Quote of the Day

“A gun is not an argument.”

— Ayn Rand, “Capitalism: The Unknown Ideal” (1966)

Peter Coy is a writer for the Opinion section of The Times, covering economics and business. Email him at [email protected] . @ petercoy

Building, Architecture, Outdoors, City, Aerial View, Urban, Office Building, Cityscape

Communications Specialist

Madison, Wisconsin
LAW SCHOOL/LAW SCHOOL-GEN
Communications and Marketing
Staff-Full Time
Opening at: Mar 29 2024 at 13:45 CDT
Closing at: Apr 14 2024 at 23:55 CDT

Job Summary:

The University of Wisconsin Law School's External Affairs (EA) team seeks a communications specialist to handle essential writing, editing, proofreading and publishing tasks. Primary focus areas include social media, newsletters, web posting and news stories/features. This person will also help fulfill other needs for creative and engaging print and digital content and overall provide support across EA, a collaborative, energetic team in charge of communications, events, Continuing Legal Education and alumni affairs. As a leader and innovator in legal education, UW Law boasts an abundance of stories to tell in multiple formats about our students, faculty, staff and alumni. This position will report to the Associate Director of Communications and receive guidance from the Communications Manager.

Responsibilities:

10% Monitors reach and effectiveness of communication campaigns, projects, and initiatives
10% Plans editorial content according to established goals and objects
10% Communicates with stakeholders to verify requests and identify editorial resources
50% Writes, edits, and publishes content for various communication projects and marketing platforms to align with strategic initiatives and established communication campaigns
20% Provides project management and execution of communications programs, initiatives, and tactical plans

Institutional Statement on Diversity:

Diversity is a source of strength, creativity, and innovation for UW-Madison. We value the contributions of each person and respect the profound ways their identity, culture, background, experience, status, abilities, and opinion enrich the university community. We commit ourselves to the pursuit of excellence in teaching, research, outreach, and diversity as inextricably linked goals. The University of Wisconsin-Madison fulfills its public mission by creating a welcoming and inclusive community for people from every background - people who as students, faculty, and staff serve Wisconsin and the world. For more information on diversity and inclusion on campus, please visit: Diversity and Inclusion

Preferred Bachelor's Degree

Qualifications:

The ideal candidate will be creative, productive and energetic. Strong written and verbal skills required. Experience with social media writing, campaigns, software and analytics required. Experience with newsletter campaigns and software strongly preferred. Experience with web publishing preferred. Experience with video creation and editing preferred.

Full Time: 100% It is anticipated this position requires work be performed in-person, onsite, at a designated campus work location. Some remote work flexibility may be possible after training and an evaluation period.

Appointment Type, Duration:

Ongoing/Renewable

Minimum $50,000 ANNUAL (12 months) Depending on Qualifications

How to Apply:

Applicants must submit a cover letter, along with 3 writing samples and a resume through the Jobs at UW website ( www.jobs.wisc.edu ) Job #295745 by the consideration date. The 3 writing samples should be attached as a part of the cover letter, or active links to a portfolio or work online. Samples could include a professional social media post or campaign, a professional newsletter and/or a brief news story.

Justin Boehm [email protected] 608-890-4466 Relay Access (WTRS): 7-1-1. See RELAY_SERVICE for further information.

Official Title:

Communications Specialist(CM004)

Department(s):

A45-LAW SCHOOL/LAW-EXTERNAL AFFAIRS

Employment Class:

Academic Staff-Renewable

Job Number:

The university of wisconsin-madison is an equal opportunity and affirmative action employer..

You will be redirected to the application to launch your career momentarily. Thank you!

Frequently Asked Questions

Applicant Tutorial

Disability Accommodations

Pay Transparency Policy Statement

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Website feedback, questions or accessibility issues: [email protected] .

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When you’re stuck in a job that is unfulfilling, what’s next?

Businessman climbs up ladder of job search bar with telescope to see opportunity.

Take control of your career. Become your own career coach. Make things start to happen for you.

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I work with people in the middle of their working lives, in careers they no longer find fulfilling.

Or they’re working for a company that’s going downhill fast or merging.

William is a good example.

When he was in his early 20s, he took a part-time job as a bank teller while he was still in college. He majored in business administration and was a fast learner and a hard worker. After graduating, the bank asked him to remain full time, and he jumped at it.

Sweet. No job search needed. He was on a glide path to middle management or better.

But fate got in the way.

Our friend William is now in his 50s. He’s at his third bank and unhappy in a mid-level role that seems to be going nowhere.

Meanwhile, he can’t help wondering, “Is this all there is?”

He told me that he’s grateful to have a job, but he’s growing more anxious, wondering what’s next, with no idea where he’s likely to be in a few years.

Worse, after I asked him an open-ended question, he admitted that he never liked banking from day one. He was good at it, got promotions and was paid well. But he realizes that he took the easy way out and accepted the first job he was offered.

Stuck in middle management at a financial institution

William now closely follows the news of banks merging, right-sizing and even going out of business. He’s stuck in middle management at a financial institution and news of layoffs in that field haven’t been encouraging.

Same goes for the tech field, especially here in California. Even though the national economy seems to be thriving, news of major tech layoffs aren’t surprising anymore.

I’ve had countless conversations with clients who, after spending too many years in a career they never really liked, say to me and themselves, “What was I thinking?”

William, who has great skills, was confident he would do well in any career. He promised himself that he’d never become a dinosaur with no options. He’s aware that things are changing around him, but he doesn’t know what to do about it.

When I told him that he had a couple of obvious choices, he perked up.

No doubt hoping I was about to sprinkle him with a few minutes of expert advice that would magically lead him to a new exciting, dynamic career path out of banking, I had his full attention.

First, he agreed with me that it’s always easier to get a job when you already have one. That’s a given.

But the big hurdle came when I asked him what he really wanted to do with his career, and his answer was, simply, “I don’t know.”

Bad and scary answer.

While you still have a steady paycheck

It’s hard to acknowledge that the industry you’ve chosen is shrinking, and even harder when you don’t know where to turn. But it’s so much better to come to this realization while you still have a steady paycheck.

There are clear steps that struggling employees can start to take, beginning with developing a career plan, researching four or five potential new career paths, and focusing on finding a new job that they can be excited about.

I cautioned William not to sit back and think a headhunter will come calling, and not to rest on his laurels of doing a good job, or pretend that he’ll never be laid off.

I advised him to take the initiative to find a career that will let him wake up every morning excited to go to work.

I also told him to be truthful with himself. How many years did he expect to keep working? What’s the best way to make the most of those years?

Oh, and rid yourself of the “I don’t know” syndrome.

Take control of your career. Become your own career coach. Make things start to happen for you. You may even find it fun and, for sure, interesting as you learn about other options you have.

Don’t continue to be like William. Don’t let your future fade away.

Blair is co-founder of Manpower Staffing and can be reached at [email protected] .

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FILE - Job hunters line up for interviews at an employment fair sponsored by the New York State Department of Labor, Wednesday, Oct. 8, 2014 in the Brooklyn borough of New York. Just four months ago, city lawmakers overwhelmingly voted to require many ads for jobs in the nation's most populous city to include salary ranges, in the name of giving job applicants — particularly women and people of color — a better shot at fair pay. But on the cusp of implementing the measure, lawmakers voted Thursday to postpone it for five months after employers waved red flags, though businesses didn't get some other changes they wanted. (AP Photo/Mark Lennihan, File)

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Julia Alvarez wrote her new novel as if it were her last

‘the cemetery of untold stories,’ written as alvarez was going through a health crisis, grapples with the prospect of work left unfinished.

Julia Alvarez, 74, has been thinking a lot about what it means to be an elder. In her latest novel, “ The Cemetery of Untold Stories ,” the central character — a celebrated Dominican American author, like her creator — regards her literary reputation with skepticism: “The glow of celebrity now tinged with nostalgia might keep the fan fires going, but Alma didn’t want anyone’s condescension or pity. The time had come to stop beating herself up for not being able to finish anything. She was trying to hold on to the literary version of good looks, the plastic surgeries of astute agents and editors nipping and tucking the flagging work.”

Like “ How the García Girls Lost Their Accents ,” Alvarez’s pathbreaking novel from 1991, her new book explores sisterhood, immigration and return, and family secrets. But it also charts new, at times surreal, territory for Alvarez. Alma, unwilling to simply coast on readers’ nostalgia, resolves to build a little house on some inherited land in the Dominican Republic, where she literally buries her unfinished work. But the characters of these abandoned projects have their own ideas: They whisper their stories to Filomena, a local woman hired as the cemetery’s caretaker, and to Filomena’s nephew Pepito, an aspiring academic.

I spoke to Alvarez over video in late March. This conversation has been edited for length and clarity.

What were the first seeds of this novel?

As I get older, I’m more and more interested in the landscape of aging. What does this experience — the end of your life, latter life — feel like? More specifically, what is it like for someone who has spent a lifetime in a craft? I didn’t have answers. I was just curious. My last novel, “ Afterlife ,” came out during the pandemic, in 2020. There was a sense of mortality — not just the aging of a population, but the aging of a planet. Everyone felt it was the last days. Also, a lot of attention was being focused on us, the vulnerables!

When I could wrap my head around writing at all, because we were all so shellshocked by what was going on, I started working on this novel. I realized, I have all these stories I want to tell, and I have boxes where I began novels that dead-ended or researched a historical figure or had these little jottings. It was so many boxes. You know, when you’re young, you think, Someday I’ll get to that . When you’re old [laughs] and getting older, you know, there’s not going to be time to get to all of them. How do you make peace with that? And how do you make peace with the characters that have been haunting you, and how do you exorcise them?

I started writing and in the midst of it, I had a health crisis. I lost vision in my right eye. And after two major surgeries and a long recovery and not being able to read — the other eye was seeing double — I didn’t think I was going to be able to finish. I was finally fitted with these prism glasses, and I worked very slowly, maybe an hour or two at a time, because of the strain. There was a new urgency to the novel — as if it were the last novel I would ever write.

I’m struck by the way you describe having to work in this more limited, very careful way. Was that a big change from the way you’ve typically written?

I think I’m a little impatient to get something written, usually. And I just had to be patient. It’s not that I didn’t want to grab [the characters] while I could and get it down; it’s just that I couldn’t. So maybe that forced me to be a little more like Filomena in the book — to listen more carefully. And there was, I have to say, ironically — not that it wasn’t hard, as writing is always hard, and bad days are hard — a new joy in the writing. Because I was doing the thing I love that I thought I would never get to do again.

Alma, Filomena and the other characters think a lot about the ethics of storytelling. There are many people in their lives who are angry or irritated by the way their stories have been shared. Has that been on your mind more than it has been in the past?

Of course, I do wonder — I’ve had a lot of flak, especially when she was alive, from my mother. I used to joke that I think every Latina of my generation could start their novel: “Mami told me to keep my mouth shut about this.” A woman wasn’t supposed to have a public voice or bring up certain tricky, sensitive issues. There was that sense of: Are you betraying caution and a sort of courtesy that you were supposed to have for your family? Are you being disloyal to that family, in order to be loyal to the story?

That is always a tension for any thoughtful writer — but also as a writer who comes originally from another homeland, a so-called Third World that has often been exploited for the ease and comfort and pleasure of the First World. Is there a literary version of that? I don’t have any answers; that would be death to the novel. I just have a lot of questions and inquiétudes.

But part of the reason that Alma, a.k.a. Scheherazade, takes her unfinished manuscripts back is to lay them to rest in their native land. It’s a way of bringing them back to where they maybe really belong — and at the same time, giving over the narrative to the storytellers who won’t get their tales told by the big megaphone of the First World.

She also gives that material to Pepito, this younger writer on an academic fellowship, which isn’t going so well, and who really wants her papers. I was so intrigued by this character, because you could have made him this figure of fun, or an interloper, but you didn’t. How did you think about this young writer in relation to the older one?

Well, Pepito is tenure track [laughs] and really sweating about getting this book out and making it acceptable. He’s writing about multicultural writers, ethnic writers and so forth, and has to tie that to canonical writers to boost his subject matter and get it accepted by the people who are going to be deciding his fate. And he experiences a kind of liberation: His encounter with Alma and with the stories buried in the graveyard liberate him to connect with what he was neglecting, out of survival instinct. He represents, as you said, the younger generation. There’s transmission going on. Alma, Julia Alvarez, any living older writer — we might not get the story told. But it’s not “après moi, le déluge.” Someone will come.

One of my events in New York will be with Elizabeth Acevedo and Angie Cruz — and me, la vieja. And in that audience there will be younger versions of all of us, coming forward with stories. I’m just thrilled by that generational unfolding.

I have a bit of a silly question to ask —

Curiosity is never silly.

Well, in an interview you mentioned that there is sometimes a secret soundtrack to which you write your novels. For “Afterlife,” it was a Leonard Cohen song, “Anthem.” Was there one for this book?

Huh. Well, I was listening to a lot of Dominican music, to hear what was going on in the barrio. But I’d have to think about that — and I really should, because I’m trying to develop my hearing intelligence. I’m now certifiably visually impaired, as we’re called. Through a program at the Library of Congress, you can get most books on tape, so that’s been wonderful. But I have to learn to really focus — not with my eyes, but with my listening. Because my mind will stray.

I’m a big birder, and now I’m not able to really make out the birds at the bird feeder, so in the morning, when I’m doing my yoga, I listen to a CD of birdsongs and calls.

In college, I had this professor who was the opposite: He was an expert in birdsong , but lost his hearing, so he started studying the structural color of feathers.

Gosh, doesn’t God have a sense of humor? At the beginning, I said, “Why not my hearing? Why not something else? I need my eyes!” As if we can cherry-pick our afflictions. But when you love something passionately, you’ll find a way. If worse comes to worst, somebody just get me a little chair and prop me up in our small town of Middlebury, [Vt.], and I’ll just be a storyteller. Instead of playing an instrument, I’ll tell stories.

On April 5, at 7 p.m., Julia Alvarez will discuss her new novel with Marie Arana at Politics and Prose (5015 Connecticut Ave. NW) in Washington.

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Bridge collapse in Baltimore draws attention to dangerous jobs Hispanic workers face

NPR's Debbie Elliott talks to Gustavo Torres, executive director of CASA, a Latino and immigrant organization, about the construction workers who were on the bridge when it collapsed Tuesday.

DEBBIE ELLIOTT, HOST:

Minutes before a cargo ship brought down the Francis Scott Key Bridge in Baltimore on Tuesday morning, the ship's crew sent a mayday signal. That was just enough time for authorities to shut down the bridge to auto traffic, but not enough time to warn the overnight construction crew that was working on the bridge fixing potholes.

Joining me now is Gustavo Torres, the executive director of CASA, an advocacy organization for immigrants and working-class people in Maryland. Two of the construction crew members were active with the group. Good morning, Mr. Torres.

GUSTAVO TORRES: Good morning.

ELLIOTT: Recovery workers pulled two bodies out of the Patapsco River yesterday. Four more crew members are missing and presumed dead, including, as we noted, two who were part of your organization. My condolences.

TORRES: Thank you very much. I really appreciate that.

ELLIOTT: Can you tell us a little bit about them?

TORRES: Absolutely. Miguel Luna from El Salvador - he left at 6:30 p.m. Monday evening for work and since had not come home. He's a husband, a father of three, and has called Maryland home for over 19 years. And Maynor Suazo Sandoval, a second CASA member impacted by this tragedy, he has been in this country for the last 17 years from El Salvador - from Honduras, I'm sorry. He was an extraordinary human being as well. Actually, he was also a husband and father of two. The family was gearing up for his birthday celebration on April 27. They were very active in CASA, helping the communities not only way over here, but also in their country of the region. They were an amazing human being, also fighting for immigration reform as well.

ELLIOTT: You know, the U.S. Bureau of Labor Statistics estimates that up to a third of construction workers in 2020 were Hispanic, and many are foreign-born, and that they are at particular risk of fatal injuries because of the type of work that they do. How does this show up in the challenges that workers in your group face?

TORRES: Yeah, that is really, really a reality. In particularly the Washington, D.C., and Baltimore metro area, we have around 130,000 immigrants who work in this essential work. And we see - all the time see these kind of accidents. In fact, almost a year ago to the date of the bridge collapse and also on the 695 highway, six highway construction workers, half of them Latinos, were killed in Maryland after being struck by a speeding car. So that is the kind of situation that we see all the time. And they are people who are undocumented or they have TPS, which is a legal status - they cannot qualify to become U.S. citizens.

ELLIOTT: You're talking about temporary protected status.

TORRES: And that is, in part, the reasons why they feel these kind of challenges, because they don't have health insurance and they are very scared to report. So that is the kind of the situation that we face in the D.C. area and beyond.

ELLIOTT: Now, in addition to the victims and their families, there must be many more immigrants among the 15,000 people who work at the Port of Baltimore, for example. How does this tragedy affect the larger immigrant community in the region?

TORRES: It's huge. I mean, it's a big impact. And again, it's because the way - how we feel right now, we feel under attack. As you know, it's a lot of attacks to the immigrant community all the time. And we are scared, and people are scared. I know that people are super scared about this, and this kind of tragic is bringing more additional pain to our community. But it's a community who are ready to keep fighting, a community who really, really want to make a difference in this country. And we are going to keep moving forward and make sure that we are going to finally one day pass immigration reform, or at least TPS. And the President Biden had that power to be able to provide legal status for our families.

ELLIOTT: Gustavo Torres is the executive director of CASA. Thank you so much for speaking with us.

TORRES: I really appreciate that, and thank you for the opportunity.

NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.

US says it warned Russia 'in writing' about threat before ISIS concert shooting in Moscow

WASHINGTON ― The U.S. had warned Russia "in writing" about the terrorist attack at the Moscow concert venue that left at least 143 dead, the White House said Thursday.

John Kirby, a White House spokesman on national security, condemned Russian President Vladimir Putin for blaming others even after ISIS had claimed responsibility for the attack. He said the U.S. warned Russian officials about the terrorism threat in their country two weeks before the massacre.

Russian officials have "sought to deflect blame onto Ukraine, the United States and everyone else who suits their political narratives," Kirby said in a call with reporters.

"It's abundantly clear that ISIS was solely responsible for the horrific terrorist attack in Moscow last week," said Kirby. "In fact, United States tried to help prevent this terrorist attack, and the Kremlin knows this."

Ahead of the attack on Mar. 22 at Moscow's Crocus City Hall, Kirby said the U.S. provided "clear, detailed information" about a terrorist threat at large gatherings and concerts in the Russian capital.

He said the first correspondence was made Mar. 7 to Russian security services followed by a public advisory the next day Mar. 8 warning U.S. citizens to avoid large gatherings and concerns in Moscow.

Russian news outlet SHOT published a video of an exchange in which a reporter asked Nikolai Patrushev, the secretary of Russia's Security Council, whether it was "ISIS (Islamic State) or Ukraine?," according to Reuters.

"Of course Ukraine," Patrushev replied. Asked about the remark later, he said there were "many" indications of Ukrainian involvement.

Ukrainian presidential adviser Mykhailo Podolyak denied the accusations.

"Ukraine certainly has nothing to do with the shooting/explosions in the Crocus City Hall (Moscow Region, Russia). It makes no sense whatsoever," Podolyak wrote on X on Mar. 22.

Meanwhile, Russia, on Mar. 22, launched the largest wave of missiles and Iranian - supplied drones against Ukrainian cities since the start of the war two years ago .

The attack left more than one million homes without electricity. The targets included power plants and energy supply lines, a hydroelectric dam, ordinary residential buildings and "even a trolleybus," according to Ukrainian President Volodymyr Zelenskyy.

"Russia is at war with people's everyday lives," wrote Zelenskyy. "My condolences to the loved ones of those killed by this terror."

Swapna Venugopal Ramaswamy is a White House Correspondent for USA TODAY. You can follow her on X @SwapnaVenugopal

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